Daryl

Washington’s End begins where most biographies of George Washington leave off, with the first president exiting office after eight years and entering what would become the most bewildering stage of his life. Embittered by partisan criticism and eager to return to his farm, Washington assumed a role for which there was no precedent at a time when the kings across the ocean yielded their crowns only upon losing their heads. In a different sense, Washington would lose his head, too.

1970s, Southern Alabama. Sixty-two-year-old Jeremiah Lewis Taylor, or “Nub,” has spent his whole life listening to those he loves tell him he’s no good—first his ex-wife, now his always-disapproving daughter. Sure, his escapades have made him, along with his cousin and perennial sidekick, Benny, just a smidge too familiar with small-town law enforcement, but he’s never harmed anyone—except perhaps himself.

The Election of 1872 was the most contentious in American history. After both parties complained of corruption, neither candidate would concede, two governors claimed office and chaos erupted. Rival newspapers engaged in a bitter war of words, politicians plotted to overthrow the government, and their supporters fought in the streets and attempted assassinations. The entire country watched in grim fascination as the wounds of the Civil War were ripped open and the promise of President Grant’s Reconstruction faltered in the face of violent resistance and the birth of the Ku Klux Klan.

In the summer of 1969, 14-year-old Lucas Painter carries a huge weight on his shoulders. His brother is fighting in Vietnam. His embattled parents are locked in a never-ending war. And his best friend, Connor, is struggling with his own family issues. To find relief from the chaos, Lucas takes long, meandering walks, and one day he veers into the woods.

Shots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative flows like a thoroughly engrossing novel, and yet it is a work of nonfiction.

Worie Dressar is 17 years old when influenza and typhoid ravage her Appalachian Mountain community in 1877, leaving behind a growing number of orphaned children with no way to care for themselves. Worie’s mother has been secretly feeding several of these little ones on Sourwood Mountain. But when tragedy strikes, Worie is left to figure out why and how she was caring for them.

Hurtling past the downtrodden communities of Depression-era America, painter Val Welch travels westward to the rural town of Dawes, Wyoming. Through a stroke of luck, he’s landed a New Deal assignment to create a mural representing the region for their new Post Office.

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia.

A Navy captain near the end of a decorated career, Stephen Rensselaer is disciplined, intelligent, and determined always to do what’s right. In defending the development of a new variant of warship, he makes an enemy of the president of the United States, who assigns him to command the doomed line’s only prototype­—Athena, Patrol Coastal 15­­—with the intent to humiliate a man who should have been an admiral. Rather than resign, Rensselaer takes the new assignment in stride.

Piloted by a six-year-old girl, the godlike Skalm guards the Districts of TASC. Her family is long dead. Her adopted father is a synthetic copy of an alien, her nanny an artificial mind connected via subspace to every part of the globe, feeding the young girl information, finding prey to satiate her growing thirst. But the young girl is an innocent, a victim, one of millions the war has already claimed.