Lydia

On the brink of losing her position as a maid and with no prospects to go on, the offer of a place at Rooksgrave Manor - a house of ill and unusual repute - sounds like a perfect fit for a young woman with Esther’s inclinations. Even better, the invitation comes by the hand of the handsome Dr. Underwood, a delicate gentleman with a ferocious alter ego who knows exactly what he wants from Esther. Upon arrival, the men and the daily decadence of the manor feel too good to be true for a girl of Esther’s station.

I’ve been cursed. Not metaphorically. Not, “Oh no! I spilled my coffee!” or “I broke a heel!” No. I’ve been cursed by a book and now I’m a danger to everyone I care about.

I’m a Nightmare, a creature that feeds on fear, and I’m capable of boundless cruelty—which is why my services come at a steep price: the life of the person who hired me. As such, the only people who hire me on are those brought to me by fate, like Mina, a woman so desperate for revenge that she’s willing to spend her own life to get it. I don’t usually care why I’m hired. Human affairs don’t matter to me. Food is food, and a job is a job. Mina’s enemies will get what they deserve—and I’ll get what’s mine. Her beating heart.

As a kraken bodyguard, I rarely get human clients. When I do, the only way to protect them is to form a telepathic bond. I don't like it, but after my wife's death years ago I've learned to build an impenetrable shield around myself and my emotions, until I meet my newest client. She's a scientist investigating an ancient relic on the ocean floor. The abyssal plane is no place for humans, but the job is the job, so I shut off my soul, bury my secrets, and link our minds. The flood of her emotions takes me by surprise.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening, her husband, Gabriel, returns home late from a fashion shoot, and Alicia shoots him five times in the face and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety.