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Who in their right mind would move into the Faraday House, with its grim history and a generation spent rotting and untended? Rachel Vale and her daughter, Lucy. They’ve arrived unexpectedly, yet with peculiar purpose, to Woodward, Indiana, to rent the most infamous house in town. Here, sixteen years ago, Nina Faraday vanished without a trace and her mother was found hanging from an apple tree in the front yard. It was the stuff of ghoulish fascination and dark imaginings.

Olive is desperate to get close to Theo—really, really close. She’s always struggled to connect with people. And now she’s in her thirties, single, and so flustered by relationships that she secretly records her conversations, hoping to decipher social cues and find a way to be less alone. Then Theo turns up for a shift at the same food pantry where she volunteers. He’s a surgeon fascinated by human organs, a former soccer player, and possibly as weird as Olive. For the first time, someone seems to crave and understand her.

Seven years ago, Quinn finally dared to transform from a seal into a human and took her first steps on land. As a selkie, she is both a daughter of land and sea. But when a human stole her pelt, he stole her freedom as well, forcing Quinn to become his wife and bear his children. As legend tells, capturing a selkie will bring you luck, and she became a coveted prize. Constrained to a life that was no longer her own, Quinn longed for nothing more than to find her pelt and seize her freedom.

Vivienne and Patrick Fisher have done an excellent job raising their three daughters, Alex, Nancy, and Eva. They’re well-adjusted women with impressive careers, caring partners, exciting hobbies, and sweet children. So it’s with great anticipation that three generations of Fishers gather at a beautiful glass house in the English countryside for a weeklong celebration of Vivienne’s seventieth birthday. But when Patrick’s reaction to a freak accident on the first day of the trip inadvertently reveals that he has a favorite daughter, no one is prepared for the shockwaves it sends.

Elijah Mendes was hoping for a more triumphant return to Chicago. His mother, Eve, is dying of cancer, his business flamed out, and he has nowhere else to go. So he returns to Chicago feeling listless and shattered, worried about how he’s going to help his mother despite their chilly relationship. He finds some inspiration when he discovers that their family owns a Jewish cemetery and that a man he’s never heard of, his great-uncle Solomon Kaplan, is buried in a plot there.

Zu Hause ist da, wo sie dich reinlassen müssen, wenn du klopfst. Mit Mitte fünfzig zieht der Erzähler zu seiner Mitte achtzigjährigen Mutter aufs Land, um dort an einem Roman über das Theater mit dem Titel "Scham und Bühne" zu schreiben. Es werden unvergleichliche, ereignisreiche Wochen, in denen er durch die Hilfe seiner Mutter aus einer tiefen Lebenskrise findet. Nachdem er in Wien von einem Schlaganfall aus der Bahn geworfen wurde, hofft Joachim Meyerhoff, durch einen Neuanfang in Berlin wieder Fuß zu fassen. Doch alles kommt anders als gedacht.

When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are happily married young parents with two kids, and neither sees themselves as the type to engage in an affair. Yet their connection grows stronger, and as their lives continue to intertwine, the romantic tension between them becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings. In the other, they resist.

Ebey’s End is a small town on an island off the Pacific coast, reachable only by ferry (assuming the gods are with you and it’s not a Tuesday). It’s a comfortable, familiar (but okay, fine, sometimes lonely) life for its resident grocer Anita Odom. That is, until fourteen-year-old July shows up on her doorstep. Taking in the recently orphaned daughter of an estranged cousin had not been on Anita’s to-do list. In fact, it’s a terrible idea. Anita is ill-suited, ill-prepared, and absolutely certain the entire enterprise will end in disaster—for both of them.

Born in 1832 in Pennsylvania, Louisa May Alcott was best known for Little Women, her phenomenal bestseller loosely based on her childhood experiences with her own sisters. Adapted numerous times for stage and screen, it is dramatised here alongside her follow-up novel Good Wives and the thrilling sensation story A Marble Woman.

