February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.”

Demonstrating once again her gift for spellbinding storytelling, Anne Rice makes real for us a great dynasty of four centuries of witches - a family given to poetry and incest, murder and philosophy, a family that over the ages is itself haunted by a powerful, dangerous, and seductive being called Lasher who haunts the Mayfair women. Moving in time from today's New Orleans and San Francisco to long-ago Amsterdam and the France of Louis XIV, from the coffee plantations of Port-au-Prince to Civil War New Orleans and back to today, Anne Rice has spun a mesmerizing tale.

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....

Bruno, dying, obsessed with spiders and preoccupied with death and reconciliation, lies at the center of an intricate spider's web of relationships and passions: Bruno's estranged and grieving son Miles; Danby, Bruno's widowed son-in-law, consoling himself with the Adelaide the maid, one of Murdoch's finest comic creations; creepy Nigel the nurse and his besotted twin Will, fighter of duels. The flooding Thames brings about the climax, and all are left changed by love and forgiveness before the old man's death.

“It is a sin to write this. It is a sin to think words no others think and to put them down upon a paper no others are to see. It is base and evil.” Deep issues of conscience are explored in Ayn Rand’s dystopian tale of a man who dares to fight against a system that invades his very mind and identity.

When a successful New York lawyer suddenly disappears without a trace, neither his wife nor his daughter Julia has any idea where he might be - until they find a love letter he wrote many years ago to a Burmese woman they have never heard of. Intent on solving the mystery and coming to terms with her father’s past, Julia decides to travel to the village where the woman lived. There she uncovers a tale of unimaginable hardship, resilience, and passion that will reaffirm the listener’s belief in the power of love to move mountains.

Despite her misgivings, child psychologist Lynn McLeod can't ignore the plea to help 10-year-old Jilly Asche, the daughter of her ex-husband, Stephen. But immediately upon her return to Virginia's Blue Ridge Mountains, Lynn is drawn subtly into the lives of everyone in the secluded household: Stephen, now an enigmatic stranger; Julian, a mesmerizing family friend who challenges Lynn's ideas of life and death; and Jilly, the beautiful lost child burdened by a terrifying and deadly secret.

Termed the Uncle Tom's Cabin of the southwestern Indians and the first protest novel of California, Ramona is the story of 3 cultures - Indian, Mexican, and Anglo - locked in combat. The upheaval and injustice are humanized through the romance of a beautiful half-Indian orphan who grow up as the ward of Señora Moreno in privileged surroundings, then falls in love with an Indian and joins him in a life of poverty and tragedy. The Ramona Pageant in Hemet, California, based on this romance, has played each year since 1923, reenacting the transition period between Mexican traditions and the new U.S. and state governments.

The brilliance of this story is in how a normal bureaucrat, a judge in this case, has a small accident that winds up gradually taking his life. As he deals with this incident, with hope at first and then despair, he comes to terms with his family, his life, and the mediocrities that we all suffer with, except for the exceptional few. This story rings a particularly poignant note for those in early middle age facing the next part of their lives. This story is considered Tolstoy's best.

The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.

"It is the heart of this place, and it is dying," says the Beast. And it is true; the center of the Beast's palace, the glittering glasshouse that brings Beauty both comfort and delight in her strange new environment, is filled with leafless brown rosebushes. But deep within this enchanted world, new life, at once subtle and strong, is about to awaken. Twenty years ago Robin McKinley enthralled listeners with the power of Beauty. Now this extraordinarily gifted novelist retells the story of Beauty and the Beast again - but in a totally new way, with fresh perspective, ingenuity, and mature insight.

Clarissa is almost 17 when the spell of her childhood is broken. It is 1914, the beginning of a blissful, golden summer - and the end of an era. Deyning Park is in its heyday, the large country house filled with the laughter and excitement of privileged youth preparing for a weekend party. When Clarissa meets Tom Cuthbert, home from university and staying with his mother, the housekeeper, she is dazzled.

Young Peony is sold into a rich Chinese household as a bondmaid - an awkward role in which she is more a servant, but less a daughter. As she grows into a lovely, provocative young woman, Peony falls in love with the family's only son. However, tradition forbids them to wed. How she resolves her love for him and her devotion to her adoptive family unfolds in this profound tale, based on true events in China over a century ago.

A tale of the distant future by the author of The Shape-Changer's Wife brings listeners to a world in which the fate of all life rests on the voice of an angel.

This exquisite, resonant novel by PEN/Faulkner winner James Salter is a brilliant portrait of a marriage by a contemporary American master. It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach.