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Nico 'Junior' Trocci knows Lauren Marchetti is off limits. She is sweetness and laughter, whereas Junior exists in a world of violence and depravity. Men like him don't get to have women like her. It's why he pushed her away back in high school and has kept his distance ever since. But when Junior looks Lauren up online, he discovers the shy, bookish girl he remembers is gone. In her place is a strikingly beautiful woman whose social media is filled with scantily clad pictures of herself and a connection to a nearby play club.

Dame Ivy Compton-Burnett (1884-1969) was an English novelist who was a bestseller in the mid-20th century. She published eighteen highly acclaimed works of fiction in her lifetime, inspired by her own tragic experiences of family life. Her works consist mainly of dialogue and focus on family life among the late Victorian or Edwardian upper middle class. They deal with money, power, status, incest, adultery, murder, homosexuality – about which she was years ahead of her time – and all the passions and stresses of family life, described with brilliant wit and perception.

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be working at a steady job and married to her Drew, a man who says he loves her. Celia’s contentment with her little life is shattered, though, when a woman she knows from work is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die for love—or to kill for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her last?

Meet Charlie King. He’s doing great! Honestly. A fantastic job, two solid best mates and a girlfriend who might just be The One. Life is good. Perfect, even. So why is he waking up in a cold sweat? Why does his heart keep trying to punch its way out of his chest? Charlie should probably see a doctor. That’s what everyone keeps telling him. But it’s not that bad. He just needs a decent night’s sleep. Other than that, he’s Totally Fine. Except for that car crash a few months ago—the one he barely remembers. The one he hasn’t thought about at all.

Years after fleeing San Francisco and getting sober, Jhanvi has made a life for herself working at a grocery co-op and saving for her surgeries. But when her friend (and sometimes more) Henry mentions that he and his techie festival-goer friends spent $100,000 to transform a warehouse basement into a sex dungeon, Jhanvi starts wondering if there's a way to exploit these gullible idiots. She returns to San Francisco, hatching a plan to marry Henry for his company's generous healthcare benefits.

It’s been disastrous since Bud and Catherine opened up their marriage, and none of the Flynns can remember the last time a meal was cooked, a load of laundry was done, or a social code was abided by. Not that Catherine and Bud aren’t trying – and trying new things. Bud still drives to his job at the Harbor(TM) in the family minivan, which, yes, is also now his home, and Catherine still refuses to conform to domestic pressures – she’s an artist, a woman, and no one understands her! And the girls? Surely they’re fine, whatever it is they’re up to.

When artist Eloise Ford hears that human remains found in an abandoned mine are believed to be those of long-missing teenager Elizabeth King, the shock sends her reeling. It can't be true. Eloise knows this for a fact because... she is Elizabeth King. Now, her carefully curated life in Cornwall is falling apart. Her husband is acting strangely, her children aren't speaking to her and she can't sell a painting for love nor money. But much more worrying are the signs that someone knows exactly who she is... and why she had to vanish thirty years ago.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.

Paige didn’t set out to be a stay-at-home mom, but when her husband’s screenwriting career took off right before they had a son with Down syndrome, the decision was made for her. Now, with the children she's devoted her adult life to nearly grown and unsure what's next, she writes a memoir about the challenges of raising a child with a disability. When Hollywood shows up at her door eager to make her “inspiring” story into a movie, she’s shocked, excited, and only a little terrified.

Panicked by his own mortality, despondent over his many failings as a writer and a man, Dunne leaves his wife and their three-year old child for the solitude of a crummy apartment off the Vegas Strip. There he plans to write an account of the city as he finds it; the book he ends up writing is "a fiction which recalls time both real and imagined."

In the cult classic novel Bunny, Samatha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences.

A thirty-nine-year-old unemployed rabbit owner whose boyfriend dumps her in a Reddit post. Out of options, she accepts an unusual opportunity from a man she stopped speaking to twenty years ago. If Dayna can transform Craig’s crumbling mansion—now home to a motley crew of college dropouts with big dreams—into a successful hype house, he can restore his birthright to its former glory . . . and she can resurrect her career from the dead.

Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected. After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey.

Meet Lance. Thirty-eight years old. Works a meaningless job. Still lives above his parents’ garage. By all accounts, a world-class loser. Save for one glaring exception: He has a million-dollar face. Lance has been mistaken eighty-seven times for the Oscar-winning movie star James Jansen, and for the last ten years, he’s saved his money and studied Jansen’s films, his moves, his idiosyncrasies—even the way he speaks. Now, after an unceremonious termination from his job, Lance has decided that the time has come to go after his dream of truly becoming Jansen.

Kinga is a woman who is just trying to make it through the week. There's a Kinga for every day: on Mondays, you can catch Kinga A deleting food delivery apps. By Friday, Kinga E is happy to spend the days soaking, wine-drunk, in the bath. Kingas A-G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic.

What a Way to Go has descriptive copy which is not yet available from the Publisher.

Eliza Sheridan is at her wits' end with her husband, Richard. Not only did he uproot her and their daughter Mara's lives for his career, but he also hasn’t honored the one thing he promised before moving to Dublin: that he’d make more time for his wife and daughter. So when Eliza receives an anonymous photo of Richard with another woman, she's just about ready to file for divorce. As a last resort, she pays a visit to a marriage therapist, Ms. Early, who Eliza quickly learns is a bit…alternative in her approach.

Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stand for everything she detests—Happiness and Love is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.

Many full moons ago, a young American boy with ambition in his belly and the moon in his veins followed his destiny west, determined to carve a path to success no matter the carnage. Two centuries later, a city is captivated by the strange and savage murder of a young woman. Her roommate, Natasha, no longer able to afford their apartment alone—and hounded by both rumors of wolves and a pop-star’s angry fan-swarm—has resorted to living in her car. There’s nothing left for her ... except vengeance.