The abandoned house at the end of Millhaven Road stands on blighted and barren ground, as if nature itself shuns this tainted place. It is known simply as Dead End House, and unspeakably terrible things happened there long ago.

The book you are about to listen to is an account of the tragedy that occurred at the reopening of Bonkin's Bonanza one day in the summer of 1989. Some came looking for fun, like Candy Barton and her best friend, Leigh.

Three low-income families have been given a handsome retainer to join Geraldine Borden for a day at her cliffside estate. All the parents must do to collect the rest of their money is allow their children to test out the revolutionary playground equipment Geraldine has been working on for decades. But there’s a reason the structures in the bowels of her gothic castle have taken so long to develop—they were never meant to see the light of day.

They were called diablos hoyos. Vicious black-furred beasts that fought in the pit with the raw fury and savage ferocity of Satan himself. For their owners, they were a lucrative investment. For the people of Sulphur Springs, Texas, they were the best entertainment they'd had in a long while. For Bowie Kane, they were his darkest nightmare come true.

Real estate agent Anthony Graham has his family on the run after witnessing a murder at the hands of the powerful Costello crime family. They’re forced to hide at one of Anthony’s properties, a deserted campground with a sinister past. No one is safe from the men that hunt them, or the terrors that await them inside The Devil’s Nest.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

The city streets are no longer safe. They are filled instead with the living dead, rotting predators driven only by a need to kill and eat. Some of the living still struggle to survive, but with each passing day, their odds grow worse. Some survivors have fled, frantically searching for a place to escape, even briefly, the slaughter around them.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in 13 relentless tales of supernatural suspense, including “In The Tall Grass”, one of two stories cowritten with Stephen King, basis for the terrifying feature film from Netflix.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

When two teenagers go missing from the small, rural town of Sallow Bend, the residents come together to search for them. Little do they suspect that finding the wayward girls will be the start of their problems. An old evil is rising, and only one man seems to realize that everyone is in danger and this is not the first time it’s happened. With the carnival in town, people want to have a good time, but for many, this will be the worst time of their lives.

A mysterious internet figure, known only as Mr. Boy, is preying on depressed teenagers and brainwashing them into horrific acts of self-harm and suicide. The macabre message behind "The Dropout Challenge" is simple: Drop out of sight. Drop out of school. Drop out of society. Drop out of life altogether.

It’s autumn in the town of Harrow, but something besides the season is changing there. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples, and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.