
Kill the Dog
The First Book on Screenwriting to Tell You the Truth
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Narrado por:
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Paul Guyot
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De:
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Paul Guyot
Acerca de esta escucha
Kill the Dog is the first book on screenwriting written by an actual working professional screenwriter. Award-winning screenwriter Paul Guyot exposes the lies other screenwriting books have told, and presents authentic, essential instruction and motivation for anyone wanting a career as a professional screenwriter. This book provides all the answers, from what producers and studios actually want, to what makes one screenplay better than another, to why so many have been doing it wrong for so long. The author takes us inside the exclusive members-only world of professional screenwriters, from television writers rooms to meetings with producers and studio executives, to facts about formatting, structure, craft, art, and voice.
Every aspect of screenwriting is covered with an authority and credibility never seen in any book to come before. Told with honesty, humor, and vulnerability from the real-world perspective of a working, professional screenwriter, Kill the Dog reveals the secrets of what it takes to have a successful career as a Hollywood screenwriter.
©2023 Domestique Inc. (P)2023 Domestique Inc.Los oyentes también disfrutaron...
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- How Story Forms Explain the Way the World Works
- De: John Truby
- Narrado por: Nick Mondelli
- Duración: 22 h y 16 m
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Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses—movie studios, production companies, video game studios, and publishing houses—buy and sell them. Legendary writing teacher John Truby provides a guide to understanding the major genres of the story world.
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Audible is not the best medium for this book
- De Ken en 02-13-25
De: John Truby
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Dialogue
- The Art of Verbal Action for Page, Stage, and Screen
- De: Robert McKee
- Narrado por: Robert McKee
- Duración: 11 h y 10 m
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In Dialogue, Robert McKee offers in-depth analysis for how characters speak on the screen, on the stage, and on the page in believable and engaging ways. From Macbeth to Breaking Bad, McKee deconstructs key scenes to illustrate the strategies and techniques of dialogue. Dialogue applies a framework of incisive thinking to instruct the prospective writer on how to craft artful, impactful speech.
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Not suited for audio
- De Smith en 03-04-17
De: Robert McKee
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Adventures in the Screen Trade
- De: William Goldman
- Narrado por: Kiff VandenHeuvel
- Duración: 13 h y 39 m
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No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the best-selling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and more.
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Classic in the field stands up
- De Jenny Jenkins en 01-01-24
De: William Goldman
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Making Movies
- De: Sidney Lumet
- Narrado por: Richard M. Davidson
- Duración: 7 h y 23 m
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One of the greatest directors of all time, Sidney Lumet has made movies that have been nominated for more than 50 Academy Awards. Making Movies is an honest and unflinching look at the business and craft of movie making. Lumet's book reveals the ingredients for the potion that brings movie magic to life and assures one thing: you will never look at movies the same way again.
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Clearly a genius but material dates
- De M. Rogers en 08-31-19
De: Sidney Lumet
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The Film Director's Intuition
- Script Analysis and Rehearsal Techniques
- De: Judith Weston
- Narrado por: Judith Weston
- Duración: 12 h y 9 m
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This book is an invaluable and inspirational material for the film, television and theater professional. It helps directors, actors, writers, designers, producers and executives tap into their imagination and instincts, in turn helping them create the films they’ve always dreamed of creating.
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Great guidance
- De Steven C. Gauntt en 05-03-25
De: Judith Weston
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Write Your Novel from the Middle
- A New Approach for Plotters, Pantsers and Everyone in Between
- De: James Scott Bell
- Narrado por: James Scott Bell
- Duración: 2 h y 4 m
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what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process...Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life.
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Bell's excellent advice, less well conveyed
- De Jennifer en 09-14-20
De: James Scott Bell
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The Secrets to Creating Character Arcs
- A Fiction Writer's Guide to Masterful Character Creation (Growing Authors Out of Writers)
- De: John S. Warner
- Narrado por: Angus Freathy
- Duración: 3 h y 36 m
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When you think of unforgettable characters from books you’ve read, who comes to mind? James Bond, Harry Potter, Scarlett O’Hara, Elizabeth Bennett, Atticus Finch, Sherlock Holmes? These are just some of the most iconic characters in fiction. They are so memorable that even decades or centuries later, they still captivate our imagination. But what exactly is it about them that keeps generations so invested in them? Writers apply certain rules and tricks with their characters to make their stories shine. With this guide, you’ll find out exactly what they are.
