Juliet

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.

Ever since a man was found dead in Vera's teahouse, life has been good. For Vera that is. She’s surrounded by loved ones, her shop is bustling, and best of all, her son, Tilly, has a girlfriend! All thanks to Vera, because Tilly's girlfriend is none other than Officer Selena Gray. The very same Officer Gray that she had harassed while investigating the teahouse murder. Still, Vera wishes more dead bodies would pop up in her shop, but one mustn't be ungrateful, even if one is slightly...bored.

Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light.

When an elderly Miracle Springs resident, Lucille Wynter, arranges for Nora to deliver an order of books to her creepy, crumbling Southern Gothic mansion, Nora doesn't expect to be invited in. An agoraphobic, Lucille doesn't leave Wynter House. Nor does she invite anyone inside. But when Lucille doesn't come to the door to collect her books, Nora begins to worry. Forcing her way into Lucille's dilapidated home, Nora is shocked to find rooms packed to the ceiling with decaying books and a lifeless Lucille at the foot of her stairs.

Iris Hollow and her two older sisters are unquestionably strange. Ever since they disappeared on a suburban street in Scotland as children only to return a month a later with no memory of what happened to them, odd, eerie occurrences seem to follow in their wake. And they're changing. First, their dark hair turned white. Then, their blue eyes slowly turned black. They have insatiable appetites yet never gain weight. People find them disturbingly intoxicating, unbearably beautiful, and inexplicably dangerous.

Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for 40 years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills.

High-powered businesswoman Lana Rubicon has a lot to be proud of: her keen intelligence, impeccable taste, and the L.A. real estate empire she’s built. But when she finds herself trapped 300 miles north of the city, convalescing in a sleepy coastal town with her adult daughter Beth and teenage granddaughter Jack, Lana is stuck counting otters instead of square footage—and hoping that boredom won’t kill her before the cancer does.

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

As one of the few witches in Britain, Mika Moon knows she has to hide her magic, keep her head down, and stay away from other witches so their powers don’t mingle and draw attention. And as an orphan who lost her parents at a young age and was raised by strangers, she’s used to being alone and she follows the rules...with one exception: an online account, where she posts videos "pretending" to be a witch. She thinks no one will take it seriously.