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Das zweite Hörbuch der Hamburger Literaturpreisträgerin, die mit Die Ewigkeit ist ein guter Ort Presse, Buchhändler:innen und Publikum erobert hat: die Geschichte zweier Frauen, die darum kämpfen, ihrem Leben einen eigenen Rhythmus zu geben. Wenn Janis das Licht ausmacht und »Gute Nacht« flüstert, ist die Kamera schon an. Als Nachtwache im Schlaflabor bringt sie Fremde ins Bett und schaut ihnen beim Schlafen zu. Der Tag-Nacht-Rhythmus, der anderen Menschen eine natürliche Struktur gibt, gilt für sie nicht. Janis hat keine Familie, lebt allein.

Ten years ago, Lila Devlin was an A-list actress with a movie star husband and a beautiful baby girl, Josie. When Josie was kidnapped out of her home and never seen again, Lila’s previously pristine public image twisted into that of an Unfit Mother. Driven mad by the hungry press, incompetent cops, and relentless true crime–obsessed “fans,” she disappeared into anonymity. Now, Lila Devlin returns to LA with a grand vision for a radical new skincare brand to reinvent herself and honor Josie’s legacy.

Every day, in her basement flat in a quiet street, Rene arranges her collection of objects just so. She takes her pills, looks at her photographs and remembers her free-spirited sister, Lauren, before she vanished. But lately the memories are shifting. When a letter arrives out of the blue, the opening words send ice through her veins. Lauren is alive. She’s waiting. And she needs Rene to find her before it’s too late.

Ein Bretagne-Roman, eine fesselnde Familiengeschichte, ein kluger und ausgefeilter Pageturner, den man nie vergisst! Nach dem Tod seines Vaters verlässt Yann Paris, um sich in Saint-Malo in dem Haus seiner Kindheit niederzulassen. Erinnerungen an unbeschwerte Sommer an der Seite seines Zwillingsbruders werden wach: Wie sie als Kinder den hüpfenden Wellen auswichen und mit dem Segelboot die Küste erkundeten. Hier, gegenüber der Insel Cézembre, wurde das Schicksal der Familie Kérambrun geschrieben.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

Tyler Green, accused of murdering his friend Leo on a graduation trip in 1993, has just been released from a commuted life sentence. In the three decades since his trial Tyler has been adamant that he’s innocent, and now he’s determined to confront whoever allowed him to take the fall while they walked free.

From national bestselling author Meg Mitchell Moore comes a sparkling new novel following a young woman entwined in the opulent lives of her neighbors on Block Island, set against a backdrop of scandal, secrets, and a not-so-subtle love triangle, perfect for readers of The Wedding People and Pineapple Street.

An immediate triumph when it was published in 1947, The Plague is in part an allegory of France’s suffering under the Nazi occupation, as well as a timeless story of bravery and determination against the precariousness of human existence.

Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn't been trapped there

Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door. Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart?

Ragle Gumm has a unique job: every day he wins a newspaper contest. And when he isn’t consulting his charts and tables, he enjoys his life in a small town in 1959. At least, that’s what he thinks. But then strange things start happening. He finds a phone book where all the numbers have been disconnected, and a magazine article about a famous starlet he’s never heard of named Marilyn Monroe. Plus, everyday objects are beginning to disappear and are replaced by

In Counter-Clock World, time has begun moving backward. People greet each other with "goodbye", blow smoke into cigarettes, and rise from the dead. When one of those rising dead is the famous and powerful prophet Anarch Peak, a number of groups start a mad scramble to find him first - but their motives are not exactly benevolent, because Anarch Peak may just be worth more dead than alive, and these groups will do whatever they must to send him back to the grave.

Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox’s car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be.

God is not dead, he has merely been exiled to an extraterrestrial planet. It is on this planet that Yah—as this possible God is known—meets Herb Asher and convinces him to help Yah return to Earth, which is itself under the control of the demonic Belial. To do this, Asher must shepherd a woman pregnant with Yah past the tight security of Earth.

Amid a global pandemic, one young woman is trying to keep the pieces together – of her family, stunned by a devastating loss, and of her mind, left mangled and misfiring from a mystifying disease. She’s afraid of her own floorboards, and “WHAT IS LOVE? BABY DON’T HURT ME” plays over and over in her ears. She hates her friends, or more accurately, she doesn’t know who they are. Has the illness stolen her old mind and given her a new one? Does it mean she’ll get to start over from scratch, a chance afforded to very few people?

Reeling from a breakup and overlooked at her job as a lighting designer, Iris Sunnegren finds herself stuck, disconnected, and lonely in crowded New York City. Her wealthy friends are married and having babies, while she’s trying to pay for freezing her eggs. And the future she longs for feels out of reach. Then, a mysterious neighbor, an older Frenchwoman, makes her a gift: a bespoke perfume. One spritz, a dab behind the ears, and Iris feels like a different woman. Suddenly, she is the object of every man’s desire, and she can satisfy her own hungers for sex, love, and ambition.

Richard Tull, a failed and disillusioned novelist, seethes with envy as he watches his longtime friend Gwyn Barry, a talentless, populist charlatan, rise to literary superstardom. Barry is adored by readers, celebrated by critics, and constantly in the public eye, while Tull sinks deeper into middle-aged obscurity, unable to escape the evidence of his own defeat. In a trance of impotent rage, Tull devises a vicious plan to ruin his friend—or at least hurt him as badly as possible—and finds himself tumbling into London’s criminal underworld, as well as the darkest precincts of his own soul.

After a steady descent from literary stardom, Lane Warren is back. She’s secured a new book deal based off the life of her sometimes friend and more often rival, notorious free spirit and muse, Gala Margolis. Lane’s only problem is that Gala has been missing for months…nobody can find her. Ten years earlier, Gala was a charming socialite and Lane was a Hollywood outsider amidst the glittering 1960’s LA party scene. Though never best friends, Lane found Gala sharp and compelling. Gala liked that Lane took her seriously. They were both writers. They were drawn to each other.

When the Cassidy-Shaws’ autonomous minivan collides with an oncoming car, killing an elderly couple, seventeen-year-old Charlie is in the driver’s seat, with his father, Noah, riding shotgun. In the back seat, tweens Alice and Izzy are on their phones, while their mother, Lorelei, a world leader in the field of artificial intelligence, is absorbed in her work. Yet each family member harbors a secret, implicating them all in the tragic accident.

Now her children have moved out, Edie has begun to feel lonely in the home she shares with her husband. She hopes returning to Crete, where she and Ralph spent their honeymoon, will help heal the growing rift between them. And when Edie stumbles upon the website for the Villa Ariadne, with its breathtaking views and peaceful surroundings, it feels like the perfect place to spend a week together, along with their closest friends Mac and Hannah. But then, Edie invites a fifth guest: her feisty, independent colleague Jessica, with unexpected consequences.