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In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous re-imagining of a classic tale, told from the perspective of Agnes, Cinderella’s "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story...

In the west end of London, an apparently crazed individual is on the loose, breaking into art galleries and private homes to slash valuable paintings of women. Despite Scotland Yard's best efforts, the criminal remains at large and continues on his destructive path. When Joanna and the Watsons are called in to solve the mystery, they soon discover that although the canvases have been slashed, their backings remain pristine, with no cuts or scratches. The criminal, it seems, is no mere vandal - he's searching for something hidden behind the portraits.

Gretel has never had any time for sorcerers, considering them nothing more than show-offs with questionable fashion sense. It is with some reluctance and a deal of grumpiness, then, that she agrees to look into the matter of a murdered magician. All that is left of him is a grisly remnant, which the police quack confirms is the murdered man’s appendix. What has become of the rest of him is baffling the local constabulary, the Sorcerers’ Society, and, not least, the hapless trickster’s widow.

Being shunned by society gives Charlotte Holmes the time and freedom to put her extraordinary powers of deduction to good use. As "Sherlock Holmes, consulting detective", aided by the capable Mrs. Watson, she has had great success helping with all manner of inquiries, but she is not prepared for the new client who arrives at her Upper Baker Street office. Lady Ingram, wife of Charlotte's dear friend and benefactor, wants Sherlock Holmes to find her first love, who failed to show up at their annual rendezvous.

The year is 1672. Hangman Jakob Kuisl and his family travel to Munich, the cosmopolitan heart of Bavaria, for a meeting of the prestigious Council of Twelve, the leaders of the empire’s hangmen’s guild - prestigious for dishonourable hangmen at least. But something dark is happening behind the scenes: in the past weeks, young women have begun turning up dead. At first the authorities assume they are a rash of suicides, but when Kuisl notices that each woman possesses a matching amulet, suspicions arise that someone is murdering them.