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Kate Bryan is a self-confessed art addict who has worked with art for over twenty years. But before she studied art history at university, she’d been into a gallery just twice in her life and had no idea she was entering an elitist world. Now, she’s on a mission to help everybody come to art. Like playing or listening to music, or cooking and eating great food, reading or watching films, making art or looking at other people’s deserves to be an enriching part of all our lives. So here, in HOW TO ART, is a nifty way to take art on your own terms.

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women. Now in The Club, curator, art historian, and podcast host Jennifer Dasal presents the never-before-told story of the Club.

The Stuff of History presents a thoughtful and often funny, curated selection of fascinating forgotten histories that give insight into some of the Western world's most important cultural moments. Told from the perspective of the overlooked, the book will present the curious and adventurous listener with the stories behind icons that surround us and inform our everyday lives, be they people or objects.

Do you feel like you live life looking in from the outside? From the way you speak, to the color of your skin, to the way you vote, or the way you pray, you don't fit the mold. And yet you find yourself still trying to prove yourself to others. In Set Me Free, New York Times bestselling author Lecrae invites you on a poetic and artistic exploration of how you can persevere against the lies of unworthiness to experience the freedom given to you in Jesus.

In 2008, academic and scholar Susan Gubar was told by a trusted oncologist that she had only a few years left to live. Though she outlived that dire prognosis, this brush with mortality refocused her attention on the boons of a longevity she did not expect to experience. She began to think: In the last years of our lives, can we shape and change our creative capabilities? The resulting volume, Grand Finales, answers this question with a resounding yes.

Faeries have captured the collective imagination throughout time and across cultures. Unexplained occurrences, natural phenomena, and so much more have been attributed to these beautiful, mysterious, and often mischievous creatures. Sometimes these fairies can be helpful and kindly, like the brownies of Britain, the menehune of Hawai‘i, and the domovoi of Russia. But just as often, they are seen as a threat, as we characterize a natural phenomenon into an often capricious and frequently frightening creature.

Dive into the year with the wisdom of artists. Gathered from interviews, personal conversations, books and talks, How to Live an Artful Life moves through the months of the year offering you thoughts, reflections and encouragements from artists such as Marina Abramovic, Nan Goldin, Lubaina Himid, Louise Bourgeois and many more. With a thought for every day of the year, whether looking for beginnings in January, freedom in summer, or transformation as the nights draw in, this is a book of words to cherish.

Virginia Hamilton (1936-2002) was not only one of the most magnificent writers who ever lived — winning honors such as the Newbery Medal, Newbery Honor, National Book Award, and the Coretta Scott King Award for classics like The House of Dies Drear, The People Could Fly, M. C. Higgins the Great, and Her Stories — she was one of the greatest thinkers we ever had on children's literature.

Britain has always been a craft land. For generations what we made with our hands defined our families, communities and regions. Craftland brings to life the vanishing skills, traditions and trades that shaped the fabric and governed the rhythms of everyday life in Britain for hundreds of years. For as long as there are humans, there will be craft, ever evolving in response to changing technologies, environments and communities. Craftland is a celebration of that deeply necessary connection between our creative instincts and the material world we inhabit.

In The Grave Robber, Tim Carpenter, former FBI Lead Investigator on the Art Crime Team, recounts one of the most extraordinary and unsettling cases in the history of art theft. Over the course of five decades, a lone graverobber accumulated an illicit trove of over 42,000 artifacts from cultures across the globe, including Native American, Haitian, Chinese, and others. The stolen items included nearly 500 ancestral remains, carefully looted from sacred burial sites and cultural heritage locations.

The movies were flying blind in 1980. “New Hollywood” was over and the era of auteur-driven, personal films that had defined moviemaking since the late ‘60s came to a symbolic end with Heaven’s Gate (1980), replaced by a new world of multiplex blockbusters supported by massive marketing campaigns. But beyond the high-school comedies and hardbody action films came a new wave of cinematic excitement—an era defined by Ferris Bueller's Day Off, Purple Rain, When Harry Met Sally, E.T., and Top Gun, each of which are now classics for a new generation of nostalgic movie lovers.

Stanford White was a louche man-about-town and a canny cultural entrepreneur―the creator of landmark buildings that elevated American architecture to new heights. Augustus Saint-Gaudens was the son of an immigrant shoemaker, a moody introvert, and a committed procrastinator whose painstaking work brought emotional depth to American sculpture. They met when Stan was walking down the street and heard Gus whistling Mozart in his studio.

Our struggles as women in the twenty-first century are not new. Some of our most interesting women artists had to eschew all accepted social norms in order to find a life of art. For some, it was catastrophic; for others, a liberation. But how did they view themselves through the prism of their art, and what do we, as modern women, take from their struggle? HER BODY, HER ART looks back to the lives and art of six European modernist women, who literally recast the ways in which women's art could be seen, and asks why they still matter.

Voici le livre de Loïc Prigent que tout le monde attendait : son histoire de la mode. Dans ce récit savant, personnel et aussi irrésistible que l'achat d'un vêtement superflu et donc indispensable, il dévoile la couture, du XIXe siècle à l'ouverture de la première boutique de Gabrielle Chanel en 1913. Des premiers grands couturiers (Worth) et des premières acheteuses stars (l'impératrice Eugénie) à l'industrie qui s'en mêle et aux débuts de la commercialisation de masse, nous découvrons les dessus et les dessous de cette folie française.

Art students Gina Birch and Ana da Silva formed The Raincoats in 1977. Since the release of their seminal early records, the 'godmothers of grunge' have been revered by punk, queer, feminist and indie pop artists alike. The Raincoats reimagined the nature of experimental music and DIY design and went on to inspire Sonic Youth, Nirvana, and an entire generation of Riot Grrrl and queercore musicians.

In a world dominated by men, Marian McPartland distinguished herself as one of the greatest jazz pianists of her age. Born in the UK as Margaret Marian Turner, Marian McPartland learned to play classical piano, but was passionately attracted to the rhythms of American jazz. Entertaining troops in WWII Europe, she met her future husband, Jimmy McPartland, a cocky young trumpet player who was the protege of the great Bix Beiderbecke. They were married and, together, they made jazz history.

Women artists face particular pressure to give up their artistic goals in favor of motherhood, supporting a partner, or finding economic stability. Throughout her 20s and 30s, Stephanie Elizondo Griest could not help worrying if constantly prioritizing her writing over everything else—from postponing children to living nomadically to save on rent—was leading her to fulfillment or regret. The year she turned 40, she turned to other women artists around the globe for answers.

Steven Underwood digs into the current Black digital arts movement that has shaped popular culture for the last decade. He connects this current space to historical influences, speaking to a “legacy of audacity and daring that presented us with the opportunity to redirect the conversations on Blackness back on its center. Back to Black people.” Written as a collection of thought-provoking essays pulling in social commentary, interviews, popular culture, and deep research, Underwood taps into a topic that is incredibly relevant but often unknown.

When Fun Lovin' Criminals released their debut album Come Find Yourself in 1996, its fusion of hip-hop, funk, blues and rock quickly became one of the most iconic and influential records of the decade. Now, in this fascinating memoir, frontman Huey Morgan describes his remarkable journey from journeyman to rock star.

In the spring of 1790 two of the most gifted artists in Europe met in Rome and became fast friends, sharing their views on art, visiting the city’s ancient sites and making trips to the opera together. The Swiss history painter Angelica Kauffman and the French portraitist Elisabeth Vigée Le Brun are no longer household names in the early twenty-first century but were much-fêted celebrities in the late eighteenth. Franny Moyle uses their meeting in the eternal city as the point of departure for a lavishly illustrated 'life and times’ biography of two brilliant but neglected women artists.