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From the prize-winning and bestselling biographer of Shelley and Coleridge, and author of the landmark, critically acclaimed The Age of Wonder, this is a book about the new science and scepticism of the 19th century; about ideas of geology and deep time, the vast beauty and the terror looming before all those who saw deeper into the stars and studied the new cosmology.

From the acclaimed Beat Generation author of On the Road and The Dharma Bums come eight extended poems in which he reflects on the urban settings he finds himself in. Best known for his novels, Jack Kerouac is also an important poet. In these poems, Kerouac writes from the heart of experience in the music of language, employing the same instrumental blues and jazz forms that he used in another book of poems, Mexico City Blues.

In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip's place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.

The word most commonly used to describe Muriel Spark is ‘puzzling’. Spark was a puzzle, and so too are her books. She dealt in word games, tricks, and ciphers; her life was composed of weird accidents, strange coincidences and spooky events. Evelyn Waugh thought she was a saint, Bernard Levin said she was a witch, and she described herself as ‘Muriel the Marvel with her X-ray eyes’. Following the clues, riddles, and instructions Spark planted for posterity in her biographies, fiction, autobiography and archives, Frances Wilson aims to crack her code.

This is a book about reading the Greco-Roman classics as Christians—the why, the how, and to a lesser extent, the when. This exercise, equal parts intellectual and spiritual, is timely. Just as our bodies are what we eat, so are our minds what we consume. The past few years have seen the appearance of books on the value of literature in nourishing our minds and souls—developing the practice of reading not just the Bible but all that we read for spiritual formation. Most such books have focused largely on medieval and modern literature, involving antiquity only occasionally.

No one knows whether Homer was a real person, but there is no doubt that the epic poems assembled under his name are foundations of Western literature. The Iliad and the Odyssey—with their tales of the Trojan War, Achilles, Odysseus and Penelope, the Cyclops, the beautiful Helen of Troy, and the petulant gods—have inspired us for over two and a half millennia and influenced writers from Plato to Virgil, Pope to Joyce, and Dante to Margaret Atwood.

At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination.

Acclaimed author Ella Risbridger takes romantic fiction seriously, as a fan and a thinker, in this original book, journeying through the genre's rich history and many fascinating iterations. From Jane Austen to Jilly Cooper, regency romance to cowboys, vampires and fanfic, romance reflects the concerns of the age and continues to evolve in new directions, while consistently offering its readers pleasure. It deserves our attention!

A juicy and revelatory history of the Romantic poets that restores them to their fullest context by examining the impact of the transatlantic slave system on their lives and work, by a brilliant young, Whiting award-winning Black scholar.

ひと針、ひと針、他愛のない日々が紡ぎ出す〈希望の物語〉人生が愛おしくなる珠玉のエッセイベルリン、ラトビア、モンゴル、鎌倉......転がり込んだ見知らぬ土地で変化する、幸せの尺度。母親との確執を乗り越え辿りついた、書くことの原点。デビュー10年の節目、赤裸々に綴られた人気作家の素顔。

Prefaced by lauded French historian Pierre Nora and translated from the French by award-winning Matt Reeck, these two texts return us to Kundera’s much-missed living presence. Subtle, alive, and full of wit and irony, 89 Words followed by Prague: A Poem that Disappears is an homage to a literary legend and a reminder of just how prescient his words and insights are today.

Originally written in 1940 and first published by Simon & Schuster in 1972, How to Read a Book introduces and elucidates the various levels of reading and how to achieve them in order to gain the most understanding and insight from any book. From elementary reading, through systematic skimming and inspectional reading, to speed reading and beyond, readers will learn when and how to ‘judge a book by its cover,’ perceive structure no matter the prose, read critically, and extract an author’s message from any text.

This superb book is borne of Marina Warner’s work with the project Stories in Transit, which organises storytelling workshops in the UK and in Palermo, bringing young migrant students together with artists, writers and musicians. What is sanctuary for those who have been displaced? Why do people flee different situations and conflicts worldwide, and what would a perfect version of sanctuary for those forced out of their homes look like? How can art, which has always recorded and reflected the worst experiences of humanity, also be a salve, an escape or a route to somewhere new.

Obligatorischer Absatz: Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.