Sonny Johnson
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Edgar Allan Poe: Master of Horror
- De: Mark Canada, The Great Courses
- Narrado por: Mark Canada
- Duración: 5 h y 19 m
- Grabación Original
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Through these 10 lectures, you will delve into the darkness of Poe’s most nightmarish stories, including “The Tell-Tale Heart”, “The Pit and the Pendulum”, and “The Fall of the House of Usher”. You’ll also learn how he invented the detective story and explored themes of love and loss in such poems as “Ulalume” and “Annabel Lee”. And you’ll discover how Poe employed symbolism, imagery, rhythm and rhyme, irony and paradox, repetition, simile, and foreshadowing to create a unique body of work.
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Interesting but not what I was expecting
- De Red-Haired Ash en 03-24-21
- Edgar Allan Poe: Master of Horror
- De: Mark Canada, The Great Courses
- Narrado por: Mark Canada
Dimestore Psychoanalytics and Puddle-Deep Analysis
Revisado: 12-16-24
For a general overview of Poe’s life and poetics on Audible, you’re stuck with this. The biographical facts presented are interesting as facts, but the analytical value of the lecturer’s assertions is extremely doubtful.
You can expect to listen to a wispy academic try to diagnose Poe will all sorts of mental maladies. Who cares about Poe’s poetics when you can listen to a man with no clinical insight try to imagine him bipolar?
When he isn’t playing the clinician, the lecturer likes to pepper his dubious narration with citations from Poe. When citing the author, our fine reader departs from his natural nasal to adopt “Poe’s” tone, which he imagines as affected and tremulous as a shivering child begging for alms.
What a disaster.
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Dracula [Audible Edition]
- De: Bram Stoker
- Narrado por: Alan Cumming, Tim Curry, Simon Vance, y otros
- Duración: 15 h y 27 m
- Versión completa
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- De Jim "The Impatient" en 11-05-15
Fantastic Performances
Revisado: 10-24-24
The casting for the different roles was outstanding. The novel itself is a classic. Highly recommended.
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Parzival
- De: Wolfram von Eschenbach
- Narrado por: Leighton Pugh
- Duración: 18 h y 13 m
- Versión completa
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The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love.
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This one didn’t work for me
- De Tad Davis en 11-01-21
- Parzival
- De: Wolfram von Eschenbach
- Narrado por: Leighton Pugh
The Most Visionary of Arthurian Legends
Revisado: 08-23-24
At its worst, the text itself is bogged down by the usual tedium of medieval literature: forgettable battles, uninspired dialogue, litanies of place and personal names etc. But, at its best, the text feels magical - like a hallucinatory revelation sprung from an Arthurian unconscious. To my taste, the wonder of those fleeting, visionary moments makes it worthwhile to traverse the surrounding tedium.
An absolute masterpiece, in spite of everything.
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The Owl and the Nightingale
- A New Verse Translation
- De: Simon Armitage
- Narrado por: Simon Armitage
- Duración: 1 h y 35 m
- Versión completa
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The Owl and the Nightingale, one of the earliest literary works in Middle English, is a lively anonymous comic poem about two birds who embark on a war of words in a wood, with a nearby poet reporting their argument in rhyming couplets, line by line and blow by blow. In this engaging and energetic verse translation, Simon Armitage captures the verve and humor of this dramatic tale with all the cut and thrust of the original.
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Well Done
- De Amazon Customer en 04-07-23
- The Owl and the Nightingale
- A New Verse Translation
- De: Simon Armitage
- Narrado por: Simon Armitage
Fine Translation, Discordant Performance
Revisado: 08-23-24
The translation itself is fine, so no substantive complaints there.
The performance, however, is lacking. The text is a spirited exchange of verbal barbs, but the narrator has a 'monotonous drone' that reminds one of viscous, sludgy porridge. Armitage's voice not exactly an adequate instrument to communicate the potentially rousing, comic exchanges in the work itself.
I'm glad the work is available on Audible, and I appreciate the translator's efforts in bringing it here - it was simply an ill-conceived idea to have him behind the mic.
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Daphnis and Chloe
- De: Longus
- Narrado por: Nicholas Boulton
- Duración: 2 h y 47 m
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Daphnis and Chloe is a gem from the pen of the otherwise unknown second-century CE Greek writer Longus. It is the only work of his to survive, and little is known of him. Though perhaps overshadowed by the Roman magnificence of Ovid’s Metamorphoses (dating from a century earlier), Longus’ story entranced the choreographer Michel Fokine, who persuaded the French composer Maurice Ravel to write music for a ballet on the love story as part of the Ballets Russes’ season in Paris in 1912. Ravel, inspired, produced one of the most ravishing scores of the Impressionist period.
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Exquisitely Constructed Ode to Love
- De Sonny Johnson en 08-22-24
- Daphnis and Chloe
- De: Longus
- Narrado por: Nicholas Boulton
Exquisitely Constructed Ode to Love
Revisado: 08-22-24
I went in knowing nothing and came out the other side charmed. It’s an unflinching, no-subversions-necessary pastoral, but a beautifully crafted one. A gem of simple, but touching storytelling. A shame that we have so little from Longus.
The reader’s performance was well done. Recommended if the above sounds like something you’d like.
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On the Happy Life - The Complete Dialogues
- De: Seneca
- Narrado por: Ric Jerrom
- Duración: 14 h y 30 m
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In his dialogues, the Stoic philosopher Seneca outlines his thoughts on how to live in a troubled world. Tutor to the young emperor Nero, Seneca wrote practical philosophical exercises that draw upon contemporary Roman life and illuminate the intellectual concerns of the day. The dialogues also have much to say to the modern listener, as they range widely across subjects such as the shortness of life, tranquility of mind, anger, mercy, happiness, and grief at the loss of a loved one.
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Fantastic Content, Uneven Performance
- De Sonny Johnson en 08-08-24
- On the Happy Life - The Complete Dialogues
- De: Seneca
- Narrado por: Ric Jerrom
Fantastic Content, Uneven Performance
Revisado: 08-08-24
Seneca has been a pleasure to listen to, and the audiobook has a clearly labelled structure. All great as can be expected from Naxos.
The speaker has a clear and compelling voice, but he reads in a spiteful, sneering inflection. This tone is very often in stark contrast to Seneca’s content - his call to emotional evenness and calls to serenity. You’ll notice it especially in the three books written against the expression of anger. It’s an odd stylistic choice by the reader, you can’t help but notice the dissonance.
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City of God
- De: Saint Augustine
- Narrado por: Mark Meadows
- Duración: 46 h y 23 m
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Written after the capture of Rome in 410 by Alaric, King of the Visigoths, St Augustine's City of God was intended as a response to pagan critics who blamed Christianity for this brutal defeat. Augustine attacks ancient pagan beliefs and relates the corruption and immorality that led to Rome's downfall, which began before Christ, before reaching his main argument: that the City of Man is perishing and only the Heavenly City of God will endure.
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Best City of God Audiobook
- De Sonny Johnson en 12-18-23
- City of God
- De: Saint Augustine
- Narrado por: Mark Meadows
Best City of God Audiobook
Revisado: 12-18-23
If you want City of God on Audiobook, this is the version to get. The reader’s pacing and inflection reflects an understanding of the text. Moreover, all the individual chapters (hundreds) are titled and selectable. This is unique to this version and alone makes this the far superior choice.
(The most reviewed version on Audible just dumps two-hour chunks on you, so good luck if you’d like to try to locate an individual chapter. You’ll need it.)
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Jesus and the Gospels
- De: Luke Timothy Johnson, The Great Courses
- Narrado por: Luke Timothy Johnson
- Duración: 18 h y 30 m
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For most of the last 2,000 years, questions about the figure of Jesus have begun with the Gospels, but the Gospels themselves raise puzzling questions about both Jesus and the religious movement within which these narratives were produced. Is it possible to shape a single picture from the various accounts of his life given us by these Gospels?
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Thorough wideiranging overview of scholarship
- De Jacobus en 08-02-13
- Jesus and the Gospels
- De: Luke Timothy Johnson, The Great Courses
- Narrado por: Luke Timothy Johnson
Rigorous Nothing
Revisado: 11-23-23
The good professor is undeniably learned in the details, but has astonishingly little of interest to say about the Gospels’ meaning.
To my mind, the deficiencies in Professor Luke’s style are most evident in his lectures on John. He evokes the notion of ‘symbolism’ often, but his explications of the text’s symbolic systems are dim and disappointingly uncompelling. He’s quite proud of his own theoretical innovation here - denying John’s theological exceptionalism in favor of declaring it an ‘explicit’ rendering of the ideas ‘implicit’ in the Synoptic Gospels. It doesn’t appear that Prof. Luke is aware how philosophically reductive and virulently boring this move is. Mercifully, it’s unconvincing and unlikely to enjoy adoption outside the bounds of the good professor’s mind.
This is only the one of many methodologically awkward flattenings of the Gospels. It’s rare that academic scholarship succeeds in sucking the life out of its material to this extent. I appreciate the rigorous secularism of his approach, but all the professor’s learning should amount to a more compelling set of elucidations of such naturally rich literature.
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Revelations of Divine Love
- De: Julian of Norwich
- Narrado por: Katie Scarfe
- Duración: 6 h y 18 m
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On May 8, 1373, 30-year-old Julian of Norwich, sick and near death, had a series of visions of Christ. In these 16 visions she learnt about God's loving nature. God in Julian's visions was not angry and wrathful. Instead, the three properties of God were presented as life, love and light, and all of His creation was good, including his servant, man. In Julian's version, Man is not to blame for his sin; instead it is something that he must experience and overcome in his spiritual journey with God.
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Extraordinary narration, questionable translation
- De Adeliese Baumann en 08-03-18
- Revelations of Divine Love
- De: Julian of Norwich
- Narrado por: Katie Scarfe
Fantastic Narration
Revisado: 09-16-23
I wanted to add to the choir of voices expressing how lovely the narration is. A revelation in its own right. Highly recommended.
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The Aeneid
- De: Virgil
- Narrado por: Simon Callow
- Duración: 12 h y 26 m
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The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.
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Good but the chapters aren't IN ORDER
- De Maggie en 10-18-17
- The Aeneid
- De: Virgil
- Narrado por: Simon Callow
Virgil and Fagles Save a Bad Product
Revisado: 11-10-22
The audio tracks are broken up with no regard for the individual sections of the book. Good luck finding the parts of the book you’d like to listen to again. An annoying, rather baffling stain on a fantastic translation of an absolute literary classic.
The performance is tolerable - sometimes even quite good, but the performer is prone to fall into an ugly, choking, melodramatic inflection whenever things are meant to be sad. Virgil’s outstanding Book 4 becomes a cringeworthy slog. I purchased a different edition of Aeneid so as not to have to listen to it again.
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