
Last Night in Twisted River
A Novel
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Narrado por:
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Arthur Morey
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De:
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John Irving
Acerca de esta escucha
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.
What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”
Reseñas de la Crítica
"Absolutely unmissable . . . [A] big-hearted, brilliantly written and superbly realized intergenerational tale of a father and son.”—Financial Times
“Engrossing . . . Irving’s sentences and paragraphs are assembled with the skill and attention to detail of a master craftsman creating a dazzling piece of jewelry from hundreds of tiny, bright stones.”—Houston Chronicle
“There’s plenty of evidence in Irving’s agility as a writer in Last Night in Twisted River. . . . some of the comic moments are among the most memorable that Irving has written.”—New York Times
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Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.
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Outstanding
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For John Irving fans
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Not his best but...
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This is the same reader as "Until I Find You", which I had judged to be an interminable mess. Could it be that the earlier book was better than I originally thought? Well no, but a good reader can often improve the experience of reading a book. This one, who has a perfectly pleasant tone, has no ear for voices, particularly the women. In a dialogue-rich book like this one, it was very distracting and ultimately diminished my enjoyment of a very good novel.
I'd rate the book itself 4 stars and the performance 1 star.
Better to read it
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Too bad the story had to stop.
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The narrator's voice is nice, but his consistent mispronunciation of street names in Toronto was distracting and annoying.
Really only worth 1 credit though.
I liked the book, but
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Another John Irving masterpiece
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I've been a John Irving fan since Garp. His writing is superb. I always care for his characters.
Last Night in Twisted River has been my commute companion for the past several weeks. It captured me on several levels. The story was intriguing, characters were engaging and I felt priviledged to gain some of Irving's insight into his life and writing process. (Another great take into writers and writing is Stephen King's "On Writing.")
It always takes me some time to get into the rhythm of audiobook narrators, with the exception of Will Patton in most of James Lee Burke's novels. Arthur Morey's effort with this book was no exception. Once I picked up on it, I found his narration to be transparent and easy to follow. I'll be hearing Ketchum's voice in my head for some time.
How many more years before I can enjoy another John Irving novel? I can't wait!
I was totally absorbed...
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John Irving at full power
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Morey superb
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Long, drawn out story but masterfully written!
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