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Once there was a poor prince. He had a kingdom; it was very tiny. Still, it was large enough to marry upon, and on marriage his heart was set. Now it was certainly rather bold of him to say, "Will you have me?" to the emperor's own daughter. But he did, for his name was famous, and far and near there were hundreds of princesses who would have said, "Yes!" and "Thank you!" too. But what did the emperor's daughter say? Well, we'll soon find out.

On the roof of the last house in a little village was a stork's nest. The mother stork sat in it with her four young ones, who stuck out their heads with their little black beaks. (You see, their beaks had not yet turned red as they would in time.) And a little way off, all alone on the ridge of the roof, stood Father Stork, very upright and stiff. He was really a sentry on guard but, so that he would not be entirely idle, he had drawn up one leg. My, how grand he looked, standing there on one leg! So still you might have thought he was carved from wood!

Between the Baltic and the North Sea there lies an old Swan's Nest, and it is called Denmark. In it have been born, and will be born hereafter, Swans whose names shall never die. - In the olden days, a flock of Swans from that nest flew over the Alps to the green plains of Milan, for it was wonderful to live there. These Swans were called Lombards.

We had such an excellent dinner yesterday," said an old mouse of the female sex to another who had not been present at the feast. "I sat number twenty-one below the mouse-king, which was not a bad place. Shall I tell you what we had? Everything was first rate.

The Snow Queen is an 1844 original fairy tale by Danish author Hans Christian Andersen. It was first published 21 December 1844 in New Fairy Tales. First Volume. Second Collection (Nye Eventyr. Første Bind. Anden Samling). The story centers on the struggle between good and evil as experienced by Gerda and her friend, Kai. Unlike Andersen's other stories, The Snow Queen is written in a novel-styled narrative, being divided into seven chapters.

"It's so bitterly cold that my whole body crackles!" said the Snow Man. "This wind can really blow life into you! And how that glaring thing up there glares at me!" He meant the sun; it was just setting. "She won't make me blink; I'll hold onto the pieces."

Once upon a time there was an old poet, one of those right good old poets. One evening, as he was sitting at home, there was a terrible storm going on outside; the rain was pouring down, but the old poet sat comfortably in his chimney-corner, where the fire was burning and the apples were roasting.

In a house, with a large courtyard, in a provincial town, at that time of the year in which people say the evenings are growing longer, a family circle were gathered together at their old home. A lamp burned on the table, although the weather was mild and warm, and the long curtains hung down before the open windows, and without the moon shone brightly in the dark-blue sky.

The storks tell many, many stories to their young ones, all about the bogs and marshes. In general each story is suited to the age and sense of the little storks. While the youngest ones are satisfied with, "Kribble-krabble, plurry-murry," and think it a very fine story, the older ones demand something with more sense to it, or at least something about the family.

At dawn, when the clouds are red, a great star shines, the beautiful morning star. Her beams tremble on the white wall, as if she would like to write there the story of all she has seen during the thousands of years she has watched our revolving earth.

There is nobody in the world who knows so many stories as Ole-Luk-Oie, or who can relate them so nicely. In the evening, while the children are seated at the table or in their little chairs, he comes up the stairs very softly, for he walks in his socks, then he opens the doors without the slightest noise, and throws a small quantity of very fine dust in their eyes, just enough to prevent them from keeping them open, and so they do not see him.

There was once a king's son, no one had so many beautiful books as he. In them he could read of everything that had ever happened in this world, and he could see it all pictured in fine illustrations. He could find out about every race of people and every country, but there was not a single word about where to find the Garden of Paradise, and this, just this, was the very thing that he thought most about.

In the German country of Württemberg, where the beautiful acacia trees bloom beside the highways, and the apple and pear trees bend down in autumn under the weight of their ripe blessings, there lies the little town of Marbach. It belongs to the class of quite unimportant towns, but it is located in a beautiful spot near the Neckar, the river that flows swiftly past towns and green vineyards and old knights' castles, to join its waters with those of the proud Rhine.

I am a poor lad, and live in one of the narrowest of lanes; but I have plenty of light: my room is high up in the house, and there is a good prospect over the roofs of the opposite houses. During the first few days I lived in the town, I felt very lonely and low-spirited. Instead of the forest and the green hills of the country, I had nothing but black chimney-pots on the horizon of my view. And then I had not a single friend, nor one familiar face to greet me.

The Neighbouring Families: One would certainly think that something quite unusual had happened in the duckpond to cause such a commotion, but nothing really had happened.

In the city of Florence, not far from the Piazza del Granduca, there is a little cross street which I think is called Porta Rossa. In front of a sort of market in this street, where vegetables are sold, stands an artificial but beautifully fashioned metal pig. A fountain of fresh clear water gushes out of the animal's mouth. Age has turned it dark green; only its snout shines as if it had been polished, and so it has by the many hundreds of children and poor people who take hold of it with their hands when they put their mouths to its mouth to drink the water.

There were so many toys in the nursery. On the top of the cabinet stood the penny bank, made of clay in the shape of a little pig. Of course, he had a slit in his back, which had been enlarged with a knife so that silver dollars also could be put in; and two such dollars had been slipped into the box, along with a great number of pennies. The Money Pig was stuffed so full he could no longer rattle, which is the highest honor a Money Pig can attain. There he stood, high up on the shelf, looking down on everything else in the room.

Written and illustrated by four Indigenous creators, this picture book for 3-7-year-olds is about the first Thanksgiving from a Native American perspective—reshaping the story and perhaps questioning how the United States sees itself. The Thanksgiving story that most Americans know celebrates the Pilgrims. But without members of the Wampanoag tribe who already lived on the land, the Pilgrims would never have made it through their first winter. And without Weeâchumun (corn), the Native people wouldn't have helped.

It was bitterly cold, the sky glittered with stars, and not a breeze stirred. "Bump"—an old pot was thrown at a neighbor's door; and "bang, bang," went the guns; for they were greeting the New Year. It was New Year's Eve, and the church clock was striking twelve.

There was once a mighty Queen, in whose gardens were found the most glorious flowers at all seasons of the year and from all countries of the world. But best of all she loved roses, and therefore she had all possible varieties of this flower, from the wild dog rose, with its apple-scented green leaves, to the most splendid roses of Provence. They grew along the walls of the castle, wound around pillars and window frames, and spread into the passages and along the ceilings of all the halls; and the roses were varied in fragrance, form, and color.