When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

Bound together by dreams of success, three clerks Harry Norman, Alaric Tudor, and Charley Tudor navigate the ranks of the Civil Service, each of them drawn into a web of temptation and moral dilemmas.

Lady Mason's trial for forgery and perjury shocks the neighborhood. A cast of unforgettable characters views her with disdain, compassion, and disbelief. And then there are the love stories....

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

On the death of his son, Sir Harry Hotspur had determined to give his property to his daughter Emily. She is beautiful and as strong-willed and high-principled as her father. Then she falls in love with the black-sheep of the family.

In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.

Anthony Trollope's classic novel centers on Mr. Harding, a clergyman of great personal integrity whose charitable income far exceeds the purpose for which it was intended. On discovering this, young John Bold turns his reforming zeal toward exposing what he regards as an abuse of privilege, despite the fact that he is in love with Mr. Harding's daughter, Eleanor.

"Ayala's Angel" (1878) is a novel by Anthony Trollope. The story focuses on two orphaned sisters, Ayala and Lucy Dormer, and their trials, first with their relatives, then of the heart. As in most Trollope novels, pages are given over to subplots related to the main plot. Excerpt from the book: "It was now the beginning of February. As Tom and his uncle had walked from Somerset House the streets were dry and the weather fine; but, as Mr. Dosett had remarked, the wind was changing a little out of the east and threatened rain.

Originally published in 1878, Is He Popenjoy? is a delightful comic novel written late in the career of author Anthony Trollope. The plot revolves around the themes of property and inheritance, as the relatives of the Marquis of Brotherton question the legitimacy of a foreign-born heir to the family estate.

Here is a new audio edition of the acclaimed BBC Radio 4 dramatisations of Anthony Trollope's gently satirical tales of provincial life, available together in one download. Nearly 20 hours of ironic, witty, and wonderfully written drama is contained in this audiobook. The cast includes Anna Massey, Alex Jennings, David Haig, Rosemary Leach, Kenneth Cranham, Emma Fielding, and Brenda Blethyn.

"Castle Richmond" (1860) is a novel by Anthony Trollope. It is set in southwestern Ireland at beginning of the Irish famine. Castle Richmond is situated on the banks of the Blackwater River in County Cork. The plot features the competition of two Protestant cousins of English origin, Owen and Herbert Fitzgerald, for the hand of Clara Desmond, the noble but impoverished daughter of the widowed Countess of Desmond, providing the novel’s principal dramatic interest.

Dr Wortle's School introduces the unassuming Mr. Peacocke and his polite, newly-wed bride, as they join the teaching staff of an elite and exclusive Christian boys' school. Dr. Wortle, a devoted English scholar and the headmaster of the seminary academy, welcomes his two new teachers, confident that they will uphold the high standards of education at the school.

Napoleon has England on edge. For the cunning and conniving Becky Sharp, it’s an opportunity to take advantage of the chaos and improve her lowly station. Her friend Amelia Sedley, a blue-blood pawn, affords Becky entrée into the moneyed class. As the guileless Amelia pines for a rakish soldier, the ruthless Becky climbs upward, setting the stage for a domestic battlefield of greed, ambition, deception, and dizzying reversals of love and fortune.

A sinister masterpiece, Our Mutual Friend was Dickens' last completed novel. It is perhaps his ultimate vision of a dark, macabre London and the corrupting power of money.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.