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A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.

Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave—the wine is simply too sweet, the music too fine and the revelry endless. Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

The Best American Food and Travel Writing 2025 has descriptive copy which is not yet available from the Publisher.

Five years after they thought they’d said goodbye forever, a group of sorority sisters find themselves back at the University of Alabama for Rush Week. Some return to rekindle their friendships, and others to keep long silent secrets from being exhumed. Unbeknownst to them at the time, the infamous “Spill Book” they wrote confessions in as a trust (hazing) exercise over the years was placed into a time capsule—now it’s been stolen, and the anonymous thief is threatening to expose them all on Bid Day.

This is a story of the rich and the very poor. This is a story of an illegal auction with dire consequences. This is a story of murders past and present. This is a story of intertwined relationships and the silent ripples they leave behind, where love becomes a guiding force, revealing the lengths one will go to protect those they cherish.

Jin-Lu should be happy. Princess Yi-Nereen of Kerina Rut and Prince Kadrin of Kerina Sol have reunited after twelve long years, having survived a near-apocalypse. They are safe and in love—thanks to Jin—and they want her to join them for their upcoming nuptials in Kerina Sol. But their happy ending came at the cost of Jin’s. Jin lost everything in the fallout of saving the world. Now she’s Talentless, scrabbling to eke out a living in the lowest echelons of society. All she wants is to be left alone with her shameful secret, but the storms that sweep the wastes have other plans.

In the small, Southern town of Wesleyan, Georgia, where the air smells of red clay and sea salt, Margaret Elliot has lived a seemingly charmed life—until the recent loss of her beloved husband. Since then, Margaret has been seeing visions of her Aunt Edith, the indomitable woman who raised her after her parents died when she was a baby. As these mysterious and undeniable visitations continue, Margaret becomes convinced that Aunt Edith is trying to tell her something important.

Phee St. Margaret is a daughter of the Reconstruction, born to a family of free Black business owners in New Charleston. Coddled to within an inch of her life by a mother who refuses to let her daughter live a life other than the one she dictates, Phee yearns to demonstrate she's capable of more than simply marrying well. When word arrives that her Aunt Cleo, long estranged from the family, has passed away, Phee risks her mother's wrath to step up and accept the role of pomp―the highly honored duty of planning the funeral service.

Lydia España—once a wealthy, spoiled daughter of Cuba—works at a sewing factory in New York. Adjusting to her sharp change of circumstances, missing the days when her prosperous father provided her with every luxury, she ruminates on the incident that drove her away from her homeland in the late 1940s—until she falls in love with Raul, a kindhearted, working-class waiter who sees Lydia as the “Queen of the Congo Line” she used to be: the empress of "the most beautiful and splendid season, which is love.”

It’s 2015 and Maxine Thomas, the founder and creative director of the cult makeup company Reveal, has just been suspended by her own Board for a scandalous transgression. Housebound in her New York City apartment, where she awaits the verdict on her future, Max recounts her version of the events that have brought her to this moment.

Originally published in 1954 to honor Stevens’ 57th birthday, the book was rushed into print for the occasion and contained scores of errors. These have now been corrected in one place for the first time by Stevens scholars John N. Serio and Christopher Beyers, based on original editions and manuscripts. The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.

In their younger years, Trey Macready and his best friend Ben Marsh were distributors and enforcers for the local distillers who made their small hamlet of Ewald, Virginia, the moonshine capital of the world. But that was years ago, and now the only tie to their criminal past is the Felons’ Ball—Trey’s annual birthday party where they regale the crowed with tales of their youthful exploits. But when Ben is found dead after Trey’s fiftieth celebration, it’s clear those connections may not be past at all.

When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

Just as he upended the conventions of the novel with On the Road, Jack Kerouac revolutionized American poetry in this ingenious collection. Bringing together selections from literary journals and his private notebooks, Jack Kerouac’s Scattered Poems exemplifies the Beat Generation icon’s innovative approach to language. Kerouac’s poems, populated by hitchhikers, Chinese grocers, Buddhist saints, and cultural figures from Rimbaud to Harpo Marx, evoke the primal and the sublime, the everyday and the metaphysical.

Gish’s mother--Loo Shu-hsin--is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same reprimand: “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally-minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder's text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder's novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today.

Jack Kerouac was one of America's great writers of the latter half of the twentieth century, yet he endured a life characterized by persistent hardship and disillusion. Leading Kerouac scholar Paul Maher Jr. targets the writer's embattled insight of self as central to his life and work. He reveals how Kerouac's troubled interactions with alcohol, drugs, and spirituality stamped its importance on his autobiographical prose and poetry and created a singular language that united thoughts on the human condition and spiritual liberation.

Profound, immersive, tenderly written, and with finely wrought characters drawn from the forgotten archives of American history, A Bomb Placed Close to the Heart is an extraordinary story of a marriage caught at the intersection of radical politics and everyday life.

One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels.