Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

Milly's mother is a serial killer. Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all.

Dear Elizabeth, I've been watching you. I hope to see you...soon. Liz Cafferky is on the up. Rescued from her dark past by the owner of a drop-in centre for older men, Liz soon finds herself as the charity's face - and the unwilling darling of the Dublin media. Amidst her claustrophobic fame, Liz barely notices a letter from a new fan. But then one of the centre's clients is brutally murdered, and Elizabeth receives another, more sinister note. Running from her own ghosts, Liz is too scared to go to the police.

Barrington Jedidiah Walker is 74 and leads a double life. Born and bred in Antigua, he's lived in Hackney, London, for years. A flamboyant character with a fondness for William Shakespeare, Barrington is a husband, father, grandfather - and also secretly gay. His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away?

Eva never really wanted to be a mother - and certainly not the mother of a boy who ends up murdering seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his 16th birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage, in a series of startlingly direct correspondences with her estranged husband, Franklin.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage produces twin sons whose separate paths confound Iqbal’s every effort to direct them.

In this darkly funny and emotive debut, Ben Jewell has hit a breaking point. His profoundly autistic 10-year-old son, Jonah, has never spoken, and Ben and his wife, Emma, are struggling to cope. When Ben and Emma fake a separation - a strategic yet ill-advised decision to further Jonah's case in an upcoming tribunal to determine the future of his education - father and son are forced to move in with Georg, Ben's elderly and cantankerous father. In a small house in North London, three generations of men - one who can't talk, two who won't - are thrown together.

Caroline Overington's stunning fiction debut is a multi-voiced novel centred around a child's death and its terrible repercussions. In 1982 Victorian police were called to a home on a housing estate an hour west of Melbourne. There, they found a five-year-old boy lying still and silent on the carpet. There were no obvious signs of trauma, but the child, Jacob, died the next day. The story made the headlines, and hundreds attended the funeral. Few people were surprised when the boy's mother and her boyfriend went to prison for the crime.

This wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars—on both sides of the Atlantic—serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith's reputation as a major literary talent.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

Every day Iona, a larger-than-life magazine advice columnist, travels the ten stops from Hampton Court to Waterloo Station by train, accompanied by her dog, Lulu. Every day she sees the same people, whom she knows only by nickname: Impossibly-Pretty-Constant-Reader and Terribly-Lonely-Teenager. Of course, they never speak. Seasoned commuters never do. Then one morning, the man she calls Smart-But-Sexist-Manspreader chokes on a grape right in front of her. He’d have died were it not for the timely intervention of Sanjay, a nurse, who gives him the Heimlich maneuver.

Welcome to my world. I'm Amal Abdel-Hakim, a 17-year-old Australian-Palestinian-Muslim still trying to come to grips with my various identity hyphens. It's hard enough being cool as a teenager when being one issue behind the latest Cosmo is enough to disqualify you from the in-group. Try wearing a veil on your head and practicing the bum's up position at lunchtime and you know you're in for a tough time at school.

What could be better than growing up in the 1980s? How about growing up in 1980s Newfoundland, which—as Mark Critch will tell you—was more like the 1960s. Take a trip to where it all began in this funny and warm look back on his formative years.

What do you do when the doctor says you could die at any moment? Well...after you’ve made a cup of tea, of course. Nathan James is young, successful and has the world at his feet. Unfortunately, he’s also about to die - which ruins things somewhat. And now he’s staring imminent death in the face, Nathan is having to rethink some of his life choices very hard. Then Nathan falls in love with a charming girl called Alison, which is a really stupid thing to do. Because how can you give your heart to someone when it might be about to stop?

Callis Rose is a girl blessed with a gift from above or cursed with a ruthless power she barely understands; it's really just a matter of degrees. As her family life is turned asunder she is thrown into an indifferent Social Services program where she defends herself the only way she knows how. Callis is moved from home to home until she finally settles at the Lowries. As she starts her first day of high school she meets both her favorite and least favorite person. Both happen to be part of the same household.