Novedades

How to be a Man? That question—and all the anxiety, anger, and resentment it stirs up—is the starting point for a crisis in masculinity that today manifests as misogyny, nativism, and corporate greed; gives rise to incels and mass shooters; and leads to panic over the rights of women and minorities. According to Jessa Crispin, it is the most important question of our time, and the answer to it might be found in an unlikely place: the films of Michael Douglas.

Big Tobacco Versus the World Cigarettes: the only consumer product that kills half its loyal customers when used exactly as intended. Yet somehow, for over a century, they’ve been marketed with charm, sophistication, cowboy hats, and cartoon camels. What gives? Big Tobacco Versus the World is a wry, sharp-eyed look at how a global industry managed to hook billions, bury the evidence, and keep the profits rolling while the bodies piled up. It’s a tale of manipulation, addiction, denial, and the people fighting back with facts, lawsuits, and a lot more stamina than a chain-smoker’s ...

A savage journey into the heart of Hunter S. Thompson's Las Vegas with the Good Doctor as tour guide. A Lord-of-the-Rings-like adventure in the city's underground flood channels. A seven-day stay at a seedy motel on East Fremont Street. The stories in My Week at the Blue Angel aren't about Steve Wynn, Cirque du Soleil, or how to play poker, and they aren't set in Caesars Palace, XS Nightclub, or a 2,000-seat showroom. They're about prostitutes, ex-cons, and the homeless, and they're set under Caesars Palace and in trailer parks and weekly motels. In this creative nonfiction collection, ...

In seven stunning original essays, Alice Bolin turns her gaze to the myriad ways femininity is remixed and reconstructed by the pop culture of the computer age. The unlikely, often insidious forces that drive our popular obsessions are brilliantly cataloged, contextualized, and questioned in a kaleidoscopic style imitating the internet itself.

In Reclaiming Art in the Age of Artifice, J. F. Martel offers a compelling and incisive meditation on the nature of art in a world dominated by invasive media, rampant consumer culture, and artificial intelligence. Drawing on a wide range of examples, from Paleolithic cave art to contemporary cinema, Martel argues that true art reveals the unseen forces shaping our existence—forces that transcend politics, technology, and even culture.