Lucky readers in the 1970s and ’80s discovered Laurie Colwin’s urbane, witty fiction in The New Yorker, as well as her warm, engaging food writing in Gourmet magazine columns. More Home Cooking, the second collection of these columns, is an expression of Colwin’s lifelong passion for cuisine and offers a delightful mix of recipes, advice, and personal anecdotes from the kitchen and beyond. She muses over the many charms and challenges of cooking at home in timeless essays including “Desserts That Quiver,” “Real Food for Tots,” and “Catering on One Dollar a Head.”

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.

As a bored graduate student, Geraldine Colshares is plucked from her too-tame existence when she is invited to tour as the only white backup singer for Vernon and Ruby Shakely and the Shakettes. The exciting years she spends as a Shakette are a mixed blessing, however, because when she ultimately submits to a conventional life of marriage and children, she finds herself stuck in bittersweet recollections of life on the road.

It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what’s happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy’s carefully constructed life.

Ammalie Brinks has just lost the three keys of her life’s purpose—her husband, her job, and her role as a mom, after her son went off to college. She’s also mystified to find herself in middle age: How exactly had that happened? The terrifying idea of becoming irrelevant, invisible, of letting her life slip away Into obscurity, has her driving distracted through Nebraska with a broken plastic fork in her tangled hair.

To the rest of the world, Polly Solo-Miller Demarest lives a charmed life. She has a beautiful home, a dashing lawyer husband, and two delightful children. But beneath this idyllic surface, the pressure of being the “perfect flower” of an illustrious family—and a stable, always-available wife, mother, and daughter—are getting to her. The spark has gone out of her marriage, and to her own surprise, she’s having an affair. What follows is at once cathartic and provoking, and both may be necessary states in order for Polly to become the kind of person she wants to be.

Guido and Vincent, best friends (and third cousins), aren’t expecting to fall head-over-heels in love, but that is exactly what happens. Guido is smitten with Holly, a dazzling young woman who chafes at the idea of complacency, while Vincent falls for Misty, a work colleague with an acerbic sense of humor who seems as uninterested in romance as she is in Vincent (at first). In the months that follow, both couples will experience the rituals of courtship, jealousy, estrangement, family entanglements, and other perils of the heart as they try to find love in spite of themselves.

As a bored graduate student, Geraldine Colshares is plucked from her too-tame existence when she is invited to tour as the only white backup singer for Vernon and Ruby Shakely and the Shakettes. The exciting years she spends as a Shakette are a mixed blessing, however, because when she ultimately submits to a conventional life of marriage and children, she finds herself stuck in bittersweet recollections of life on the road.

Vermont, 1950. There's a place for the girls whom no one wants - the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming - until one of them mysteriously disappears.... Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death.

From the time she was young, Suleika Jaouad has kept a journal. She’s used it to mark life's biggest occasions and to weather its most ferocious storms. Journaling has buoyed her through illness, heartbreak, and the deepest uncertainty. And she is not alone: for so many people, keeping a journal is an essential tool for navigating both the personal peaks and valleys and the collective challenges of modern life. More than ever, we need a space for puzzling through.