Jonathan Dereszynski

Arthur Parnassus lives a good life built on the ashes of a bad one. He’s the headmaster of a strange orphanage on a distant and peculiar island, and he hopes to soon be the adoptive father to the six dangerous and magical children who live there. Arthur works hard and loves with his whole heart so none of the children ever feel the neglect and pain that he once felt as an orphan on that very same island so long ago. He is not alone: joining him is the love of his life, Linus Baker, a former caseworker in the Department in Charge of Magical Youth.

Levitt and co-author Stephen J. Dubner show that economics is, at root, the study of incentives: how people get what they want, or need, especially when other people want or need the same thing. In Freakonomics, they explore the hidden side of...well, everything. The inner working of a crack gang...the truth about real-estate agents...the secrets of the Klu Klux Klan. What unites all these stories is a belief that the modern world is even more intriguing than we think. All it takes is a new way of looking, and Freakonomics will redefine the way we view the modern world.

Populist rage, ideological fracture, economic and technological shocks, geopolitical dangers, and an international system studded with catastrophic risk—the early decades of the 21st century may be one of the most revolutionary periods in modern history. But they are not the first. Humans have lived, and thrived, through more than one great realignment. What makes an age a revolutionary one? And how do they end?

Lenin once said, “There are decades when nothing happens and weeks when decades happen.” This is one of those times when history has sped up. CNN host and best-selling author Fareed Zakaria helps listeners to understand the nature of a post-pandemic world: the political, social, technological, and economic impacts that may take years to unfold. In the form of 10 straightforward “lessons”, covering topics from globalization and threat-preparedness to inequality and technological advancement, Zakaria creates a structure for listeners to begin thinking beyond COVID-19.

American democracy is, in many people's minds, the model for the rest of the world. Fareed Zakaria points out that the American form of democracy is one of the least democratic in use today. Members of the Supreme Court and the Federal Reserve, institutions that fundamentally shape our lives, are appointed, not elected. The Bill of Rights enumerates a set of privileges to which citizens are entitled, no matter what the majority says. By restricting our democracy, we enhance our freedom.

Welcome to Chromatacia, where life is strictly regulated by one’s limited color perception. Civilization has been rebuilt after an unspoken “Something that Happened” five hundred years before. Society is now color vision—segregated, everything dictated by an individual’s visual ability, and governed by the shadowy National Color in far-off Emerald City. Twenty-year-old Eddie Russett, a Red, is about to go on trial for a murder he didn’t commit, and he’s pretty certain to be sent on a one-way trip to the Green Room for execution by soporific color exposure.

Who hasn’t wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you’ve probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this “Poison Ivy League” college—its location unknown to even those who study there—is where you might find yourself the practice target of a classmate.

Young Eddie Russett has no ambition to be anything other than a loyal drone of the Collective. With his better-than-average red perception, he could well marry Constance Oxblood and inherit the string works; he may even have enough red perception to make prefect. For Eddie, life looks colorful. Life looks good. But everything changes when he moves with his father, a respected swatchman, to East Carmine. There, he falls in love with a Grey named Jane who opens his eyes to the painful truth behind his seemingly perfect, rigidly controlled society.

The Emperor of All Maladies reveals the many faces of an iconic, shape-shifting disease that is the defining plague of our generation. The story of cancer is a story of human ingenuity, resilience, and perseverance but also of hubris, arrogance, paternalism, and misperception, all leveraged against a disease that, just three decades ago, was thought to be easily vanquished in an all-out "war against cancer".

For the last 100,000 years, we Sapiens have accumulated enormous power. But despite all our discoveries, inventions, and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. Misinformation abounds. And we are rushing headlong into the age of AI—a new information network that threatens to annihilate us. For all that we have accomplished, why are we so self-destructive? Nexus looks through the long lens of human history to consider how the flow of information has shaped us, and our world.