Novedades

Threads of Empire is a spellbinding look at the history of the world through the stories of twelve carpets. Beautiful, sensuous, and enigmatic, great carpets follow power. Emperors, shahs, sultans, and samurai crave them as symbols of earthly domination. Shamans and priests desire them to evoke the spiritual realm. The world's 1% hunger after them as displays of extreme status.

In an age when studio films, straight-to-streaming releases, and television have become so homogenized as to be barely distinguishable from one another, a fiercely independent filmmaker named Anna Biller reached back to classic techniques and thematic concerns to create an instant classic. With The Love Witch, Biller made a radical statement about how far off the path modern filmmaking approaches have taken contemporary cinema. In showing us what we've lost, Biller shows us what is still to be gained. When filmmaker Matt Latham saw The Love Witch, he fell in love with Biller's style, ...

Essere donna ed essere artista, agli albori del Novecento, era quasi inconciliabile. Eppure qualcuna è riuscita, con grande maestria, a lasciare incantevoli tracce del proprio passaggio nel mondo. Questa è la storia di Leonora Carrington e Remedios Varo: non più muse, ma "amabili streghe". Dall'Inghilterra alla Francia, dalla Spagna al Messico, dal Messico agli Stati Uniti, le loro vite sono unite da un labirinto di fughe, di guerre, di passioni e amicizie.

Journey through the day in New York City that changed Andy Warhol forever. Ambushed with gunfire by an unstable writer, Andy Warhol is left with injuries, anxieties, and memories to last a lifetime. Review the details and investigate one of New York's most astounding true-crimes. What's Included: I. Story Recap: Narrative overview of the crime and details. II. People List: includes all names associated with the crime, not just the victims and perpetrators. Information about the participants includes their role to the crime and interesting factoids about the person. III. Location Addresses: ...

What does it mean to call something "new"? Why is Western art and culture, even after postmodernism, still so obsessed with the concept? What are the consequences of relying on culture to bring about social change? In this provocative book, David Balzer argues that Western culture was never designed to produce truly new or original artifacts. Rather, we move from fixation to fixation, trend to trend—a cycle of creation and destruction with deep origins in Judeo-Christianity and the paganism that preceded it.