It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

In Peter Beinart’s view, one story dominates Jewish communal life: that of persecution and victimhood. It is a story that erases much of the nuance of Jewish religious tradition and warps our understanding of Israel and Palestine. After Gaza, where Jewish texts, history, and language have been deployed to justify mass slaughter and starvation, Beinart argues, Jews must tell a new story. After this war, whose horror will echo for generations, they must do nothing less than offer a new answer to the question: What does it mean to be a Jew?

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Richard Evans, author of the acclaimed The Third Reich Trilogy and over two dozen other volumes on modern Europe, is our preeminent scholar of Nazi Germany. Having spent half a century searching for the truths behind one of the most horrifying episodes in human history, in Hitler’s People, he brings us back to the original site of the Nazi movement: namely, the lives of its most important members. Working in concentric circles out from Hitler and his closest allies, Evans forms a typological framework of Germany society under Nazi rule from the top down.

Alex Blake was terrified of water, and had been since she nearly drowned at age five. So when police find her body in the river and rule it a suicide, her mother, Jen knows they're wrong. But no one will listen to a grieving mother. The police dismiss her. Her husband thinks she's in denial. Even their neighbours, the Higgins family, urge her to accept the truth and move on. But something isn't right. Why was Alex messaging Lia Higgins, Jen's former best friend, the day she died? And why is Lia now so desperate to shut down Jen's questions?

When Skye married into the wealthy Turner family, she thought she was entering paradise. But now, several years later, she remains uneasy amid the opulence of her husband's world, struggling with her own secrets and working to maintain a normal life for their young daughter, Tilly. Skye's delicate balance is undone when the family patriarch, Sir Campbell Turner, dies suddenly and an illegitimate heir comes forward to stake his claim in the luxury goods empire the old man leaves behind.

Mickey and Arlo are half sisters. But they’ve never spoken and never met. Arlo adored her father—but always lived in the shadow of his magnetic personality and burdensome vices. Meanwhile, their father abandoned ​Mickey and her mother years ago, and Mickey has hated him since. When she receives news of her father’s passing, Mickey is shocked to learn that he’s left her his not-inconsiderable fortune. The catch: Mickey must attend a series of therapy sessions before the money can be released.

What would you do if you thought your coworker was getting away with murder—literally? Dolores dela Cruz has been dying to spot one in the wild, and he fits the mold perfectly: strangler gloves, calculated charm, dashing good looks that give a leg up in any field . . . including fields of unmarked graves. The new office temp is definitely a serial killer.

Summer 1966. Robert Simon is in his early thirties and has a dream. Raised in a home for war orphans, Robert has nonetheless grown into a warm-hearted, hard-working, and determined man. When the former owners of the corner café in the Carmelite market square shutter the business, Robert sees that the chance to realize his dream has arrived. The place, dark and dilapidated, is in a poor neighborhood of the Austrian capital, but for some time now a new wind has been blowing, and the air is filled with an inexplicable energy and a desire for renewal.

Five high school friends are bonded by an oath to protect one another no matter what. Then, on a camping trip in the middle of the forest, they find something extraordinary: a mysterious staircase to nowhere. One friend walks up—and never comes back down. Then the staircase disappears. Twenty years later, the staircase has reappeared. Now the group returns to find the lost boy—and what lies beyond the staircase in the woods.

Long before Oliver Twist stumbled onto the scene, Jacob Fagin was scratching out a life for himself in the dark alleys of nineteenth-century London. Born in the Jewish enclave of Stepney shortly after his father was executed as a thief, Jacob's whole world is his open-minded mother, Leah. But Jacob’s prospects are forever altered when a light-fingered pickpocket takes Jacob under his wing and teaches him a trade that pays far better than the neighborhood boys could possibly dream.

When seventeen-year-old Isla Richardson is killed in a hit-and-run incident, a community’s lives are thrown into disarray. For Isla’s mum, Abby, it is her second devastating bereavement, having lost her husband five years ago. As Abby begins to uncover secrets about Isla’s life, she’s forced to rethink everything she thought she knew about her family.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Tokyo resident Keiko Furukara has never fit in - neither in her family, nor in school - but when at the age of 18 she begins working at the Hiiromachi branch of national convenience store chain Smile Mart, she realizes instantly that she has found her purpose in life. Delighted to be able to exist in a place where the rules of social interaction are crystal clear (many are laid out line-by-line in the store's manual), Keiko does her best to copy the dress, mannerisms, and mode of speech of her colleagues, playing the part of a "normal" person excellently, more or less.

Sage and her sister won’t make it home from school today. Neither will the other children on Bus 315. But that’s only the beginning of the nightmare. New bus driver Jessa blames herself for what happened. She couldn’t protect the kids she was supposed to deliver to daycare, just like she couldn’t protect her own daughter three years ago. But this time, everything will be different. It has to be.

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

Haven Ambrose, a trailblazing nautical archaeologist, has come to the sun-soaked village of Positano to investigate the mysterious shipwrecks along the Amalfi Coast. But Haven is hoping to find more than old artifacts beneath the azure waters; she is secretly on a quest to locate a trove of priceless gemstones her late father spotted on his final dive. Upon Haven’s arrival, strange maelstroms and misfortunes start plaguing the town. Is it nature or something more sinister at work?

A diary, written in 1912 by a Lutheran Pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.