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Born in 1832 in Pennsylvania, Louisa May Alcott was best known for Little Women, her phenomenal bestseller loosely based on her childhood experiences with her own sisters. Adapted numerous times for stage and screen, it is dramatised here alongside her follow-up novel Good Wives and the thrilling sensation story A Marble Woman.

From a stunning new voice in romance, Lauren Okie’s The Best Worst Thing is an intimate story about starting over, second chances, and two people who cannot help falling into each other’s orbit once again.

It’s been years since the three Ryan sisters were all together at their beloved family home on the eastern shore of Long Island. Two decades ago, their lives were upended by an accident on their brother Topher’s boat: A friend’s brother was killed, the resulting lawsuit nearly bankrupted their parents, and Topher spiraled into depression, eventually taking his life. Now the Ryan women are back for Thanksgiving, eager to reconnect, but each carrying a heavy secret.

Tucked away on a narrow side street in Tokyo is the Trnka Café, a neighborhood nook where the passersby are as likely to be local cats as tourists. Its regulars include Chinatsu Yukimura, a mysterious young woman who always leaves behind a napkin folded into the shape of a ballerina; Hiroyuki Yumata, a middle-aged man who’s returned to the neighborhood searching for the happy life he once gave up; and Shizuku, the café owner’s teenage daughter, who is still coming to terms with her sister’s death as she falls in love for the first time.

In June 2000, Mimi Truang is on her way home to Vietnam when her toddler daughter vanishes in the Philadelphia airport. Seventeen years later, two best friends graduate from high school in the WASP-y town of Chestnut Hill, Pennsylvania. Kit is half Japanese, half American, and interracially adopted by white well-to-do parents. Sabrina is the daughter of a Chinese immigrant single mother who brandishes strict household rules to hide her own secrets. During that last summer before college, Kit travels to Tokyo, determined to uncover her Japanese identity.

In The Healing Hippo of Hinode Park, the apartment residents each find their way to Kabahiko, confessing their troubles and drawing upon the hippo's rumored abilities. From a struggling student who pets the hippo's head to reverse his poor academic performance to the lonely new mother who hopes that touching the hippo's mouth will allow her to better express herself, this heartwarming, eclectic cast of characters will all come to Kabahiko for healing in their lives—though they may not always find it in the ways they expect.

Alison is mired in loneliness and grief. Freshly twenty-three and mourning the loss of her younger sister, who has drowned at sea, she’s moved out of her hometown and into a cramped apartment on New York’s Lower East Side. Now she’s living the cliché—barely making rent as a restaurant hostess, avoiding her roommates, and watching the bright, busy passersby from her bubble of grief. She doesn’t need originality; she just needs to be alive. So why does she feel she isn’t truly living? Until late one night, when she rounds the corner and sees a shape in the air—a ghost.

Julia Esdaile is hired to restore the historic gardens at Havenworth Manor—the grounds of which are now an abandoned snarl of bramble and weeds—to their original splendor. For the enigmatic lady of the manor, ninety-three-year-old Margaret Clarke, the reason for the restoration is the deeply private story of a promise made a lifetime ago, and a vow to keep it before she dies.

Aida is just six years old when her family escapes the war bearing down on their village in Bosnia. But survival comes at a price. The home they make in Italy is safe, though not their own. Aida watches, helpless, as her parents grapple with a guilt and nostalgia she doesn’t understand. They yearn for a place that no longer exists, a place she barely remembers yet comes to resent for its lingering ghost.

Charlie McFadden was fifteen years old when CPS removed her from her hoarded home. Her mother, Betty, chose her worthless collectibles. Her father chose Betty. Neither chose Charlie. Thirty-one years later, a mother herself and cohost of a popular reality show with her husband, Charlie is proud of what she accomplished without her parents—relative strangers she never saw again. Until the day Charlie’s father pleads with her to come home and to say goodbye to her mother, now confined to a memory care center.

Glory Pryor has carved out a life for herself in Gilmore, North Carolina, cultivating a community around her bookstore, By the Book. While her business is a success, she carries the weight of stories of her own she’s never told anyone. She holds out hope that one day her estranged brother will turn up on her doorstep so she can finally learn where he’s been all these years. Glory’s husband Eli thinks she has her arms wrapped too tightly around the could-have-beens, and that it’s time for them to let go of the store as they head into their retirement years.

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration.

“I think we should see other people…”That one sentence unravels Samantha Parker’s perfect life. She has a loving husband, three wonderful kids and a comfortable suburban lifestyle. But on the brink of their long-awaited empty-nest chapter, Will asks Samantha for something she never dreamed of: an open marriage. Desperate to keep her husband happy, Samantha proposes a summerlong separation with no contact. She knows she has to use the opportunity to find herself, but she also has no interest in being with anyone but Will.

Izzy Chen is dreading her family’s annual Chinese New Year celebration, where they all come together at a Michelin-starred restaurant to flaunt their status and successes in hopes to one up each other. So when her seventy-three-year-old glamorous and formidable grandmother walks in with a stunning woman on her arm and kisses her in front of everyone, it shakes Izzy to her core. She’d always considered herself the black sheep of the family for harboring similar feelings to the ones her Nainai just displayed.

The Cohen sisters are at a crossroads. And not just because the obedient middle sister, Fortune, has secretly started to question her engagement and impending wedding, even as her family scrambles to prepare for the big day. Nina, the rebellious eldest sister, is single at 26 (and growing cobwebs by her community's standards) when she runs into an old friend who offers her a chance to choose a different path. Meanwhile, Lucy, the youngest, a senior in high school, has started sneaking around with a charming older bachelor.

When Benjamin lands in 1960’s Nigeria hoping to explore his roots after the death of his half-Nigerian father, he meets Margaret. As the two begin to fall in love and learn more about their respective histories they realize their lineage is interwoven in the deepest of ways.

Emily has, by all appearances, a perfect life: a townhouse on Manhattan’s Upper East Side, two healthy children, and a husband who showers her with attention. But the truth is more complicated: Emily’s marriage is in trouble, her relationship with her parents is fraught, and she is still nursing a heartbreak from long ago. When Emily runs into her high school girlfriend at a cocktail party, that heartbreak comes roaring back. But Gen Hall is no longer the lanky, hungry kid with holes in her shoes who Emily loved in her youth.

I Know How This Ends has descriptive copy which is not yet available from the Publisher.

In their younger years, Trey Macready and his best friend Ben Marsh were distributors and enforcers for the local distillers who made their small hamlet of Ewald, Virginia, the moonshine capital of the world. But that was years ago, and now the only tie to their criminal past is the Felons’ Ball—Trey’s annual birthday party where they regale the crowed with tales of their youthful exploits. But when Ben is found dead after Trey’s fiftieth celebration, it’s clear those connections may not be past at all.

Daisy McCrae’s life got off to a rocky start. Abandoned by a mother she never really knew, she was adopted into a family she’s never truly felt a part of. Thirty years later, her life is just as rocky. Between losing her job and her boyfriend, she’s lost all sense of self. Now Daisy is back where it all began: the Union Street Bakery. She’s resigned to living in the bakery’s attic, learning the family business, and saving it if she can. But patching up the holes in her relationship with her sisters is another story.