Abel

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.

A hit man stalks his mark at a race track. A sociopath crosses every moral boundary to become a published author. An ex-mercenary obsessively defends his "perimeter" from a dangerous interloper. A man for hire grudgingly accepts help from a teenage girl to track an online predator. In a dystopian future, young people struggle for survival underground, forming themselves into vicious gangs with only the graffiti of the "last journalists" accepted as truth. Andrew Vachss collects 20 tight, powerful stories - all from the past decade of his career, including some now published for the first time - along with an original screenplay.

Among the greats of 20th-century horror and fantasy, few names stand above Richard Matheson. Though known by many for novels like I Am Legend and his 16 Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J. J. Abrams.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead.

Including three never-before-published stories, Dead Men Don't Complain is the first-ever collection of short fiction by Peter Clines, author of 14, The Fold, and other Audible smash hits. Combining equal parts geekery and humor with the occasional dash of horror, Dead Men Don't Complain is ideal for Clines fans eagerly awaiting his next novel - or for brand-new listeners discovering this Audible favorite for the first time.

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.