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Con la concesión del premio Nobel de Literatura a Bob Dylan quedó de manifiesto algo que millones de lectores ya sabíamos desde hace tiempo: muchos de los grandes compositores contemporáneos son también grandes poetas. En el caso de Johnny Cash, no solamente su música y su voz son sin duda referentes indiscutibles de la cultura contemporánea, sino que sus canciones a menudo retratan pequeñas historias contadas en verso, como si pertenecieran a la añeja tradición de la poesía oral musicalizada.

Since Bailey Rae Rigby’s adoptive aunt Winnie passed, Bent Oak, South Carolina, doesn’t have much of a hold on her anymore. So it seems. Bailey Rae aims to settle the small estate and, armed with her aunt’s inspiring personal cookbook, buy a food truck with an ocean view in Myrtle Beach. Everything goes awry when a distraught young mother arrives in town clutching a copy of that same cookbook. Embedded inside is a code that promises a safe place in Bent Oak for desperate women on the run. For Bailey Rae it opens up a world of questions.

On the run from an abusive man, Megan Liu and her mom find work cleaning an ancient Beijing opera house in exchange for room and board. Meeting Kristy, the lead performer of the theater’s current show, ignites Megan’s long-buried singing ambition. But Kristy’s hiding something; and digging into her secrets, Megan uncovers more mysteries—including her mom’s childhood connection to the theater and a decades-old murder. The more Megan learns, the more her dreams and reality begin to blur. Something’s calling her from deep within the opera house, and it’s ravenous…

Sometimes home is where you least expect it… Alex has perfected the art of dodging responsibility during her almost 40 years — until an unexpected letter turns her life upside down. She’s inherited a crumbling sheep farm in deepest, wettest Wales. This was not her life plan. Not at all. Now, her closest companion is a grumpy Welsh terrier, she’s speed-reading An Idiot’s Guide to Farming, and her arrival has set the village gossip mill spinning. With the farm near collapse and its community now relying on her, Alex sets out to uncover the truth behind her mysterious inheritance.

Glory Pryor has carved out a life for herself in Gilmore, North Carolina, cultivating a community around her bookstore, By the Book. While her business is a success, she carries the weight of stories of her own she’s never told anyone. She holds out hope that one day her estranged brother will turn up on her doorstep so she can finally learn where he’s been all these years. Glory’s husband Eli thinks she has her arms wrapped too tightly around the could-have-beens, and that it’s time for them to let go of the store as they head into their retirement years.

Qianze has not seen her father in eleven years, since he walked out of her life the night of her fourteenth birthday and disappeared without a trace. But then she gets a call—there is a man on the porch of her childhood home, and he’s asking for her. This man isn’t the Ba Qianze remembers: he is much older, more fragile, and worst of all, haunted by a half-forgotten prophecy.

1979. Behsad, a young communist revolutionary, fights with his friends for a new order after the Shah’s expulsion. He tells of sparking hope, of clandestine political actions, and of how he finds the love of his life in the courageous, intelligent Nahid. 1989. Nahid lives her new life in West Germany with Behsad. With their young children, they spend hour after hour in front of the radio, hoping for news from others who went into hiding after the mullahs came to power.

In a darkening, post-COVID world, fearless investigative reporter Shona Sandison is seeking meaning–and her next big story. A secret contact inside the government has promised her something huge, but she has no idea of the danger she is in. Meanwhile, her old friend Hector Stricken has taken on a position in communications for a new state agency, where he stumbles across a sinister, top-secret project codenamed ‘Grendel.’

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration.

In a near-future Kolkata beset by flooding and blight, Ma, her two year old daughter Mishti, and her elderly father Dadu are just days from leaving the collapsing city behind to join Ma’s husband in the home he has been building for them in Ann Arbor, Michigan. After procuring long-awaited passports and visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, with all the treasured documents within it, has been stolen.

" Seul celui qui a traversé la nuit peut la raconter. " Le roman événement de Michel Bussi. Une œuvre magistrale entre suspense et Histoire. Octobre 1990. Le capitaine français Jorik Arteta, en mission au Rwanda, rencontre Espérance, jeune professeure engagée dans la transition démocratique de son pays. 6 avril 1994. Un éclair déchire le ciel de Kigali. Le Falcon du président rwandais explose en plein vol. Commencent alors cent jours de terreur et de sang. Les auteurs des tirs de missiles ne seront jamais identifiés.

In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip's place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.

For months, I've tried to stop loving her. Begged myself in the darkness of the night as I lay awake, to let her go. So badly, I've wanted to move on from the hurt inside and the love I still cling to, but I can't. Telling myself not to love her is like telling myself to stop breathing. Impossible. Unfathomable. But watching her prepare to marry another man is like a searing knife to the heart that keeps twisting. Beginning a new life in California seemed like the only option, but seeing her while I lie in my hospital bed, I can sense something is amiss.

Christmas, 1983. In the aftermath of yet another furious argument, seven-year-old Andrev’s mother lets him in on a secret: his father is, in fact, not his father. And so begins a new kind of childhood, in which fathers come and go, arriving in red Volvos and sweeping his mother off her feet. Fathers can be magicians or murderers, artists or canoe enthusiasts, and, like growing pains, or the weather, they appear uninvited and leave without warning. Fathers are drawn to his mother like moths to a flame – but even she can’t control how they behave.

It is 1962, and Marta Khoury, a trailblazing marine archaeologist, has travelled to Cairnroch, a small island off the east coast of Scotland. An arctic shipwreck containing the remains of a famous Victorian explorer has been towed back to the island at the behest of his wealthy descendants. Marta's job is to retrieve valuable artefacts from the vessel, deep beneath the freezing Scottish waters. But on her first dive, Marta becomes convinced she has seen a ghostly figure lurking in the wreckage.

「売れない作家の夫に三行半」「スナックママの妻に愛想が尽きた」おしどり夫婦が消えた！？

After years away from his hometown of Melbourne, Luke Harris is back on track. All he wants is a normal job, his own house and a dog. But Luke is a man with a past, where life was anything but peaceful and his skills ran to the dark side. A past not easily forgotten - or forgiven. When he crosses paths with Gus Alberici—the brutal criminal he worked for as a teenager—he's dragged reluctantly back to his old life. Luke's father has vanished, along with a chunk of Gus's cash. And something is up with his new girlfriend's father ...

Girlie, a thirty-something Filipinx-American, works a day job at a social-media moderation centre, flagging and removing the very worst that makes it on to the internet. She's good at it, too—dispassionate, unflinching, maybe because she learned by necessity to cauterise all her emotions when she was still a kid—so it's no surprise to anyone when the social-media company for which she works offers her a big pay rise and an office to start moderating its new venture: virtual-reality theme parks, stunning simulations of civilizations long-since dead.

In the poet's home county of West Yorkshire a few years ago, the Local Authority began converting a series of cow fields at the top of the road into a new cemetery. These poems, in regular, cascading tercets, sparked into being as Simon daily walked the site, with moorlands rising beyond it and the wind turbines of Brontë country to the north, watching the land tamed: eventually the muddy construction scene gives way to fresh headstones and mown lawns, and, during the Covid-19 lockdown, the spectacle of grave-diggers in Hazmat suits and socially distanced funeral services.

Richly textured, compassionate, and at times hilarious, Cowboys and East Indians traces a journey from India to Wyoming and back again, introducing us along the way to characters who seem not quite to fit the circumstances in which they find themselves, but who nevertheless search for belonging—through unexpected common ground with their human neighbors or the abiding, if isolating, openness of the vast landscape of the West.