In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

This audiobook, read by three Audie award-winning narrators, includes unabridged recordings of Fyodor Dostoyevsky and Leo Tolstoy's greatest novels. Translations by Constance Garnett and Aylmer & Louise Maude. This audiobook is fully indexed. Once downloaded, each book and chapter will be listed so you can easily navigate to the individual section.

The Sound and The Fury is the story of a family of Southern aristocrats on the brink of personal and financial ruin. Set in Jefferson, Mississippi, in the first third of the 20th century, the novel centers on the Compson family, former Southern aristocrats who are struggling to deal with the dissolution of their family and its reputation. Over the course of the 30 years or so relayed in the novel, the family falls into financial ruin, loses its religious faith and the respect of the town of Jefferson, and many of them die tragically.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Nineteen-year-old Merowdis Scot is an unusual girl. She can talk to animals and trees—and she is only ever happy when she is walking in the woods. One snowy afternoon, out with her dogs and Apple the pig, Merowdis encounters a blackbird and a fox. As darkness falls, a strange figure enters in their midst—and the path of her life is changed forever.

Philosophical Investigations was published in 1953, two years after the death of its author. In the preface written in Cambridge in 1945 where he was professor of philosophy he states: ‘Four years ago I had occasion to re-read my first book (the Tractatus Logico-Philosophicus) and to explain its ideas to someone. It suddenly seemed to me that I should publish those old thoughts and the new ones together: that the latter could be seen in the right light only by contrast with and against the background of my old way of thinking.’

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

A respectable young widow and mother of two children, the Marquise of O— finds herself inexplicably pregnant after being rescued by a Russian officer from the attentions of his soldiers during the storming of her town's citadel. Convinced of her own innocence and wishing to vindicate her own integrity, the Marquise places an advert in the newspapers, appealing for the father to come forward and promising to marry him.

Kant's Prolegomena, although a small book, is without doubt the most important of his writings, writes the translator, Paul Carus. Prolegomena means, literally, prefatory or introductory remarks, and it furnishes us with a key to his main work, The Critique of Pure Reason; in fact, it is an extract containing all the salient ideas of Kant's system. It approaches the subject in the simplest and most direct way and is therefore best adapted as an introduction into his philosophy.

Many of the tales collected in "Mosses from an Old Manse" are allegories and, typical of Hawthorne, focus on the negative side of human nature. Hawthorne's friend Herman Melville noted this aspect in his review about Hawthorne and his "Mosses": "This black conceit pervades him through and through. You may be witched by his sunlight, transported by the bright gildings in the skies he builds over you; but there is the blackness of darkness beyond."

The Scarlet Letter is one of the great classics of American literature. Set in the harsh Puritan environment of 17th-century Boston, it describes the plight of Hester Prynne, an independent-minded woman who stands alone against society. Having given birth to a child after an illicit affair, she refuses to name the father and is forced to wear the letter "A", for Adulteress, embroidered on her dress.

"To inherit a great fortune. To inherit a great misfortune." These words, from Nathaniel Hawthorne's notebook, neatly encapsulate the theme of The House of the Seven Gables - that of a family whose fortunes are poisoned by its past misdeeds. The sins of the Pyncheon father are visited upon his children over a period of several generations, until such time as one of his descendants unites with a member of the family he has wronged. Love conquers hate, and new blood washes away the original crime.

Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

The Thomas Mann Collection includes unabridged recordings of Thomas Mann's 3 greatest works of fiction in one audiobook.

In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.

A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.

The Decline of the West - Volume 1 published in 1917, Volume 2 in 1922 - has exercised and challenged opinion ever since. It was a huge undertaking by Oswald Spengler (1880-1936), formerly an unpublished historian and philosopher who set out to radically reconsider history - the rise and fall of world civilisations and their cultures. His primary view was to reject the established Eurocentric paradigm (ancient/classical, Medieval - and, following the Renaissance - modern) and to take a totally new perspective.