Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the greatest American memoirs - a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early 20th century.

Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey.

Stephen Sondheim was a multi-award-winning American composer whose works have garnered more than 60 Tony Awards, as well as an Oscar for Best Song and the Pulitzer Prize for Drama. Here he discusses his life and achievements in a series of interviews from the BBC radio and TV archive.

In December 1935, Zdeněk Koubek, one of the most famous sprinters in European women’s sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era.

In 2017, New Yorker staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly , that process – and the years of conversation – was cut short by Sondheim’s own hesitations, then the global pandemic, and finally by the great artist’s death in November 2021.

The Memory Palace is a collection of tiny, crystalline historical tales that come across like luminous short fiction, and, like Nate DiMeo’s acclaimed podcast of the same name, conjure lost moments and forgotten figures who are calling out across time to be remembered. For fifteen years, Nate DiMeo has turned to the past to make sense of the way we live today, finding beauty and meaning in history’s dustier corners, holding things up to the light and weaving facts, keen insight, wit, and poignant observation into unforgettable tales.

Born in the Bronx, Guy Trebay was raised in an atmosphere of privilege on Long Island’s North Shore after his entrepreneurial father struck business gold with Hawaiian Surf, a wildly successful cologne company that capitalized on the optimism of the 1960s as marketed to “an adventurous new breed of men.’’ But behind the facade of material prosperity lay the emotional disarray of a household dominated by a charismatic, con artist father, a glamorous yet lost and careless mother, a family haunted by tragedy.

This new biography of Van Buren—the first full-scale portrait in four decades—charts his ascent from a tavern in the Hudson Valley to the presidency, concluding with his late-career involvement in an antislavery movement. Offering vivid profiles of the day's leading figures (Andrew Jackson, Henry Clay, John C. Calhoun, John Quincy Adams, DeWitt Clinton, James K. Polk), James Bradley's book depicts the struggle for power in the tumultuous decades leading up to the Civil War.

Throughout the past year, teacher Chasten Glezman Buttigieg has emerged on the national stage, having left his classroom in South Bend, Indiana, to travel cross-country in support of his husband, former mayor Pete Buttigieg, and Pete's groundbreaking presidential campaign. Through Chasten's joyful, witty social media posts, the public gained a behind-the-scenes look at his life with Pete on the trail - moments that might have ranged from the mundane to the surprising, but that were always heartfelt.

The Holocaust is much discussed, much memorialized, and much portrayed. But there are major aspects of its history that have been overlooked. Spanning the entirety of the Holocaust, this sweeping history deepens our understanding. Dan Stone—Director of the Holocaust Research Institute at Royal Holloway, University of London—reveals how the idea of “industrial murder” is incomplete: many were killed where they lived in the most brutal of ways.

In this follow-up to her critically acclaimed memoir, Home, Julie Andrews shares reflections on her astonishing career, including such classics as Mary Poppins, The Sound of Music, and Victor/Victoria.

Heartbreak Is the National Anthem: How Taylor Swift Reinvented Pop Music is the first book that goes deep on the musical and cultural impact of Taylor Swift. Nobody can tell the story like Rob Sheffield, the bestselling and award-winning author of Dreaming the Beatles, On Bowie, and Love Is a Mix Tape. The legendary Rolling Stone journalist is the writer who has chronicled Taylor for every step of her long career, from her early days to the Eras Tour. Sheffield gets right to the heart of Swift and her music, her lyrics, her fan connection, her raw power.

Romans! Madrigals! The Dark Ages! Revolutions! Trumpets! The Oranges of The First World War! All of this (except trumpets) and more, is covered in this definitive, easy-clean history of all world history so far, written by the 21st Century's leading historian, philosopher and thinkerer Philomena Cunk.

Cats are mysterious creatures, and the relationship between humans and cats has never been simple. Curious and affectionate, independent and uninterested, predator and prey. Their true nature continues to elude us, and their subtle and complex behavioral problems can often seem unsolvable or incomprehensible. So, how can we tell if a cat is suffering? What are the root causes of feline aggression? And how can we treat patients who can’t speak for themselves?

