Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Detective Megan Nell is a 7 year veteran of the Greensburg, North Carolina Police Department. She has spent the last three years in the Homicide Division, with her partner, Detective Greg Mallard, at her side. Together they investigate a string of bodies found floating in a secluded lake on the outskirts of their small but vibrant town. With events she never predicted, Megan ends up in a fight for her life. Will the sins of her father’s crimes come back for her?

Being an empath means I get to feel everything that everyone else feels. The good, the the bad, and the disgusting. Some people gain the ability to do cool things like move things with their mind or control the elements. Some people can even save lives with healing abilities. Me? I just get anxious. That’s what I get.

Icy, aloof professor Vivienne Carter is too busy working and raising her teenage niece to have time for a relationship. When she discovers a business card for mysterious Selene, a local dominatrix, Vivienne is intrigued. Why not get her itch scratched? No feelings need be involved. But then she discovers her alluring dominatrix is actually the bossy new principal at her niece's high school.

THIRTY DAYS. That’s all Adam Steinbeck demands of his wife. Thirty days in a remote cottage, doing everything he demands, then he’ll sign her divorce papers, give her his half of their company, and walk away. He has 30 days to rediscover the man he once was. The Dominant Master he hid when he fell in love with the woman who would leave him five years later. Diana wants the company they built badly enough to go to the cottage with him. She’ll give him her body, but her heart will never yield. She thinks this is his pathetic attempt to repair their marriage. She’s wrong.

My whole life is squeezed inside these walls. I can't remember the last time I left this building. My guardian, Ethan, tells me it's to keep me safe. During his visits, he tells me the world is dark and full of evil. The evil that killed my parents, stole my family from me, and left me in Ethan's care. He wants me to stay here. Forever. When a group of men break into my prison, I make a reckless decision. Information in exchange for freedom. Danger in exchange for safety.