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From the author of There Is a Rio Grande in Heaven, a piercing debut novel following two families in alternative timelines of the Salvadoran civil war—a stunning exploration of the mechanisms of fate, the gravity of the past, and the endurance of love.

As the youngest and most rebellious daughter of the overly protective Luna family, Gabriela Luna Valdés claws after her freedom in any way she can. This time, her hunger for adventure has led her aboard a windswept ship bearing for her homeland, away from a mob of fumbling British suitors. But Gabby can’t escape her father’s expectation that she settle down to find a proper husband—a compromise she’s unwilling to make.

It’s the summer before high school, and Ronny Nguyen finds herself too young for work, too old for cartoons. Her days are spent in a small backyard, dozing off to trashy magazines on a plastic lawn chair. In stark contrast stands her brother Tommy, the pride and joy of their immigrant parents: a popular honor student destined to be the first in the family to attend college. The thought of Tommy leaving for college fills Ronny with dread, as she contemplates the quiet house she will be left alone in with her parents, Me and Ba.

An upcoming book to be published by Penguin Random House.

In June 2000, Mimi Truang is on her way home to Vietnam when her toddler daughter vanishes in the Philadelphia airport. Seventeen years later, two best friends graduate from high school in the WASP-y town of Chestnut Hill, Pennsylvania. Kit is half Japanese, half American, and interracially adopted by white well-to-do parents. Sabrina is the daughter of a Chinese immigrant single mother who brandishes strict household rules to hide her own secrets. During that last summer before college, Kit travels to Tokyo, determined to uncover her Japanese identity.

A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.

This is a story of the rich and the very poor. This is a story of an illegal auction with dire consequences. This is a story of murders past and present. This is a story of intertwined relationships and the silent ripples they leave behind, where love becomes a guiding force, revealing the lengths one will go to protect those they cherish.

The Best American Food and Travel Writing 2025 has descriptive copy which is not yet available from the Publisher.

Five years after they thought they’d said goodbye forever, a group of sorority sisters find themselves back at the University of Alabama for Rush Week. Some return to rekindle their friendships, and others to keep long silent secrets from being exhumed. Unbeknownst to them at the time, the infamous “Spill Book” they wrote confessions in as a trust (hazing) exercise over the years was placed into a time capsule—now it’s been stolen, and the anonymous thief is threatening to expose them all on Bid Day.

Jin-Lu should be happy. Princess Yi-Nereen of Kerina Rut and Prince Kadrin of Kerina Sol have reunited after twelve long years, having survived a near-apocalypse. They are safe and in love—thanks to Jin—and they want her to join them for their upcoming nuptials in Kerina Sol. But their happy ending came at the cost of Jin’s. Jin lost everything in the fallout of saving the world. Now she’s Talentless, scrabbling to eke out a living in the lowest echelons of society. All she wants is to be left alone with her shameful secret, but the storms that sweep the wastes have other plans.

Phee St. Margaret is a daughter of the Reconstruction, born to a family of free Black business owners in New Charleston. Coddled to within an inch of her life by a mother who refuses to let her daughter live a life other than the one she dictates, Phee yearns to demonstrate she's capable of more than simply marrying well. When word arrives that her Aunt Cleo, long estranged from the family, has passed away, Phee risks her mother's wrath to step up and accept the role of pomp―the highly honored duty of planning the funeral service.

In the small, Southern town of Wesleyan, Georgia, where the air smells of red clay and sea salt, Margaret Elliot has lived a seemingly charmed life—until the recent loss of her beloved husband. Since then, Margaret has been seeing visions of her Aunt Edith, the indomitable woman who raised her after her parents died when she was a baby. As these mysterious and undeniable visitations continue, Margaret becomes convinced that Aunt Edith is trying to tell her something important.

Lydia España—once a wealthy, spoiled daughter of Cuba—works at a sewing factory in New York. Adjusting to her sharp change of circumstances, missing the days when her prosperous father provided her with every luxury, she ruminates on the incident that drove her away from her homeland in the late 1940s—until she falls in love with Raul, a kindhearted, working-class waiter who sees Lydia as the “Queen of the Congo Line” she used to be: the empress of "the most beautiful and splendid season, which is love.”

It’s 2015 and Maxine Thomas, the founder and creative director of the cult makeup company Reveal, has just been suspended by her own Board for a scandalous transgression. Housebound in her New York City apartment, where she awaits the verdict on her future, Max recounts her version of the events that have brought her to this moment.

Originally published in 1954 to honor Stevens’ 57th birthday, the book was rushed into print for the occasion and contained scores of errors. These have now been corrected in one place for the first time by Stevens scholars John N. Serio and Christopher Beyers, based on original editions and manuscripts. The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.

In their younger years, Trey Macready and his best friend Ben Marsh were distributors and enforcers for the local distillers who made their small hamlet of Ewald, Virginia, the moonshine capital of the world. But that was years ago, and now the only tie to their criminal past is the Felons’ Ball—Trey’s annual birthday party where they regale the crowed with tales of their youthful exploits. But when Ben is found dead after Trey’s fiftieth celebration, it’s clear those connections may not be past at all.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

Just as he upended the conventions of the novel with On the Road, Jack Kerouac revolutionized American poetry in this ingenious collection. Bringing together selections from literary journals and his private notebooks, Jack Kerouac’s Scattered Poems exemplifies the Beat Generation icon’s innovative approach to language. Kerouac’s poems, populated by hitchhikers, Chinese grocers, Buddhist saints, and cultural figures from Rimbaud to Harpo Marx, evoke the primal and the sublime, the everyday and the metaphysical.

When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

Gish’s mother--Loo Shu-hsin--is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same reprimand: “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally-minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary.