Xine Segalas

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

With accomplished precision and gentle eloquence, Jhumpa Lahiri traces the crosscurrents set in motion when immigrants, expatriates, and their children arrive, quite literally, at a cultural divide. The nine stories in this stunning debut collection unerringly chart the emotional journeys of characters seeking love beyond the barriers of nations and generations.

Imagine a 1980s world of sumptuous hotel rooms, restaurants, New York City penthouses, and the powerful men who move easily between these pinnacles of luxury. They are music producers, rock stars, writers, and restaurateurs. They are household names like Billy Joel, Art Garfunkel, Eric Clapton, and Sting. And yet, each man has an entire aspect to his life that he doesn’t talk about publicly—his depression, his rocky marriage, his feelings of shame and failure, his private loss of faith. And now: The phone rings. Imagine the woman who has each of these men at her beck and call.

Almustafa has been exiled in the island city of Orphalese for twelve years when he sees his ship coming with the mist. Before he sets sail, the beloved prophet is asked by his followers to impart his truth. In these twenty-eight poetic essays, he offers profound inspiration on such matters of love and friendship, freedom and self-knowledge, joy and sorrow, pleasure, prayer, and death. In doing so, Almustafa offers a universal serenity. A Lebanese émigré to the United States, Gibran wrote The Prophet to transcend the barriers between East and West.

Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos - days before her thirtieth birthday. Right on time.

Amanda Lindhout reads her spectacularly dramatic memoir of a woman whose curiosity about the world led her from rural Canada to imperiled and dangerous countries on every continent, and then into 15 months of harrowing captivity in Somalia - a story of courage, resilience, and extraordinary grace. In August 2008, she traveled to Mogadishu, Somalia - "the most dangerous place on Earth." On her fourth day in the country, she and her photojournalist companion were abducted.

Mystery and horror. Poe, who remains one of the most iconic of American writers, died under haunting circumstances that reflect the two literary genres he took to new heights. Over the years, there has been a staggering amount of speculation about the cause of death, from rabies and syphilis to suicide, alcoholism, and even murder. But many of these theories are formed on the basis of the caricature we have come to associate with Poe: the gloomy-eyed grandfather of Goth, hunched over a writing desk with a raven perched on one shoulder, drunkenly scribbling his chilling masterpieces.

Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments, and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself, in P. Djèlí Clark's Tor.Com Original, A Dead Djinn in Cairo.

From filmmaker and New Yorker contributor Susanna Fogel comes a comedic novel about a fractured family of New England Jews and their discontents. Told entirely in letters to a heroine we never meet, we get to know the Fellers through their check-ins with Julie over the course of three decades: their thank-you notes, letters of condolence, family gossip, and good old-fashioned familial passive-aggression.

The glass beach house was supposed to be the getaway that Susan needed. Eager to help her transplanted family set down roots in their new town - and desperate for some kid-free conversation - she invites her new neighbors to join in on a week-long sublet with her and her workaholic husband. Over the course of the first evening, liquor loosens inhibitions and lips. But someone says too much. And the next morning one of the women is discovered dead on the private beach. Town detective Gabby Watkins must figure out who permanently silenced the deceased.