John Wayne Cleaver is dangerous, and he knows it. He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation. Dead bodies are normal to John. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat - and to appreciate what that difference means.

Michael Shipman is paranoid schizophrenic; he suffers from hallucinations, delusions, and complex fantasies of persecution and horror. That's bad enough. But what can he do if some of the monsters he sees turn out to be real? Who can you trust if you can't even trust yourself? The Hollow City is a mesmerizing journey into madness, where the greatest enemy of all is your own mind.

Meet Dexter Morgan, a polite wolf in sheep’s clothing. He’s handsome and charming, but something in his past has made him abide by a different set of rules. He’s a serial killer whose one golden rule makes him immensely likable: he only kills bad people.

What if the most dangerous serial killer is the one who hunts her own kind? By day, Leah Nachtnebel is celebrated as one of the greatest pianists of our time. By night, she becomes a ruthless killer, using her brilliant mind to hunt predators who believe they’ve escaped justice. But when her latest target unearths a connection to her dark past, Leah is thrust into the crosshairs of two relentless forces: an FBI agent determined to uncover her secrets and a sadistic serial killer who doesn’t just see her as a traitor—he sees her as a trophy he must possess.

Jazz is a likable teenager. But he's also the son of a (now incarcerated) infamous serial killer, and "Dear Old Dad" has taught Jazz everything he knows. But what Jazz doesn't know is whether or not he is destined to follow in his father's footsteps. He knows he has urges, but he also knows that he has a conscience, that he can follow his own path. And so, in an effort to right his father's wrongs, Jazz decides to help the police (although they don't know it yet) hunt down "The Impressionist" - a new serial killer in town.