Tennessee Williams’s iconic work is an evocative memory-play about an eccentric Southern family revolving around the domineering Amanda Wingfield and her grown children: the cynical Tom and the fragile Laura. This L.A. Theatre Works production reunites the cast of the Roundabout Theatre’s celebrated revival, which earned Drama Desk Awards for Kevin Kilner as Jim, and, in her Broadway debut, Calista Flockhart as Laura.

Stephen Sondheim was a multi-award-winning American composer whose works have garnered more than 60 Tony Awards, as well as an Oscar for Best Song and the Pulitzer Prize for Drama. Here he discusses his life and achievements in a series of interviews from the BBC radio and TV archive.

Moss Hart's Act One, which Lincoln Center Theater presented in 2014 as a play written and directed by James Lapine, is one of the greatest American memoirs - a glorious memorial to a bygone age filled with all the wonder, drama, and heartbreak that surrounded Broadway in the early 20th century.

With a sharp eye and wry wit, Roger Hall recounts his experiences as an American Army officer assigned to the Office of Strategic Services (OSS) during World War II. In his droll storytelling style, Hall describes his first parachute jump in support of the French resistance as a comedy of errors that terminated prematurely. Called one of the funniest and most perceptive works ever written about life in the OSS, the book includes a wealth of unforgettable personalities that Hall encountered over the years.

For far too long the mythology of Indiana basketball has been dominated by Hoosiers. Framed as the ultimate underdog, feel-good story, there has also long been a cultural debate surrounding the film. The Real Hoosiers sets out to illuminate the narrative that the film omits, the story of the unheralded Crispus Attucks Tigers, playing the game at the highest level in the 1950s in a racially divided Indiana.

No one does glamour, severity, girlish charm, or tight-lipped witticism better than Dame Maggie Smith. Michael Coveney's biography shines a light on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades.

Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy.

A remarkably candid biography of the remarkably candid - and brilliant - Carrie Fisher. Sourced by friends, colleagues, and witnesses to all stages of Fisher’s life, Carrie Fisher: A Life on the Edge is an empathic and even-handed portrayal of a woman who - as Princess Leia, but mostly as herself - was a feminist heroine, one who died at a time when we need her blazing, healing honesty more than ever.

In I See Myself, Joe Bonsall reflects on the contrasts and the crossroads of his life. From growing up in the inner city of Philadelphia to sitting on the front porch of his log home in rural Tennessee. From hanging with a street gang in his teens to surrendering to Christ at a youth camp. From working as a short order cook to headlining sold-out arenas. And now—from running across the stage each night to being sidelined by a neuromuscular disorder that has stolen his mobility.

Known for his journalism, biographies and novels, A. N. Wilson turns a merciless searchlight on his own early life, his experience of sexual abuse, his catastrophic mistakes in love (sacred and profane) and his life in Grub Street—as a prolific writer. The audiobook begins with his heart-torn present-day visits to Katherine, now for decades his ex-wife, who has slithered into the torments of dementia. At every turn of this reminiscence, Wilson is baffled by his earlier self—whether he is flirting with unsuitable lovers or with the idea of the priesthood.

From her starring roles as a skeptical child in the perennial classic Miracle on 34thStreet and a troubled adolescent in Rebel Without a Cause to mature roles in Splendor in the Grass and West Side Story, actress Natalie Wood transfixed the world with her hypnotic brown eyes. Yet behind the beautiful façade lurked a fragile, sparkling, generous, funny woman traumatized by her childhood and beset by personal demons.

In December 1935, Zdeněk Koubek, one of the most famous sprinters in European women’s sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era.

Oksana Masters was born in Ukraine—in the shadow of Chernobyl—seemingly with the odds stacked against her. She came into the world with one kidney, a partial stomach, six toes on each foot, webbed fingers, no right bicep, and no thumbs. Her left leg was six inches shorter than her right, and she was missing both tibias.

“What am I, bologna?” Mary Rodgers (1931-2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened.

In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. Let the Record Show is a revelatory exploration - and long-overdue reassessment - of the coalition’s inner workings, conflicts, achievements, and ultimate fracture.

Starting out in the mid-70s, a time when few women were directing movies, Susan Seidelman was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC.