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The Happiness Collector has descriptive copy which is not yet available from the Publisher.

Even with the Crimson Alliance formed, Rowanheath taken, and Carrera dispatched, the onslaught never ends for Abby Hollander. Keeping the Spider Queen in check and handling water provisions was never what Abby wanted to do with her life, but it's what the war demands of her.

A mage, seeking to enslave the Valley and destroy the Forest, has brutally sundered a family. A mother has fled into the woods with her infant girl-child, while the depraved sorcerer holds the babe’s twin—a boy—captive in a black tower. The mother dies but the girl survives. Adopted by the strange denizens of the Forest—safe from the mage’s malevolent influence—she grows to young womanhood, cultivating a cherished skill that has been denied the others of her kind: the ability to truly hear the sounds of her world.

Born of the sun and moon, shaped by fire and malady, comes a young woman whose story has never been told... They call her Sycorax. Seer. Sage. Sorceress. Outcast by society and all alone in the world, Sycorax must find a way to understand her true nature. But as her powers begin to grow, so too do the suspicions of the local townspeople. For knowledge can be dangerous, and a woman's knowledge is the most dangerous of all...

Luna swore she would never go back to Grimoire High School. Now, she’s a successful witch with her own line of spellbooks, and she has no need to return to the small town she grew up in. But when her beloved teacher Professor Herringbone passes away, and leaves Luna her prize spellbook library, Luna is forced to return. She’s not planning on staying long, but then she runs into former queen of Grimoire High, Amelia Hexford, now headmistress.

This spine-chilling anthology weaves together real fairy tales from cultures across the globe, unmasking the eerie and unsettling narratives that have been whispered through generations. From the chilling depths of the Brothers Grimm's Germany to the haunting folklore of Japan, these stories were never meant for the faint of heart.

Hans Christian Andersens Märchen bezaubern, betören und berühren. Außergewöhnliche Figuren und Charaktere aus dem Märchen-Universum versetzen Sie in eine besondere Atmosphäre aus Spannung und Neugierde, in welcher Sie manch Überraschungen erwarten. Lassen Sie sich entführen und verführen in eine zauberhafte Welt, geprägt von magischen Momenten, mystischer Moral und Menschlichkeit.

Once there was a poor prince. He had a kingdom; it was very tiny. Still, it was large enough to marry upon, and on marriage his heart was set. Now it was certainly rather bold of him to say, "Will you have me?" to the emperor's own daughter. But he did, for his name was famous, and far and near there were hundreds of princesses who would have said, "Yes!" and "Thank you!" too. But what did the emperor's daughter say? Well, we'll soon find out.

On the run from an abusive man, Megan Liu and her mom find work cleaning an ancient Beijing opera house in exchange for room and board. Meeting Kristy, the lead performer of the theater’s current show, ignites Megan’s long-buried singing ambition. But Kristy’s hiding something; and digging into her secrets, Megan uncovers more mysteries—including her mom’s childhood connection to the theater and a decades-old murder. The more Megan learns, the more her dreams and reality begin to blur. Something’s calling her from deep within the opera house, and it’s ravenous…

Now a Minister of Hell, Lady Jing is mind-numbingly bored. All she wants is plain talk and time with her beau Tony Lee, who has been distracted with mortal matters of late (impending war is such a drag). But then Aengus, a visiting Celtic deity, turns up boneless and drained of yin qi. The only way to help him is to return him to his pantheon's healer, in residence in Paris. Ready for a new adventure, Jing immediately volunteers for the task.

Qianze has not seen her father in eleven years, since he walked out of her life the night of her fourteenth birthday and disappeared without a trace. But then she gets a call—there is a man on the porch of her childhood home, and he’s asking for her. This man isn’t the Ba Qianze remembers: he is much older, more fragile, and worst of all, haunted by a half-forgotten prophecy.

Sara Sidorova lies dying. As she hovers between life and death, she receives a visitation from Amba, the tiger god who will devour creation if he is released from the chains that bind him. Amba gives Sara Sidorova an extraordinary gift: a glimpse into the future. Years later, her granddaughter Irenda will grow up in a wartorn country where survival means obedience. When a devastating attack robs her of her mother, she travels to Hrana City. There, her grandmother agrees to teach her the ultimate secret: how to tame death. But it won't be easy…

Daedalus of Crete is many things: The greatest architect in the world. The constructor of the Labyrinth that imprisoned the Minotaur. And the grieving father of Icarus, who plunged into the sea as father and son flew from the grasp of the tyrannical King Minos. Now, Daedalus seeks to reunite with Icarus in the Underworld, even as he revisits his own memories of Crete, hoping to understand what went so terribly wrong at the end of his son's life.

Aphrodite, Goddess of Love, wields unparalleled power over every divine and mortal heart. Mistaken to be all beauty, no brains, she is in fact the most dangerous of all, driven by passion regardless of the consequences. While on the surface, Ares, God of War, is her opposite –disliked by everyone and devoted to stirring up conflict – the two are more alike than they realise, each causing havoc for gods and mortals as they rule their primal realms.

Iona Night-Singer thought she’d overthrown the gods. Her mortal rebellion eked out a painful victory by using the gods’ own powers against them—though she lost her betrothed, Taran, in a final battle with the god of death. Months later, the war doesn’t feel over. Not with Taran gone. Especially not when the gods still answer the prayers she sings. Angry, grieving, and with a gnawing dread that the gods will return, Iona strikes a deal with her former patron goddess.

When a mysterious figure called the Hood, a thief in disguise, starts stealing from prominent socialites, Royal Police officer Rhosyn itches to catch him. His uncanny ability to slip through her fingers presents an irresistible challenge, and she can’t help but obsess over who hides beneath the mask. Unfortunately, her hands are already full with the meteoric rise of a new gang called the Foxes, as well as an unexpected flirtation with an infuriatingly handsome circus owner, Mr. Ansel Blakely.

After Bristol nearly loses Tyghan to the monsters her mother unleashed, their love deepens to a whole new level. Together, Bristol and Tyghan work to understand and reconcile their differences, moving forward with their common goal of saving Elphame. But, when a daring rescue attempt turns disastrous and a beloved knight dies, Bristol is forced to confront the fact that her mother is more powerful than she could ever have imagined – and more dangerous, too.

Morsel is a chilling testament to the burden of generational poverty and the all-consuming nature of capitalism, where the monster and the monstrous, in the end, are not the same.

My fated mate is hated by the entire realm and I'll make it my life's mission to change their mind. I am Reveln, the fae prince who's brother was killed by a shadow fae assassin years ago. The whole realm expects me to hate my brother's killer, and I did—for a very long time. But now that I know the full story, now that Caelynn and I have been to hell and back together—literally—I'll do anything to keep her safe. But the realm does not see what I see. And now that I'm named High Prince, I have expectations to uphold, a plague to end, and an evil monster to hunt down.

Known as the wicked witch of Russian fairy tales, Baba Yaga is not one woman, but rather a title carried by a chosen few. They keep the balance of nature and guard the borders of our world, but don't make the mistake of crossing one of them . . .