Próximamente

After countless failures (let’s not dwell on it), Davi has finally saved the kingdom from evil–by becoming the Dark Lord herself. But now, the hordes of wilders are at her command, and they still want blood. Human blood. And Davi’s not sure she can commit to the total extermination of humanity.

Life hasn’t been easy for Finlay Donovan lately, but it just got a whole lot harder. Her nanny and partner-in-crime, Vero, has been extradited from Virginia to Maryland, where she’s facing criminal charges for a theft she swears she didn’t commit. A prisoner to an ankle bracelet as she awaits her trial, Vero is forced to live with her overbearing mother and nosy aunt. Threatening messages keep arriving on her mother’s door, demanding Vero “turn over the money . . . or else.”

Nico 'Junior' Trocci knows Lauren Marchetti is off limits. She is sweetness and laughter, whereas Junior exists in a world of violence and depravity. Men like him don't get to have women like her. It's why he pushed her away back in high school and has kept his distance ever since. But when Junior looks Lauren up online, he discovers the shy, bookish girl he remembers is gone. In her place is a strikingly beautiful woman whose social media is filled with scantily clad pictures of herself and a connection to a nearby play club.

Gabriela Rose, recovery agent extraordinaire, can find just about anything. Too bad she can’t seem to lose her gorgeous-but-infuriating ex-husband Rafer Jones. And now he needs her help. His cousin, Harley, is in trouble…big trouble. As the president of a too-big-to-fail bank, he invested an astronomical amount of money in insuring some of the world’s most priceless artifacts at the urging of his board. It seemed like a low-risk, high-reward business move, so he jumped in with both feet. But recently, these insured pieces started going missing.

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be working at a steady job and married to her Drew, a man who says he loves her. Celia’s contentment with her little life is shattered, though, when a woman she knows from work is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die for love—or to kill for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her last?

Meet Charlie King. He’s doing great! Honestly. A fantastic job, two solid best mates and a girlfriend who might just be The One. Life is good. Perfect, even. So why is he waking up in a cold sweat? Why does his heart keep trying to punch its way out of his chest? Charlie should probably see a doctor. That’s what everyone keeps telling him. But it’s not that bad. He just needs a decent night’s sleep. Other than that, he’s Totally Fine. Except for that car crash a few months ago—the one he barely remembers. The one he hasn’t thought about at all.

In the middle of the Gulf of Mexico, on a chain of manmade islands, Steve Bennett finds himself thrust into a world he doesn't understand. An unexpected inheritance places him among the world's wealthiest people. His best friend, Paul, is more than happy to stand by him, as Steve works through his newfound affluence, right until the pair stumbles upon a secret that could change the world forever.

On her last day as a detective, Midge McGowan is given the retirement present from hell: a ticket to a haunted house tour. She’ll have to spend a weekend ghost-hunting in an isolated mansion with a group of misfits, including a know-it-all paranormal investigator and a has-been pop star. The guests soon realize that the house has a mind of its own… and that they might not be the only ones there. An eerie figure appears on the property, and then the unthinkable happens: someone is murdered in a room that’s been locked from the inside.

Ten years ago, Lila Devlin was an A-list actress with a movie star husband and a beautiful baby girl, Josie. When Josie was kidnapped out of her home and never seen again, Lila’s previously pristine public image twisted into that of an Unfit Mother. Driven mad by the hungry press, incompetent cops, and relentless true crime–obsessed “fans,” she disappeared into anonymity. Now, Lila Devlin returns to LA with a grand vision for a radical new skincare brand to reinvent herself and honor Josie’s legacy.

LA romcom writer Mia Valentina has it all; money, success, a tanned and toned body, golden blonde hair and a string of sexy lovers. She’s almost forgotten her previous self: plain old Mia Harrison. Until a wedding invitation arrives requesting (demanding!) her presence as chief bridesmaid at her younger sister Belle’s upcoming nuptials. Mia’s barely been back in England before she’s accidentally injured the groom, unintentionally ‘cursed’ the wedding and been caught in a compromising position with her sister’s soon to be brother-in-law!

Pearl O’Reilly is twenty-seven (nearly twenty-eight). She likes salmon pink, the number three and going to the pub with her best friend Una the same night each week. Thanks to her OCD, her other routines – from counting her way downstairs to obsessively washing her hands – pose more of a problem.

Years after fleeing San Francisco and getting sober, Jhanvi has made a life for herself working at a grocery co-op and saving for her surgeries. But when her friend (and sometimes more) Henry mentions that he and his techie festival-goer friends spent $100,000 to transform a warehouse basement into a sex dungeon, Jhanvi starts wondering if there's a way to exploit these gullible idiots. She returns to San Francisco, hatching a plan to marry Henry for his company's generous healthcare benefits.

A dangerous ritual, decades old, is about to set loose an evil on the town of Henley-on-Hale and the Whitlows are the only thing standing in the way. The sisters must untangle a web of lies to find the truth behind a series of brutal and horrific murders that are taking the lives of local teens and leaving very strange clues behind. Clues that say this is more than just your run-of-the-mill serial killer.

It’s Christmas in Penstowan, and local amateur dramatics group the Penstowan Players are putting on their annual pantomime. This year it’s ‘Aladdin’, and half the town have been drafted in to help, including Shirley Parker, who only has a small part in the chorus but will no doubt upstage everybody, and Tony Penhaligon, who’s treading the boards as the baddie, Abanazar. Ex-Metropolitan police officer turned caterer Jodie Parker has managed to get away with not appearing, but only if she agrees to cater the opening night party.

It’s been disastrous since Bud and Catherine opened up their marriage, and none of the Flynns can remember the last time a meal was cooked, a load of laundry was done, or a social code was abided by. Not that Catherine and Bud aren’t trying – and trying new things. Bud still drives to his job at the Harbor(TM) in the family minivan, which, yes, is also now his home, and Catherine still refuses to conform to domestic pressures – she’s an artist, a woman, and no one understands her! And the girls? Surely they’re fine, whatever it is they’re up to.

When artist Eloise Ford hears that human remains found in an abandoned mine are believed to be those of long-missing teenager Elizabeth King, the shock sends her reeling. It can't be true. Eloise knows this for a fact because... she is Elizabeth King. Now, her carefully curated life in Cornwall is falling apart. Her husband is acting strangely, her children aren't speaking to her and she can't sell a painting for love nor money. But much more worrying are the signs that someone knows exactly who she is... and why she had to vanish thirty years ago.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.

At thirty-one, Chloe Fairway isn’t where she wants to be in life. Stuck in a PA job for a boss who barely notices her, and back home with her parents after a painful breakup, she feels like a failure. So, when she's invited to her Oxford college’s ten-year reunion, the last thing she needs is to face the people who once voted her "most likely to succeed.” To make things worse, Sean Adler, her former best friend—and the man she turned down when he declared his love for her all those years ago—is living the life she always dreamed of, working as a film director in L.A.

Entertainment journalist Dawn Roberts has a lot to work through: a widow’s grief, betrayals of family and friends, and scandals that almost tanked her reputation. Not that Dawn dwells on the past. Well, hardly. When she returns to Baltimore with her husband’s ashes, she can’t avoid it. In fact, she’s diving into decades of backstabbing and treachery for her first trip home in years. She’s looking at you, Joe Perkins. Her former mentor, whose explosive exposé about big-city corruption is being turned into a slanderous movie, is also back in town.