Investigative journalist Sarah Berman explores the shocking practices of NXIVM, a cult run by Keith Raniere and many enablers. Through the accounts of central NXIVM figures, Berman uncovers how dozens of women seeking creative coaching and networking opportunities instead were blackmailed, literally branded, near-starved, and enslaved. Don't Call It a Cult is a riveting account of NXIVM's rise to power, its ability to evade prosecution for decades, and the investigation that finally revealed its dark secrets to the world.

Rich Cohen’s Murder in the Dollhouse is the chilling story of Jennifer Dulos, a beautiful, rich suburban mother who dropped her kids off at the New Canaan Country School one morning and vanished. Her body has never been found. Dulos was in the midst of an ugly divorce—one of the most contentious in Connecticut state history. The couple, a beautiful, highly connected pair, met at Brown University, had five children, and led what appeared to be a charmed life. In the wake of her disappearance, Dulos’s husband and his girlfriend were arrested.

Peabody and Emmy Award–winning journalist Jane Marie expands on her popular podcast The Dream to expose the scourge of multilevel marketing schemes and how they have profited off the evisceration of the American working class.

Elle shares her hard-earned, well-learned insights and understandings, empowering us all to discover our own uniqueness and life purpose. In the dazzling world of fashion, Elle Macpherson is synonymous with elegance and timeless beauty. Her inimitable, ‘give-it-a-go’ spirit underpins all her achievements as an iconic supermodel, businesswoman, and wellness advocate—a remarkable career concealing profound inner challenges.

Sixteenth-century Europe was a hostile world dominated by court politics and patriarchal structures–and yet against all odds, two women rose to power: Elizabeth I and Catherine de Medici. Much has been written about these shrewd and strategic sovereigns, but though their l legacies have been heavily scrutinized, nothing has been said of their complicated relationship—thirty years of camaraderie, competition, and conflict that forever changed the face of Europe.

Low-rise jeans, butterfly clips, The Lizzie McGuire Movie, and Paris Hilton’s nights out. The early 2000s were a time of major moments in fashion, media, celebrity culture, and especially music. The aughts were a particularly fruitful era for female artists—still the only decade in the history of recorded music when women made up more than half the list of highest-grossing performers—and especially pop stars. Artists such as Britney Spears, Taylor Swift, Rihanna, and Beyoncé were leading the charge—their success not only leading to a new respect for female artists, but for pop stardom itself.

Loud and Clear is the first book to tell the full story of the Grateful Dead’s “Wall of Sound,” an unprecedented and since unparalleled speaker system that was as tall as a school bus is long and more than a hundred feet wide. The band’s quest for roaring yet crystal clear sound began after their formation in 1965, colliding with the ‘60s progressive social climate.

Despite being underestimated due to his accent and origins, Desi Arnaz’s legacy is monumental. Purdum’s biography, enriched with unpublished materials and interviews, reveals the man behind the legend and highlights his enduring contributions to pop culture and television. This book is a must-hear biography about innovation, resilience, and the relentless drive of a man who changed TV forever.

Tyra Banks’s America’s Next Top Model was a cultural phenomenon with more than six million weekly viewers at its peak. Over its fifteen-year run, the show captured the glitz of the early aughts as well as its most toxic attitudes—from the glamorous but often questionable photo shoots to the cutting feedback from its highly respected if out-of-touch judges. Watching ANTM now, it feels impossible to imagine a show like this airing today, and as its fans have grown up, they’ve also begun to reckon with the enduring ways that the show has affected their body image and self-esteem.

We Might Just Make It After All brings us on the rollercoaster of adventures (and misadventures) that the best friends embarked on, from transferring colleges on a whim, to falling in and out of love with suitors, cramming into roach-infested Hell’s Kitchen apartments, and eventually designing the chic, simple bag that would launch the pair to global fame. Through it all, Katy and Elyce’s friendship remained unshakeable.

Marty Friedman's upbringing was as atypical as his career. Growing up in a Jewish household in Maryland, the son of an NSA executive, he lacked motivation until he discovered the guitar. Enjoying a hazy adolescence overflowing with partying, music, and teen antics, he achieved local stardom in Deuce, then burst onto the national scene by pioneering a radically new style of playing, bringing attention to the guitar aficionado label, Shrapnel Records. Friedman moved to California and scored a gig in Megadeth.

To tell Larry Charles's life story is to tell the story of modern American comedy. Over the last 40 years, few comedians have been a part of so many iconic, beloved projects. Larry was one of the original writers and producers on the first five seasons of Seinfeld, directed over 20 episodes each of Curb Your Enthusiasm and Entourage, and served as the showrunner for Mad About You. His film directing credits include Borat, Bruno, and The Dictator, Bill Maher’s Religulous, and Bob Dylan’s Masked and Anonymous. In Comedy Samurai, Charles pulls back the curtain.

The Ophelia is your typical billionaire yacht: ridiculously luxurious, owned by a ruthless money man, and staffed by a crew whose only job is to indulge the guests’ every wish. Model-gorgeous Sasha is a last-minute hire for a weeklong Atlantic crossing. She joins fellow stewardesses Jade, Imogen, Euphemia, and Lola. The Ophelia’s stewardesses are almost identical—blonde and model-gorgeous—and all were lured to the Ophelia by high wages and a chance to leave their problems behind when they set sail. But despite its sleek opulence, the Ophelia isn’t as heavenly as it seems.

Human Nature is a deeply felt inquiry into our rapidly changing Earth. In each chapter, Marvel uses a different emotion to explore the science and stories behind climate change. As expected, there is anger, fear, and grief—but also wonder, hope, and love. With her singular voice, Marvel takes us on a soaring journey, one filled with mythology, physics, witchcraft, bad movies, volcanoes, Roman emperors, sequoia groves, and the many small miracles of nature we usually take for granted.

You can tell what a society values by who it labels as a genius. You can also tell who it excludes, who it enables, and what it is prepared to tolerate. In The Genius Myth, Helen Lewis unearths how this one word has shaped (and distorted) our ideas of success and achievement. Ultimately, argues Lewis, the modern idea of genius—a single preternaturally gifted individual, usually white and male, exempt from social niceties and sometimes even the law—has run its course.

This is the incredible true story of a Galilean stonemason who changed the course of the world forever. He lived and died over 2,000 years ago, fulfilling expectations that existed long before his birth. His birth had been mystically foretold by astrologers for hundreds of years, yet the rulers of his day dreaded his coming. This humble builder-teacher became a magnet for the poor and down trodden, a symbol of love and mercy, who transformed the lives and restored the health and purpose in all who encountered him.

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“Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of downtown New York’s 1970s music scene, Talking Heads have endured as a musical and cultural force for decades, their unique brand of transcendent, experimental rock a lingering influence on popular music—despite having disbanded over thirty years ago. Now on the 50th anniversary of the band’s formation, acclaimed music biographer and contributor to The New Yorker Jonathan Gould offers the definitive story of Talking Heads.

You’ve heard about the tantrums, the seething, the storming out of court, yes. But what about E. Jean’s side of the story? What about the flight suits, the bottle of green Chartreuse, and the bob? Not My Type puts you in a better seat than the jury box.

As the guitarist and primary songwriter of Exodus and one of the originators of heavy metal, Gary Holt watched as his peers—Metallica, Megadeth, Slayer, Anthrax—soared to superstardom. As his fellow artists amassed millions of fans and record sales, Exodus' albums received critical recognition and inspired generations of listeners—but struggled to reach the same heights of success, as the band was plagued by years of bad management, bad luck, and bad decisions. A Fabulous Disaster follows our narrator through the highest of highs and lowest of lows.