Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon the two discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages, and the fear of losing his independence.

Jane and Dan have been married for nineteen years, but Jane isn’t sure they’re going to make it to twenty. The mother of two feels unneeded by her teenagers, and her writing career has screeched to an unsuccessful halt. Her one published novel sold under five hundred copies. Worse? She’s pretty sure Dan is cheating on her. When the couple goes to the renowned upscale restaurant La Fin du Monde to celebrate their anniversary, Jane thinks it’s as good a place as any to tell Dan she wants a divorce.

In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family. There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees. But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

This is the story of the peculiar and magical photo studio owned by Mr. Hirasaka, a collector of antique cameras. In the dimly lit interior, a paper background is pulled down in front of a wall, and in front of it stands a single, luxurious chair with an armrest on one side. On a stand is a large bellows camera. On the left is the main studio; photos can also be taken in the courtyard. Beyond its straightforward interior, however, is a secret. The studio is, in fact, the door to the afterlife, the place between life and death where those who have departed have a chance—one last time.

The young English narrator of Lea Carpenter’s dazzling new novel has grown up unhappily in London, dreaming of escape, pretending to be someone else and obsessed with a locked private garden. On the eve of her twenty-first birthday, at a party near that garden, she meets its charismatic and mysterious new owner, Marcus, thirty-three years older, who sweeps her off her feet. Before long they are married at his finca in Mallorca, and at last she has escaped into a new role–but at what price?

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve seen before.

A welcoming refuge with its tempting pantry, shelves of books and inquisitive dog, Caroline Eden finds comfort away from the road in her basement Edinburgh kitchen. Join her as she cooks recipes from her travels, reflects on past adventures and contemplates the kitchen’s unique ability to tell human stories. This is a hauntingly honest, and at times heartbreaking, memoir with the smell, taste and preparation of food at its heart.

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

Sitting beneath a stained glass window dedicated to his grandmother in the Atlanta church where his family had prayed for generations, preeminent American historian David Levering Lewis was struck by the great lacunae in what he could know about his own ancestors. He vowed to excavate their past and tell their story.

Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her well-adjusted peers obsess over marriages, mortgages, and motherhood. Sanjana needs to move forward—and finalize her divorce, ASAP.

Seven cats weave their way through their owners’ lives, climbing, comforting, nestling, and sometimes just tripping everyone up in this uplifting collection of tales by international bestselling author Hiro Arikawa. Bursting with love and warmth, The Goodbye Cat exquisitely explores the cycle of life, from birth to death—as each of the seven stories explores how, in different ways, the steadiness and devotion of a well-loved cat never lets us down.

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”