Leonora Spencer has an acquaintance with death. Sixteen years ago, only she survived the brutal murder of her family. Now, as an assistant in her uncle's London morgue, she uses her photographic memory to catalogue details for his coroner reports. She also isn't opposed to helping him during postmortems if his skilled hands begin to shake. After a thief breaks into the morgue and steals a locket from a young woman's corpse, Leo is determined to understand why, even if it means going against Detective Inspector Jasper Reid's express orders to keep her nose out of it.

Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It's been two years since Fiona scrubbed Mary's blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn't forgotten. When she's called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary's old home.

November 1866: The grisly murder site in London's East End is thronged with onlookers. None of them expect the calmly efficient young woman among them to be a medical doctor, arrived to examine the corpse. Inspector Richard Tennant, overseeing the investigation, at first makes no effort to disguise his skepticism. But Dr. Julia Lewis is accustomed to such condescension . . .

London, 1861. Samantha Kingston has lived under the control of her overbearing uncle since the death of her parents six years ago. Trapped by the conventions of her gender and social class, she is desperate to find a way out. But when her aunt and uncle are murdered, the freedom she sought seems even further out of reach. A suspect in the crime, she finds herself on the run, unsure whom to trust, lost in the underworld she had only ever read about in the pages of a Dickens novel.

Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.

A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won't snub the opportunity now. But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she's determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she pleases.

Determined to find the men responsible for her disgraced father's murder, Lady Arianna Hadley disguises herself as a man and contrives to be hired as a chef in one of London's aristocratic households. But when the prince regent is poisoned by Arianna's special chocolate dessert, she finds her own quest has become intertwined with a far more deadly intrigue. The earl of Saybrook is asked by the government to investigate. When someone tries to kill them both, they become reluctant allies in the hunt to discover what evil is afoot.

Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when one of the house guests is murdered, her brother-in-law asks her to aid the insufferable Sebastian Gage - a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down, as accusations and rumors swirl.

London, October 1886: Trapped in a troubled marriage, Lucy Lawrence is ripe for an adventure. But when she meets the enigmatic Phineas Stone, over the body of her husband in the mortuary, her world begins to fall apart. When her late husband's secrets spill from the grave and her life is threatened by the leader of London's most notorious gang, Lucy must find the strength to rise to the challenge. But who can she trust, and how is she to stay out of the murderous clutches of London's most dangerous criminal?

London 1815. Newly widowed Lily Adler is returning to a society that frowns on independent women. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden. Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables - until Lord Walter bribes the investigating magistrate to drop the case. Stunned, Lily realizes she's the only one with the key to catching the killer.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

Audie Award, Romance, 2016. Dorian Blackwell, the Blackheart of Ben More, is a ruthless villain. Scarred and hard-hearted, Dorian is one of Victorian London's wealthiest, most influential men who will stop at nothing to wreak vengeance on those who've wronged him... and will fight to the death to seize what he wants. The lovely, still innocent widow Farah Leigh Mackenzie is no exception-and soon Dorian whisks the beautiful lass away to his sanctuary in the wild Highlands....

Lord Hampton cursed his luck. Six dukes were in league together to force their sons to marry, and one of them was his own father. The old men had drawn up a formal pact, with severe consequences to their heirs included. Edwin is determined to devise a way out of it, he has no intention of marrying any time soon. He's also desperate to get his name off the ton's lips. Mamas are circling like hunters round a wounded stag and every pert little miss is fanning herself.

When a murder is committed, a lady's companion finds herself in the role of amateur sleuth...1789, London: When Emily Fanshawe, Marchioness of Polbrook, is found strangled in her bedchamber, suspicion immediately falls on those residing in the grand house in Hanover Square. Emily's husband - Randal Fanshawe, Lord Polbrook - fled in the night and is chief suspect - much to the dismay of his family. Ottilia Draycott is brought in as the new lady's companion to Sybilla, Dowager Marchioness, and soon finds herself assisting younger son Lord Francis Fanshawe in his investigations.

Newly returned from finishing school, Lady Juliette Thorndike is ready to debut in London society. Due to her years away, she hasn't spent much time with her parents, and sees them only as the flighty, dilettante couple the other nobles love. But when they disappear, she discovers she never really knew them at all. They've been living double lives as government spies-and they're only the latest in a long history of espionage that is the family's legacy.

Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It's been two years since Fiona scrubbed Mary's blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn't forgotten. When she's called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary's old home.

London, 1861. Samantha Kingston has lived under the control of her overbearing uncle since the death of her parents six years ago. Trapped by the conventions of her gender and social class, she is desperate to find a way out. But when her aunt and uncle are murdered, the freedom she sought seems even further out of reach. A suspect in the crime, she finds herself on the run, unsure whom to trust, lost in the underworld she had only ever read about in the pages of a Dickens novel.

Cadence "Cady" Bloomquist knows two things for sure: First, shelving books at her shop, Nevermore Bookstore, totally counts as cardio. Second, staying late every Thursday night to take a certain mysterious customer's order is not the same as waiting by the phone for some man. Until the calls with the man who identifies himself only as "Fox" last for hours, and become the highlight of her week. Which leaves her to wonder, if his velvet voice can kindle her fire over the phone, what sort of alchemy might it inspire if they met in person?

Zachary Bronson has built an empire of wealth and power. Now he is seeking a wife to help secure his position in the ton...as well as warm his bed in private. But not just any woman will do for one of London's most notorious rakes. When he meets Lady Holly Taylor, he surrenders to the temptation to take her in his arms and kiss her. Yet he's pleasantly surprised to discover her fierce passions match his own.

Amelia Amesbury—widow, mother, and countess—has a secret. Amelia writes for a London penny paper, doling out advice on fashion, relationships, and manners under the pen name Lady Agony. But when a lady’s maid writes Amelia to ask for advice when she believes her mistress has been murdered—and then ends up a victim herself—Amelia is determined to solve the case.