What would you do if you thought your coworker was getting away with murder—literally? Dolores dela Cruz has been dying to spot one in the wild, and he fits the mold perfectly: strangler gloves, calculated charm, dashing good looks that give a leg up in any field . . . including fields of unmarked graves. The new office temp is definitely a serial killer.

For the first time in generations, antisemitism has become a daily reality in America, and it’s getting worse. Jewish synagogues and their congregants are targeted and sometimes killed by extremists, Jewish students are harassed and attacked on campus, conspiracy theories about Jews have gone mainstream on social media, and debates over Israel have veered into dangerous territory. Senator Chuck Schumer tackles the historical, political, cultural, and international forces that have led to the alarming rise of antisemitism in America in the 21st Century.

A therapist and self-help writer with all the answers, Sarah has just bought a gorgeous Victorian in the community of her dreams. Turns out you can get a killer deal on a house where someone was murdered. Plus, renovating Black Wood House makes for great blog content and a potent distraction from her failing marriage. Good thing nobody knows that her past is as tainted as the bloodstain on her bedroom floor.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

Meg Russo was behind the wheel when it happened. She and her husband Justin were driving their daughter Lily to Ithaca College, the family celebrating the eighteen-year-old music prodigy’s future. Then a car swerved up beside them, the young men inside it behaving bizarrely—and Meg lost control of her own vehicle. The family road trip turned into a tragedy. Justin didn’t survive the accident.

When you think about Christmas, you likely picture mangers, glowing fireplaces, sweet carolers, and snow-blanketed hills. But behind all this bright magic, there’s something much darker lurking in the shadows. In The Dead of Winter, Cambridge-trained historian Sarah Clegg delves deep into the folklore of the Christmas season in Europe, detailing the way its terrifying and often debaucherous past continues to haunt and entertain us now in the twenty-first century.

Marcus grew up believing his father killed his mother—then blamed it on the boogeyman under the bed. Always leave the lights on, his father warned, or the boogeyman will get you. Marcus still heeds the superstition, especially when he invites his new girlfriend over. Is Marcus haunted by a creature or has he just inherited his father’s murderous delusions? The night will tell.

It’s a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend—a nun beloved by the community—has been found dead in her apartment. When the police declare the mysterious death a suicide, Glory is convinced that there must be more to the story and, with her reluctant daughter in tow, launches a shadow investigation in a town of oil tycoons, church gossips, and a rumored voodoo priestess.

Growing up, May Hanover was a good girl, always. Well-behaved, top of her class, a compulsive rule-follower. Raised by a first-generation Chinese single mother with high expectations, May didn’t have room to slip up, let alone fail. Her friends didn’t call her the Little Sheriff for nothing. But even good girls have secrets. And regrets. When it comes to her friendship with Lauren and Kelsey, she's had her fair share of both.

Girls like Reya Samuels always come from Prince George’s County. Reya is rich and she’s not afraid to show it—she wears designer clothes, drives a custom pink Audi, and lives in a neighborhood tucked behind a fancy cast iron gate. She works hard, but she can get anything she wants with a snap. Sommer Watkins is from Seat Pleasant, where the cast iron gates are significantly smaller—and attached to the windows, where most folks are still trying to make ends meet. Every day for Sommer is a hustle, working at her dad’s bookstore.

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Sariyah Lee Bryant can hear what people need—tangible things, like a pencil, a hair tie, a phone charger—an ability only her family and her best friend, Malcolm, know the truth about. But when she fulfills a need for her friend Deja who vanishes shortly after, Sariyah is left wondering if her ability is more curse than gift. This isn’t the first time one of her friends has landed on the missing persons list, and she’s determined not to let her become yet another forgotten Black girl.

It’s the first week of senior year at Meadowbrook Academy. For Amy and her best friend Sarah, that means late-night parties at the boathouse, bike rides through their sleepy Connecticut town, and the crisp beginning of a New England fall. Then tragedy strikes: Sarah and her boyfriend are brutally murdered in their dorm room. Now the week Amy has been dreaming about for years has turned into a nightmare, especially when all eyes turn to her as the culprit.

The year is 1862 and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial "humanitarianism," which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself.

Charlotte’s daughter Stella is sensitive and brilliant, perhaps even a genius, but a recent change in her behavior has alarmed her mother. Following the sudden death of Stella’s babysitter, Blanka, the once disruptive and anti-social child has become docile and agreeable. But what’s unsettling is that she has begun to mirror Blanka’s personality, from Blanka’s repetitive phrases to her accent, to fierce cravings for Armenian meat stew after being raised a vegetarian.

Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.

Ella Simone’s popstar life is what dreams are made of. Her eight year marriage to renowned music producer, Elliot Majors, has helped garner the hits, awards, and adoring fans to prove it. But when Ella tires of Elliot's many infidelities, she decides to fight for her independence despite the ironclad prenup that threatens her career.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

One spring afternoon after school, Amber arrives home on her bike. It’s just another perfectly normal day. But when Amber’s mom sees her, she screams. Because Amber died seven years ago, hit by a car while on the very same bicycle she’s inexplicably riding now. This return doesn’t only impact Amber. Her sister, Melissa, now seven years older, must be a new kind of sibling to Amber. Amber’s estranged parents are battling over her. And the changes ripple farther and farther out.

Sigrid hates working at the Dollar Pal, but having always resisted the idea of growing up into the trappings of adulthood, she did not graduate high school, preferring to roam the streets of her small town with her best friend Greta, the only person in the world who ever understood her. Her older sister Margit is baffled and frustrated by Sigrid’s inability to conform to the expectations of polite society.

Avery Jensen is almost thirty, fresh off a breakup, and she’s tired of always being so uptight and well-behaved. She wants to get a hobby, date around (especially women), flirt with everyone she sees, wear something not from the business casual section of her closet—all the fun stuff normal people do in their twenties. One problem: Avery doesn't know where to start. She doesn't have a lot of dating experience, with men or women, and despite being self-assured at work, she doesn't have a lot of confidence when it comes to romance. Enter Taylor Cameron, Napa Valley's biggest flirt.

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . .

1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.