Elizabeth Walch

California, 1938—When she loses her parents in an accident, sixteen-year-old Rosanne is taken in by the owners of the vineyard where she has lived her whole life as the vinedresser’s daughter. She moves into Celine and Truman Calvert’s spacious house with a secret, however—Rosie sees colors when she hears sound. She promised her mother she’d never reveal her little-understood ability to anyone, but the weight of her isolation and grief prove too much for her. Driven by her loneliness she not only breaks the vow to her mother, but in a desperate moment lets down her guard and ends up pregnant.

She said yes to Morelli. She said yes to Ranger. Now Stephanie Plum has two fiancés and no idea what to do about it. But the way things are going, she might not live long enough to marry anyone. While Stephanie stalls for time, she buries herself in her work as a bounty hunter, tracking down an unusually varied assortment of fugitives from justice. There’s Eugene Fleck, a seemingly sweet online influencer who might also be YouTube star Robin Hoodie, masked hero to the homeless, who hijacks delivery trucks and distributes their contents to the needy.

Washington, DC, 1950. Everyone keeps to themselves at Briarwood House, a down-at-the-heels all-female boardinghouse in the heart of the nation’s capital where secrets hide behind white picket fences. But when the lovely, mysterious widow Grace March moves into the attic room, she draws her oddball collection of neighbors into unlikely friendship. Grace’s weekly attic-room dinner parties and window-brewed sun tea become a healing balm on all their lives, but she hides a terrible secret of her own.

As England prepares to fight the Nazis, three very different women answer the call to mysterious country estate Bletchley Park, where the best minds in Britain train to break German military codes. Vivacious debutante Osla is the girl who has everything - beauty, wealth, and the dashing Prince Philip of Greece sending her roses - but she burns to prove herself as more than a society girl, and puts her fluent German to use as a translator of decoded enemy secrets.

As New England swelters in the summer of 1914, Detective Isaac Bell is asked to investigate a cache of missing rifles—only to discover something much more sinister. Whoever broke into this Winchester Factory wasn’t looking to take weapons, they wanted to leave something in the shipping crates: a radio transmitter, set to summon a fleet of dreaded German U-boats. Someone is trying to keep American supplies from reaching British shores, and if Bell doesn’t crack the conspiracy in time, the Atlantic Ocean will run red with blood.

At long last, Gaius Petreius Ruso and his companion, Tilla, are headed home - to Gaul. Having received a note consisting only of the words "COME HOME!" Ruso has (reluctantly, of course) pulled up stakes and brought Tilla to meet his family. But the reception there is not what Ruso has hoped for: no one will admit to sending for him, and his brother Lucius is hoping he'll leave.

Emerson Knight is introverted and eccentric and has little to no sense of social etiquette. Good thing he's also brilliant, rich, and (some people might say) handsome, or he'd probably be homeless. Riley Moon has just graduated from Harvard Business and Harvard Law. Her aggressive Texas spitfire attitude has helped her land her dream job as a junior analyst with megabank Blane-Grunwald. At least Riley Moon thought it was her dream job, until she is given her first assignment: babysitting Emerson Knight.

Chief medical examiner Kay Scarpetta is the reluctant star witness in a sensational murder trial when she receives shocking news. The judge’s sister has been found dead. At first glance, it appears to be a home invasion, but then why was nothing stolen, and why is the garden strewn with dead plants and insects? Although there is no apparent cause of death, Scarpetta recognizes telltale signs of the unthinkable, and she knows the worst is yet to come. The forensic pathologist finds herself pitted against a powerful force that returns her to the past.