South London, 1981: Daphne is the only Black girl in her class. All she wants is to keep her head down, preferably in a book. The easiest way to survive is to go unnoticed. Daphne’s attempts at invisibility are upended when a boy named Connie Small arrives from Jamaica. Connie is the opposite of small in every way: lanky, outgoing, and unapologetically himself. Daphne tries to keep her distance, but Connie is magnetic, and they form an intense bond.

The Turner House has descriptive copy which is not yet available from the Publisher.

Furniture artisan Meli Hynes still abides by her uncle’s truism: the only lasting love story is the one between artists and their creations. Having already given marriage a shot—for all of twenty-four hours during a Las Vegas fling—Meli made her choice. The wood-crafting shop that is her family legacy will always come first. But when her uncle decides to sell to a competitor, Meli’s promised inheritance goes belly-up. She’ll do anything to muddle the deal. Including a marriage of convenience to an unforgettable and very practical old friend—the competitor’s son, Aaron.

It’s been fifteen years since her sister died, and Rae McDonald still hasn’t recovered from the accident—or the ways she tried to cope with it. Not even a PhD in psychology has helped her deal with her feelings. It’s safer to shut them out. But that makes it difficult to connect with the son she gave up for adoption as a teenager. Lisa Smyth hasn’t fared any better. She was in the car with Rae’s sister that tragic night and keeps the truth of what really happened buried in her own grief. Still struggling, she drowns her guilt with glass after glass.

Ava has always been poor, so she doesn't think the Great Depression will change anything. But when her mother dies and her coal miner husband loses his job, Ava's certainty falters. The last thing she needs is a letter from her estranged sister, asking for the impossible.

In The Healing Hippo of Hinode Park, the apartment residents each find their way to Kabahiko, confessing their troubles and drawing upon the hippo's rumored abilities. From a struggling student who pets the hippo's head to reverse his poor academic performance to the lonely new mother who hopes that touching the hippo's mouth will allow her to better express herself, this heartwarming, eclectic cast of characters will all come to Kabahiko for healing in their lives—though they may not always find it in the ways they expect.

After Jimmy's shocking departure, Nellie Castle is feeling bereft. And with Rodney being elusive, she's determined to do all she can to help her youngest son Bert get back on his feet following the terrible injuries he sustained in the bombing. Plagued by guilt and nightmares, the last thing Bert wants is to return to the café - being there only makes his guilt over Gladys's death worse. His relationship with nurse Vi is helping somewhat, but when he receives a formal summons to the trial of the woman who tried to kill him, he is plunged back into the depths of despair.

In 1965 America, women can’t have their own bank accounts, credit cards, or sign their own leases; divorce is scandalous and difficult; and abortion is illegal. Every week, a group of suburban housewives meet for their Tuesday canasta game. As cards are drawn and discarded, the women share advice and confidences. When prim and proper Lily Berg, a doctor’s wife, discovers she’s pregnant with their second child, she follows her friend Becca’s suggestion and takes in Betsy, a pregnant teen from the local home for unwed mothers.

The Man Next Door has descriptive copy which is not yet available from the Publisher.

1999, Essex. Sharon, Jolene, and Evie have one thing in common – they’ve all been burned by one of the Bond boys. Sharon’s seeking retribution after her husband’s affair. Jolene yearns to get her own back on the man that destroyed her life. And Evie is fighting to protect her family from the bad boy her daughter married. Hell hath no fury like a woman scorned … As the turn of the millennium rounds the corner, this is one year that will go out with a bang.

Barcelona 1936. Theo helps the Anarchist workers defeat the army that is trying to overthrow the democratically elected government, and he is reunited with his true love, Maria. But all too soon, his joy turns to terror as the Anarchists turn on him, led by a rival for Maria’s affection. Lucky to escape with his life, Theo returns to England to study at Oxford. But his heart is in Spain, now torn apart by a bloody civil war, and he is quick to abandon his new life when his old schoolmate Esmond offers him the chance to fight the Fascists.