Kathy

On the first snowy night of winter, Detective Inspector Vera Stanhope sets off for her home in the hills. Though the road is familiar, she misses a turning and soon becomes lost and disorientated. A car has skidded off the narrow road in front of her, its door left open, and she stops to help. There is no driver to be seen, so Vera assumes that the owner has gone to find help. But a cry calls her back: a toddler is strapped in the back seat.

Deborah Harkness first introduced the world to Diana Bishop, an Oxford scholar and witch, and vampire geneticist Matthew de Clermont in A Discovery of Witches. Drawn to each other despite long-standing taboos, these two otherworldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Since then, they have fallen in love, traveled to Elizabethan England, dissolved the Covenant between the three species, and awoken the dark powers within Diana’s family line.

Joanne’s husband, Zack, recently elected mayor of Regina, is optimistic that he can garner the public support necessary to make Regina a city that works—not just for the few, but for the many. Their oldest son Peter is marrying Maisie Crawford, a woman as clever and forthright as she is lovely. Their lakeside wedding is a dream come true, but when a former lover of a member of the bridal party shows up, the dream becomes a nightmare. Before the bride's bouquet has wilted, there's an act of sickening cruelty; soon afterwards, there’s a murder.

Joanne’s husband Zack is the leading progressive candidate in a neck-and-neck race, with the existing mayor, for Regina’s top job. The tough campaigning is well underway when a disturbing threat disrupts the celebration for the opening of the Racette-Hunter Centre — a project Zack has been spearheading, intended to benefit the impoverished community of North Central Regina. Joanne soon realizes that sinister interests are working behind the scenes of the election, and another savage act makes clear that someone will stop at nothing to maintain the status quo.

When a police detective is taken off life support after falling into a coma, only an autopsy reveals the murderous act that precipitated her death. She'd been working on a special task force within North London's Nigerian community, and Acting Detective Superintendent Thomas Lynley is assigned to the case, which has far-reaching cultural associations that have nothing to do with life as he knows it. In his pursuit of a killer determined to remain hidden, he's assisted by Detective Sergeants Barbara Havers and Winston Nkata.

The cozy, bucolic town of Ludlow is stunned when one of its most revered and respected citizens - Ian Druitt, the local deacon - is accused of a serious crime. Then, while in police custody, Ian is found dead. Did he kill himself? Or was he murdered? When Barbara Havers is sent to Ludlow to investigate the chain of events that led to Ian's death, all the evidence points to suicide. But Barbara can't shake the feeling that she's missing something.

The number one New York Times best-selling author’s award-winning series returns with another stunning crime drama featuring Scotland Yard members Detective Inspector Thomas Lynley and Detective Sergeant Barbara Havers. As Inspector Thomas Lynley investigates the London angle of an ever more darkly disturbing case, his partner, Barbara Havers, is looking behind the peaceful façade of country life to discover a twisted world of desire and deceit.

Here is a tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries - many of them still hanging in prominent museums and private collections today. Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history.

Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore's The Art of the Con tells the stories of some of history's most notorious yet untold cons.

Nine-year-old Alicia lost her parents during the Spanish Civil War when the Nacionales (the fascists) savagely bombed Barcelona in 1938. Twenty years later, she still carries the emotional and physical scars of that violent and terrifying time. Weary of her work as an investigator for Spain’s secret police in Madrid, a job she has held for more than a decade, the 29-year old plans to move on. At the insistence of her boss, Leandro Montalvo, she remains to solve one last case: the mysterious disappearance of Spain’s Minister of Culture, Mauricio Valls.