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Der neue Provinzkrimi von Bestseller- und #1-Kindle-Humor-Autor Friedrich Kalpenstein. "Vertrauen Sie mir, ich bin Arzt!" Diesen Satz hatte Sebastian Burgegger bestimmt oft gesagt, bevor er in seinem Gästezimmer im KRAUSE tot aufgefunden wird. Es gibt keinen Zweifel, dass er ermordet wurde. Grund seines Aufenthalts in Brunngries war ein Motorradtreffen, zu dem er mit seinem Club auf seinem Zweirad angereist kam. Nun verlässt er den wunderschönen Ort im Chiemgau auf vier Rädern im Kofferraum eines Leichenwagens. Hauptkommissar Tischler nimmt die Ermittlungen auf.

Jerome Klapka Jerome was an English writer and humorist. He is best known for the comic travelogue Three Men in a Boat, which has sold over 200,000 copies in the UK, over a million in America, and has been translated into almost every language in the world. His literary friendship circle included H. G. Wells, Kipling, Mark Twain, J. M. Barrie and Bernard Shaw. This collection features dramatisations of Jerome’s key titles.

When Eva Moore wakes up on her fiftieth birthday, her drab middle-class life immediately starts to unravel. First, she receives an anonymous Facebook message claiming her husband is having an affair. Next, she is restructured out of her job by her obnoxiously young boss. Then, just when she thinks her life can't get any worse, her elderly parents wilfully go missing from their group tour of India. The only clues they've left behind is an increasingly bizarre series of TikTok videos.

Divorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend, a fellow academic, and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town. One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel.

Foster brothers Terence Service and Gregory Riding could not be more different from one another—Terry “a quivering condom of neurosis and ineptitude” and Greg a “bundle of contempt, vanity and stock-response.” After the shocking killing of Terry’s child sister, he is taken in by the aristocratic and wealthy Riding family and introduced to his new foster brother and sister, Greg and Ursula. As adults, the two boys unhappily share a tiny apartment in London.

Kinga is a woman who is just trying to make it through the week. There's a Kinga for every day: on Mondays, you can catch Kinga A deleting food delivery apps. By Friday, Kinga E is happy to spend the days soaking, wine-drunk, in the bath. Kingas A-G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic.

Ophelia Dahl has just buried her beloved father when she finds among his personal effects a blindsiding document. The mother Ophelia thought died thirty years ago isn’t dead after all—she abandoned her. But how could she, and where is she now? With some neighborly help, Ophelia’s going to find out. Beau Augustin is an acclaimed author and Ophelia’s childhood bestie turned teenage nemesis, still chafing after all these years.

Joe Orton was among the towering geniuses of 1960s theatre. His life was tragically cut short in 1967, but he left behind him a handful of shocking and scabrous black comedies that will live on in the public imagination for years to come. Featured here are two of his lesser-known works, The Erpingham Camp and The Ruffian on the Stair, collected together as a double bill.

Call to order the Friday Night Doom Crew. They’re an eclectic group of true-crime enthusiasts—a forensic psychologist, historian, and popular Instagram presence among them—dedicated to sleuthing out nefarious offenders and doing whatever it takes to set things right. But when dark secrets threaten one of their own, the Doom Crew grapples with how far they are willing to go to protect her.

What a Way to Go has descriptive copy which is not yet available from the Publisher.

A witty story from the bestselling author of Excavations, Salty takes us to a tropical paradise with a hurricane on the way, where two estranged sisters uncover their rich employers’ reckless development—could these yacht owners have something to do with the dead body found in the marina?

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation.

Alex Lyons always has his mind made up by the time the curtain comes down at a performance—the show either deserves a five-star rave or a one-star pan. Anything in between is meaningless. On the opening night of the Edinburgh Festival Fringe, he doesn’t deliberate over the rating for Hayley Sinclair’s show, nor does he hesitate when the opportunity presents itself to have a one-night stand with the struggling actress.

In 2023 John Finnemore and the Souvenir Programme team returned to Radio 4 with a new format – annual, one-off, 45-minute Specials. Some are in the style of Series 1-8, with sketches, jokes and songs, while others are more discursive and experimental, like Series 9. Collected together here, they all feature his trusty ensemble cast of Margaret Cabourn-Smith, Simon Kane, Lawry Lewin and Carrie Quinlan.

Eliza Sheridan is at her wits' end with her husband, Richard. Not only did he uproot her and their daughter Mara's lives for his career, but he also hasn’t honored the one thing he promised before moving to Dublin: that he’d make more time for his wife and daughter. So when Eliza receives an anonymous photo of Richard with another woman, she's just about ready to file for divorce. As a last resort, she pays a visit to a marriage therapist, Ms. Early, who Eliza quickly learns is a bit…alternative in her approach.

Take It from Here (first broadcast between 1948 and 1960) was one of the most influential radio shows of all time, sweeping in a new era of comedy and introducing an enduring pair of writers: bright young things Frank Muir and Denis Norden. Their literate scripts, and the madcap adventures of the show's stars - Dick Bentley, Jimmy Edwards, Joy Nichols, June Whitfield and Alma Cogan - ensured 11 years of classic capers. The show is best remembered for introducing The Glums, who featured regularly.

On an otherwise ordinary fall day on a university campus in Chicago, the toddler son of an ambitious divinity school professor named Adrian Bennett mysteriously starts to glow. The nimbus, as the strange, soft light comes to be known, offers no clues to its origin and frustrates every attempt at rational explanation.

Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stand for everything she detests—Happiness and Love is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.

HEADCASE is a ten-episode comedy about neurotic rising hip hop star Ghost (Chris Redd) and his bumpy mental health journey as he navigates therapy, fame, and chaos. After a very public breakdown, his label forces him into sessions with a dorky, white therapist, Gordon (Will Stephen), who has never heard of Ghost.

Many full moons ago, a young American boy with ambition in his belly and the moon in his veins followed his destiny west, determined to carve a path to success no matter the carnage. Two centuries later, a city is captivated by the strange and savage murder of a young woman. Her roommate, Natasha, no longer able to afford their apartment alone—and hounded by both rumors of wolves and a pop-star’s angry fan-swarm—has resorted to living in her car. There’s nothing left for her ... except vengeance.