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Great foundations
- De JB9K en 07-18-24
De: John S. Warner
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The Story Grid
- What Good Editors Know
- De: Shawn Coyne
- Narrado por: Dan Portnoy
- Duración: 8 h y 9 m
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The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult).
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good story, but audiobook needs an editor
- De Jeroen de Jong en 12-17-19
De: Shawn Coyne
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The Scream Writer's Handbook
- How to Write a Terrifying Screenplay in 10 Bloody Steps
- De: Thomas Fenton
- Narrado por: Virtual Voice
- Duración: 1 h y 55 m
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The only Horror Screenwriter's Handbook written by a successful Hollywood screenwriter. Authored by Hollywood horror screenwriting veteran Thomas Fenton, whose credits include work on the Saw and I Spit On Your Grave horror franchises, The Scream Writer's Handbook offers a 10-step approach to writing a screenplay from idea through completing a first draft. Tom's 10-Step approach in The Scream Writer's Handbook shares a proven process for developing story ideas, characters, dialogue, and scenes that terrify the reader on the page, and on the screen. You'll learn the powerful Rule of Three, ...
De: Thomas Fenton
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The Science of Storytelling
- De: Will Storr
- Narrado por: James Clamp
- Duración: 6 h y 51 m
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How do master storytellers compel us? There have been many attempts to understand what makes a good story, but few have used a scientific approach. In The Science of Storytelling, Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can tell better stories, revealing, among other things, how storytellers - and also our brains - create worlds by being attuned to moments of unexpected change.
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A great portal into human psychology
- De Stephanie Romer en 02-13-21
De: Will Storr
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On Writing
- A Memoir of the Craft
- De: Stephen King
- Narrado por: Stephen King, Joe Hill, Owen King
- Duración: 9 h y 7 m
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“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999—and how the inextricable link between writing and living spurred his recovery.
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Who needs a print edition when King reads King?
- De Cather en 11-18-05
De: Stephen King
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The Craft of Scene Writing
- Beat by Beat to a Better Script
- De: Jim Mercurio
- Narrado por: Stephen Bowlby
- Duración: 11 h y 49 m
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No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".
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Abridged and censored- not the full book!
- De Jonathan en 10-02-20
De: Jim Mercurio
Truth shall set you free
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Experienced wisdom full these pages
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Absolutely liberating!
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Some good advice but sometimes feels like it tries too hard to convince you all other ideas are wrong
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In my headline I mention disagreement. What I have in mind is that I don’t fully buy his near total dismissal of the study of story structure. There’s no way many of the great screenplays out there weren’t in part constructed with planning and analysis, although I’m sure that often happens during the many rewrites Guiot urges us to prepare for. He repeatedly underlines how it’s not this or that theory but that it’s THE WRITING that matters, and of course that’s true, but THE WRITING surely can include deliberate work on structure and theme. To me, that sounds like a romantic simplification. Would you tell a painter not to bother with composition, color theory, perspective, and anatomy, because what matters is THE PAINTING? Yet, I acknowledge that this excellent man knows much more than I and so I share this doubt in full awareness I may be partly or entirely wrong, and even if I’m right, Guiot’s emphasis on practicing the actual craft of writing and writing and writing is still a beautiful, inspiring, and necessary thing. I’ll be rereading this book soon. My strongest recommendation.
Even the few things I disagreed with I was still inspired by
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This book is less a "How to" in terms of scenes, circles, and steps and is more like a "How to" in terms of what the process feels like while you write. This book is like having a condensed, competent mentor, not a guru, tell you what's up.
The best advice I've ever heard.
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Why the Cat Books Are Wrong
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Great book!
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Essential!
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Honesty Appreciated
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