
Playworld
A Novel
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Narrado por:
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Adam Ross
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De:
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Adam Ross
Acerca de esta escucha
"Starting off 2025 with a novel this terrific gives me hope for the whole year."—Ron Charles, The Washington Post
"A gorgeous cat's cradle of a book . . . The swirling vapors of Holden Caulfield are present in Playworld, for sure, but also Lolita, Willy Loman, Garp."—Alexandra Jacobs, The New York Times Book Review
"Extraordinary . . . A beguiling ode to a lost era . . . Line for line the book is a revelation."—Leigh Haber, Los Angeles Times
THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • A big and big-hearted novel—one enthralling, transformative year in the life of a child actor coming of age in a bygone Manhattan, from the critically acclaimed author of Mr. Peanut
“In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.”
Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse.
Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.
Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.
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Reseñas de la Crítica
"Engrossing . . . Things come to a head one fateful summer as, amid personal and family tumult, the maturing Griffin begins to inhabit his most important role: himself." —The New Yorker
“Dazzling and endearing . . . Gorgeously textured and frequently very funny, [Playworld] revels in all the heady, scuzzy, confusing bits of coming of age.” —Vogue ("The Best Books of 2025")
"Starting off 2025 with a novel this terrific gives me hope for the whole year . . . Playworld presents us with a story dipped in molten nostalgia and flecked with love and sorrow . . . A bildungsroman from which anger has been vented, and what’s left behind is redolent with insight, tenderness and forgiveness . . . The narrator’s voice is an extraordinary hybrid of a boy’s plaintive innocence and a man’s wry reflection . . . Somehow, Ross can recall high school with enough fidelity to re-create on the page that visceral feeling of utter bafflement at the behavior of adults. But nothing baffles Ross as a narrator. His powers of observation and sensation seem to invade every nook of these lives like the tentacles of some giant octopus with consciousness in every sucker . . . There’s not a dull line, and yet his prose doesn’t feel like a Christmas tree so freighted with baubles that the branches risk shearing off . . . Whatever past rough experiences Ross may be mining here, they’ve been compressed under the pressure of time and genius into a cluster of literary gems . . . Such is the stuff great novels are made on." —Ron Charles, The Washington Post (cover review)
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Historia
At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat center she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.
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Good multiple narrators. Tiresome characters.
- De CoastalReader en 02-20-25
De: Adam Haslett
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Vantage Point
- A Novel
- De: Sara Sligar
- Narrado por: Adam Ewer, Helen Laser, Jess Nahikian
- Duración: 12 h y 10 m
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Clara and her brother, Teddy, grew up on a small island in Maine in the shadow of their parents’ tragic deaths, haunted by rumors and paparazzi. Fourteen years later, they’ve mostly put their turbulent past to rest. Teddy has married Clara’s best friend, Jess, and the three of them have moved back home to take over the sprawling, remote family mansion known as Vantage Point. Then Teddy decides to run for the Senate—an unnerving prospect made much worse when intimate videos of Clara are leaked online.
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What a disappointment .
- De scumble en 02-10-25
De: Sara Sligar
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Flesh
- A Novel
- De: David Szalay
- Narrado por: Daniel Weyman
- Duración: 9 h y 36 m
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Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.
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Everything
- De Amazon Customer en 04-06-25
De: David Szalay
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I'll Come to You
- De: Rebecca Kauffman
- Narrado por: Elisabeth Rodgers
- Duración: 6 h y 12 m
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A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.
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Richly developed Characters
- De QueeneB21 en 01-24-25
De: Rebecca Kauffman
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Stone Yard Devotional
- A Novel
- De: Charlotte Wood
- Narrado por: Ailsa Piper
- Duración: 6 h y 37 m
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Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.
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A profound inward journey
- De Kathlene barrett en 02-17-25
De: Charlotte Wood
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Caledonian Road
- A Novel
- De: Andrew O'Hagan
- Narrado por: Michael Abubakar
- Duración: 22 h y 51 m
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Campbell Flynn, art historian, professor, and fêted fixture of the literati, always knew that when his life came crashing down, it would happen in public—yet he never imagined that a single year in London would expose so much. He’s never taken other people half as seriously as they take themselves, which is the first of his mistakes. The second is a new project: opportunistic and precisely calibrated to rake in a fortune.
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The best audiobook I have ever listened to
- De Samuel Barker en 07-31-24
De: Andrew O'Hagan
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Audition
- A Novel
- De: Katie Kitamura
- Narrado por: Traci Kato-Kiriyama
- Duración: 4 h y 46 m
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Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.
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Bizarre
- De Kevin en 04-23-25
De: Katie Kitamura
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Don't Be a Stranger
- A Novel
- De: Susan Minot
- Narrado por: Susan Minot
- Duración: 12 h y 1 m
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Ivy Cooper is 52 years old when Ansel Fleming first walks into her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience the physical chemistry between them is overpowering, and over the heady weeks and months that follow Ivy finds her life bifurcated by his presence.
