Doug zavitka

In the remote town of Hellbent, New Hampshire, a woman, eight months pregnant, steps off a train. She is alone, and desperate to find her missing husband—a nuclear missiler. He’s gone missing. No one knows where he is. The Pentagon won’t acknowledge that he even exists. She believes time is running out, and she fears the worst. Her only hope is a drifter she just met, named Jack Widow. Together, maybe they can find her husband.

VBI (Vermont Bureau of Investigation) head Joe Gunther and his team are called in to investigate a series of violent deaths that appear unrelated until telltale clues reveal a linkage between them and that all of the deaths are, in fact, murders. However, apart from a single drop of unexplained blood left at each crime scene, there are no obvious connections between the victims or the cases. In the search for the elusive truth, the VBI must plumb the depths of every suspect's past.

A deputy sheriff was shot to death during a routine traffic stop on a dark country road. From what can been seen on the cruiser's video recorder of the killers, it is believed that they were a couple of Boston-based drug runners who had been on their way from Canada down to Boston. That's what brings Joe Gunther and his team to the investigation - an attempt to shut down the major drug running operation.

Every day without fail, Travis Devine puts on a cheap suit, grabs his faux-leather briefcase, and boards the 6:20 commuter train to Manhattan, where he works as an entry-level analyst at the city’s most prestigious investment firm. In the mornings, he gazes out the train window at the lavish homes of the uberwealthy, dreaming about joining their ranks. In the evenings, he listens to the fiscal news on his phone, already preparing for the next grueling day in the cutthroat realm of finance. Then one morning Devine’s tedious routine is shattered by an anonymous email: She is dead.

It’s the eve of 1953, and Aloysius Archer is in Los Angeles to ring in the New Year with an old friend, aspiring actress Liberty Callahan, when their evening is interrupted by an acquaintance of Callahan’s: Eleanor Lamb, a screenwriter in dire straits. After a series of increasingly chilling events—mysterious phone calls, the same blue car loitering outside her house, and a bloody knife left in her sink—Eleanor fears that her life is in danger, and she wants to hire Archer to look into the matter. Archer suspects that Eleanor knows more than she’s saying.

In an alleyway in Los Angeles, an old man, clutching faded newspaper clippings and gasping his last words to a cop, lies dying of a gunshot wound. The victim claims to be P.I. Elvis Cole’s long-lost father - a stranger who has always haunted his son. As a teenager, Cole searched desperately for his father. As a man, he faces the frightening possibility that this murder victim was himself a killer. Caught in limbo between a broken love affair and way too much publicity over his last case, Cole at first resists getting involved with this new case. Then it consumes him.

Will Robie may have just made the first - and last - mistake of his career.... It begins with a hit gone wrong. Robie is dispatched to eliminate a target unusually close to home in Washington, D.C. But something about this mission doesn't seem right to Robie, and he does the unthinkable: He refuses to kill. Now, Robie becomes a target himself and must escape from his own people.

Fleeing the scene, Robie crosses paths with a wayward teenage girl, a 14-year-old runaway from a foster home. But she isn't an ordinary runaway....

Court Gentry is known as The Gray Man—a legend in the covert realm, moving silently from job to job, accomplishing the impossible, and then fading away. And he always hits his target. But there are forces more lethal than Gentry in the world. And in their eyes, Gentry has just outlived his usefulness. Now, he is going to prove that for him, there's no gray area between killing for a living-and killing to stay alive.