newmoon

After touring the rural areas of Panga, Sibling Dex (a Tea Monk of some renown) and Mosscap (a robot sent on a quest to determine what humanity really needs) turn their attention to the villages and cities of the little moon they call home. They hope to find the answers they seek, while making new friends, learning new concepts, and experiencing the entropic nature of the universe. Becky Chambers's new series continues to ask: in a world where people have what they want, does having more even matter?

Nothing is trickier than the truth. All Loki the trickster god of Asgard wants is a peaceful life where he's free to stir up a bit of harmless mischief. But when he's struck by a painful vision of blood, ash, and death he knows his fun has run out. Refusing to have his life obliterated by some stuffy prophecy, Loki feels he must save Asgard. Except the gods stand in his way. They don't trust the God of Lies, which means his only hope is to return to Odin, the man he wished to forget thanks to their complicated history.

In this evocative short piece, Candace worries that her mother, Annie, has reached an emotional breaking point. When her best friend loses her battle with cancer, Annie is acting in uncharacteristic ways, seemingly less concerned than ever about what her friends and neighbors think of her - a troubling development in her daughter’s eyes. But while Candace may think she knows her mother better than anyone, something deeper lingers beneath the surface, and times of hardship have a way of bringing us closer together than ever.

The future is blue - endless blue...except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown. Tetley Abednego is the most beloved girl in Garbagetown, but she’s the only one who knows it. She’s the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it’s full of hope, that you can love someone and 66% hate them all at the same time.

When Francine's a little girl, she'll do just about anything for her papa. But as Francine grows older, she and Papa start fighting about everything - school, fiddling, and boys. Then the others come calling, fairies from no tale Francine has ever read. They ask her to come fiddle at their court, promising magic and all the music she wants. Francine gladly goes with them. When war starts between the two Creole fairy courts, the Seelie and the Unseelie, Francine finds she's fighting her papa again.

In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air - in particular, by earning a spot onboard the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie's trust with information she discovers about a Haitian scientist and a mysterious weapon he calls "The Black God's Drums". But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head and may have her own ulterior motivations.

It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.

Grace, as her friends call her, has a Ford Motor Company tattoo running down her leg and grease worked deep into her hands. She works at Sanchez Motorworks customizing hot rods. Finding the line in a classic car is her calling. Now Grace has to find the line in her own life. Grace loves John, and John loves her, and that would be wonderful, except that John, like Grace, has unfinished business: He's haunted by the childhood death of his younger brother. He's never stopped feeling responsible.

By day, 17-year-old Kiera Johnson is an honors student, a math tutor, and one of the only black kids at Jefferson Academy. But at home, she joins hundreds of thousands of black gamers who duel worldwide as Nubian personas in the secret multiplayer online role-playing card game Slay. When a teen in Kansas City is murdered over a dispute in the Slay world, news of the game reaches mainstream media, and Slay is labeled a racist, exclusionist, violent hub for thugs and criminals. Even worse, an anonymous troll infiltrates the game.

Refresh is an explosive, powerful short story about a near-future dystopia in which citizens can commodify every waking moment of their lives with computer-generated augmented reality. But this ubiquitous, game-changing technology can create dangerous consequences, especially for society’s most vulnerable people.