Sargatanas has Ascended and the doomed, anguished souls have found themselves emancipated. Hell has changed...hasn’t it? The demons, wardens of the souls, are free of their inmates....And the damned, liberated from their terrible torments, twisted and bent but thankful that they are no longer forced to be in proximity to their fearsome jailors, rejoice. But something is stirring under the surface of hell’s ceaseless carnage...and into this terrible landscape come three entities.

After seven years of bitter war, the end has come at last for the conflict known infamously as the Horus Heresy. Terra now lies within the Warmaster’s sights, the Throneworld and the seat of his father’s rule. Horus’ desire is nothing less than the death of the Emperor of Mankind and the utter subjugation of the Imperium. He has become the ascendant vessel of Chaos and amassed a terrible army with which to enact his will and vengeance. But the way to the Throne will be hard as the primarch Rogal Dorn, the Praetorian and protector of Terra, marshals the defences.

The Scarlet Gospels takes listeners back many years to the early days of two of Barker's most iconic characters in a battle of good and evil as old as time: The long-beleaguered detective Harry D'Amour, investigator of all supernatural, magical, and malevolent crimes, faces off against his formidable and intensely evil rival, Pinhead, the priest of hell. Barker devotees have been waiting for The Scarlet Gospels with baited breath for years, and it's everything they've begged for and more.

Fresh out of jail and eager to start a new life, Chet Moran and his pregnant wife, Trish, leave town to begin again. But an ancient evil is looming, and what seems like a safe haven may not be all it appears. Snared and murdered by a vile, arcane horror, Chet quickly learns that pain and death are not unique to the living. Now the lives and very souls of his wife and unborn child are at stake. To save them, he must journey into the bowels of purgatory in search of a sacred key promised to restore the natural order of life and death.

The Battle of Iwo Jima, a major event in the Pacific Theater of World War II - and one of the bloodiest in United States history - began on February 19, 1945. But what happened two days earlier has largely been a footnote - until now.... On February 17, Landing Craft Infantry 449 was among a dozen gunboats helping to prepare the area for their invasion two days later. US military leaders thought that they had weakened Japanese forces in the area.

It is one of the most well-known and well-loved fantasy epics of the twentieth century: the story of Elric, emperor of the dying kingdom of Melniboné. For a hundred centuries the Melnibonéans have ruled from the Dragon Isle of Imrryr. Now, after years of corruption and decadence, Elric’s amoral cousin Prince Yyrkoon, the brother of his beloved Cymoril, sets his eyes on the Ruby Throne. Elric must face his treacherous cousin not as a warrior but as a sorcerer king once again in league with the ancient gods of Melniboné, the Chaos Lords, and thus sealing his inexorable fate.

For Ianthe, war is all too familiar. A former soldier in the Astra Militarum, she now serves Inquisitor Covenant as an agent of the Throne. Her first mission sees her investigating a cult called the Children of Eternity. Falling foul of the local Enforcers, Ianthe soon learns that war in the shadows is seldom straightforward and that the local, angry law-keepers are the least of her troubles.

When Cassie's twin sister, Lissa, commits suicide, Cassie discovers she can travel to Hell to retrieve her sister's soul. Cassie thought she knew all about the Hell of legend, but finds Hell has evolved over the millennia into a bustling city full of the damned with looming skyscrapers, crowded streets, systemized evil, and atrocity as the status quo.

The primarchs, nigh-immortal sons of the Emperor of Mankind, take the stage in a series of short stories showcasing some of their great deeds and hideous acts from across the Great Crusade and the Horus Heresy.

One Christmas Eve in a small hollow in Boone County, West Virginia, struggling songwriter Jesse Walker witnesses a strange spectacle: seven devilish figures chasing a man in a red suit toward a sleigh and eight reindeer. When the reindeer leap skyward, taking the sleigh, devil men, and Santa into the clouds, screams follow. Moments later, a large sack plummets back to earth, a magical sack that thrusts the down-on-his-luck singer into the clutches of the terrifying Yule Lord, Krampus.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

After seven long years of conflict, the Horus Heresy nears its end. But now, as the Warmaster Horus marches on Terra to rip his father from the Throne, the seat of the arch-traitor’s power lies empty. Cthonia, a world once dominated by brutal murder-gangs, is occupied by the Emperor’s praetorians—the indomitable Imperial Fists. For the Sons of Horus, this outrage demands a reckoning.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

In a world scarred by an apocalyptic past, evoking a time both 2,000 years past and 2,000 years into the future, untold thousands gather for a crusade. Among them, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus - part warrior, part philosopher, part sorcerous, charismatic presence - from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.

Sargatanas has Ascended and the doomed, anguished souls have found themselves emancipated. Hell has changed...hasn’t it? The demons, wardens of the souls, are free of their inmates....And the damned, liberated from their terrible torments, twisted and bent but thankful that they are no longer forced to be in proximity to their fearsome jailors, rejoice. But something is stirring under the surface of hell’s ceaseless carnage...and into this terrible landscape come three entities.

E.R. Edison’s The Worm Ouroboros inspired the epic-fantasy that followed him. This production is of the first edition (1922). The Lords of Demonland are celebrating Lord Juss’s birthday when an envoy arrives from Witchland. He brings demands from King Gorice XI of Witchland that the Lords of Demonland “kiss his toe, and acknowledge him to be their King and they, his ill-conditioned, disobedient children”. The Lords of Demonland reject this utterly and, to settle the matter, they challenge King Gorice to a wrestling match against their champion, Lord Goldry Bluszco.

The survivors of the shipwrecked 18th century vessel Glen Carrig fight for their lives amidst a vast continent of weeds. Mysterious wrecks, horrific monsters, and swashbuckling adventure!

Fresh out of jail and eager to start a new life, Chet Moran and his pregnant wife, Trish, leave town to begin again. But an ancient evil is looming, and what seems like a safe haven may not be all it appears. Snared and murdered by a vile, arcane horror, Chet quickly learns that pain and death are not unique to the living. Now the lives and very souls of his wife and unborn child are at stake. To save them, he must journey into the bowels of purgatory in search of a sacred key promised to restore the natural order of life and death.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.