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Blah blah blah
- De RogueDC en 05-02-25
De: Susan Minot
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The Whole World
- A Novel
- De: Emily Winslow
- Narrado por: John Mawson, Connor Eiding, Philip Battley, y otros
- Duración: 9 h y 36 m
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At once a sensual and irresistible mystery and a haunting work of psychological insight and emotional depth, The Whole World marks the beginning of a brilliant literary career for Emily Winslow, a superb, limitlessly gifted author.
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Boring...
- De rkr4cds en 03-24-14
De: Emily Winslow
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The Book of George
- A Novel
- De: Kate Greathead
- Narrado por: Blair Baker
- Duración: 9 h y 17 m
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If you haven’t had the misfortune of dating a George, you know someone who has. He’s a young man brimming with potential but incapable of following through; sweet yet noncommittal to his long-suffering girlfriend; distant from but still reliant on his mother; charmingly funny one minute, sullenly brooding the next. Here, Kate Greathead paints one particular, unforgettable George in a series of droll and surprisingly poignant snapshots of his life over two decades.
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Lots of potential, little payoff
- De Chalin Smith en 10-24-24
De: Kate Greathead
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Our Evenings
- A Novel
- De: Alan Hollinghurst
- Narrado por: Prasanna Puwanarajah
- Duración: 16 h y 36 m
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Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.
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Sublime Collaboration
- De Phip Herrick en 11-20-24
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Show Don't Tell
- Stories
- De: Curtis Sittenfeld
- Narrado por: Michael Crouch, Curtis Sittenfeld, George Newbern, y otros
- Duración: 10 h y 33 m
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In her second story collection, Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long held beliefs are overturned.
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Always a pleasure
- De joshua simons en 03-21-25
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Dream State
- A Novel
- De: Eric Puchner
- Narrado por: MacLeod Andrews
- Duración: 13 h y 44 m
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Cece is in love. She has arrived early at her in-laws’ beautiful lake house in Salish, Montana, to finish planning her wedding to Charlie, a medical student with a brilliant future. Charlie asks Garrett, his best friend from college, to officiate, though Cece can’t imagine anyone less appropriate for the task; Garrett doesn’t believe in love, much less marriage. But as she spends time with Garrett, and his gruff mask slips, her long-held expectations for her life with Charlie begin to crumble, her feelings for Garrett—haunted by a tragic event from his past—become impossible to bury.
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An Enthralling Listen
- De Regina en 02-20-25
De: Eric Puchner
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Trauma Plot
- A Life
- De: Jamie Hood
- Narrado por: Jamie Hood
- Duración: 9 h y 34 m
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In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.
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powerful
- De Anonymous User en 06-05-25
De: Jamie Hood
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Saltwater
- A Novel
- De: Katy Hays
- Narrado por: Allyson Ryan, Cassandra Campbell, Carlotta Brentan
- Duración: 11 h y 49 m
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In 1992, Sarah Lingate is found dead below the cliffs of Capri, leaving behind her three-year-old daughter, Helen. Despite suspicions that the old-money Lingates are involved, Sarah’s death is ruled an accident. And every year, the family returns to prove it’s true. But on the thirtieth anniversary of Sarah’s death, the Lingates arrive at the villa to find a surprise waiting for them—the necklace Sarah was wearing the night she died.
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Entertained
- De Hannah Chiet en 04-08-25
De: Katy Hays
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Crush
- A Novel
- De: Ada Calhoun
- Narrado por: Robyn Maryke
- Duración: 5 h y 44 m
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She’s happy and settled and productive and content in her full life—a child, a career, an admirable marriage, deep friendships, happy parents, and a spouse she still loves. But when her husband urges her to address what the narrow labels of “husband” and “wife” force them to edit out of their lives, the very best kind of hell breaks loose. Using the author’s personal experiences as a jumping-off point, Crush is about the danger and liberation of chasing desire, the havoc it can wreak, and most of all the clear sense of self one finds when the storm passes.
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insufferable main characters
- De Brian en 05-25-25
De: Ada Calhoun
Nostalgic for a Gen Xer
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I highly recommend this story and feel honored that the author himself was willing to read it to me.
Exceptional story and writingbl
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Did not like narration
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Tough time with narration.
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I wish Playworld was like James at 15 — a tv drama from that era which grew along with its titular character — I’m totally down to read “Griffin at 15”. And 16. (And I really hope that neither would include Amanda!)
Beautifully written and narrated
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Gripping and touching journey
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I usually hate it when an author reads his own work. However, Adam Ross reads with a whispery earnestness that grew on me. Nevertheless, a professional narrator would have brought more verve to the telling. And note, Ross is terrible with accents, like the Long Island accent of the “older woman” in the story.
I was sorry to finish the novel and leave these charming characters behind.
Good Company
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Is it over yet?
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Perfect in Every Way
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Most Enjoyable
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