Playworld Audiolibro Por Adam Ross arte de portada

Playworld

A Novel

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Playworld

De: Adam Ross
Narrado por: Adam Ross
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"Starting off 2025 with a novel this terrific gives me hope for the whole year."—Ron Charles, The Washington Post

"A gorgeous cat's cradle of a book . . . The swirling vapors of Holden Caulfield are present in Playworld, for sure, but also Lolita, Willy Loman, Garp."—Alexandra Jacobs, The New York Times Book Review

"Extraordinary . . . A beguiling ode to a lost era . . . Line for line the book is a revelation."—Leigh Haber, Los Angeles Times

THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • A big and big-hearted novel—one enthralling, transformative year in the life of a child actor coming of age in a bygone Manhattan, from the critically acclaimed author of Mr. Peanut

“In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.”

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse.

Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.

Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.

©2025 Adam Ross (P)2025 Random House Audio
Género Ficción Mayoría de Edad Urbano Vida Urbana Nueva York Celebridad Divertido Sincero

Reseñas de la Crítica

"Engrossing . . . Things come to a head one fateful summer as, amid personal and family tumult, the maturing Griffin begins to inhabit his most important role: himself." The New Yorker

“Dazzling and endearing . . . Gorgeously textured and frequently very funny, [Playworld] revels in all the heady, scuzzy, confusing bits of coming of age.” —Vogue ("The Best Books of 2025")

"Starting off 2025 with a novel this terrific gives me hope for the whole year . . . Playworld presents us with a story dipped in molten nostalgia and flecked with love and sorrow . . . A bildungsroman from which anger has been vented, and what’s left behind is redolent with insight, tenderness and forgiveness . . . The narrator’s voice is an extraordinary hybrid of a boy’s plaintive innocence and a man’s wry reflection . . . Somehow, Ross can recall high school with enough fidelity to re-create on the page that visceral feeling of utter bafflement at the behavior of adults. But nothing baffles Ross as a narrator. His powers of observation and sensation seem to invade every nook of these lives like the tentacles of some giant octopus with consciousness in every sucker . . . There’s not a dull line, and yet his prose doesn’t feel like a Christmas tree so freighted with baubles that the branches risk shearing off . . . Whatever past rough experiences Ross may be mining here, they’ve been compressed under the pressure of time and genius into a cluster of literary gems . . . Such is the stuff great novels are made on." —Ron Charles, The Washington Post (cover review)

Vivid Period Details • Masterful Storytelling • Beautiful Vocabulary • Well-developed Characters • Gorgeous Prose
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Well developed story, filled with elements from my childhood. Listened to the author speak at a book club. He is well spoken and kind. Was happy to support him!

Nostalgic for a Gen Xer

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Not much to dislike. The prose accessible and engaging. The descriptions were sublime. The story so intimate and personal. I loved all the characters, they were well developed, all flawed and real, and worthy of my empathy. The story flowed well and I never got bored, despite long forays into character descriptions, visual observations, outlining the political climate, or the author’s life understandings.

I highly recommend this story and feel honored that the author himself was willing to read it to me.

Exceptional story and writingbl

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I liked this story and I can understand why an author would want to narrate his own work. But please, please hire a professional narrator for your next novel! I cannot explain why, but the author's voice/cadence or something just grated on my nerves. I almost had to quit several times but just read the book at home and only listened to it in the car. I wish I could have experienced it with a different person narrating, as I think I would have enjoyed it much more.

Did not like narration

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Good story but the narration was off putting for me. It sounds like the clichéd affectation of a poetry reading.

Tough time with narration.

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It took me a while to get into this book but once I did, I was mesmerized by Ross’ wonderful way with words (with the exception of three — two too many — uses of the word “cherry” to describe a cigarette’s burning end which made me flinch) and masterful capturing of NYC and the Hamptons in the 80s. As someone who grew up in the city, went to private school (and Studio 54 and Dorian’s) and summered on long island, I’d have been the first to pick apart any mis-representation yet Ross’ pitch perfect recreation of that time in those places, of the myriad minute details— from plastic red and white gingham tablecloths and l’air du temps spritzes at Bloomingdale’s to the old commercial taglines and fingers rubbed raw by blue book contact, listening yo this book was like looking through a gigantic tome of a photo album — he is a master at capturing and conveying details. Bravo, too, to his reading of his work which (aside from pronouncing the “t” in OFTEN) was spot on.

I wish Playworld was like James at 15 — a tv drama from that era which grew along with its titular character — I’m totally down to read “Griffin at 15”. And 16. (And I really hope that neither would include Amanda!)

Beautifully written and narrated

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The sweeping and illustrious work in this exquisitely written piece is mind blowing. Anyone with a deep passion for NYC and in a quest for meaning of love in all its forms will find this novel captivating. Having been a child of the 70-80’s gave it even more depth into the world of this character. It immediately goes to my lifetime top ten favorite books. Please Adam Ross don’t wait so long to write your next book. This fan will be waiting to go on another glorious journey with you with bated breath.

Gripping and touching journey

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Griffin Hurt and his family and friends make good company in “Playworld.” I grew to appreciate them as they wrestled with the competitive drive of Manhattan—its private schools, its theater community, its therapists. The plot, in which a teenage actor/wrestler handles school, romance and disgraceful sexual abuse as best he can, is well structured and perceptive. Griffin can be amusing, frustrating and heartbreakingly vulnerable.

I usually hate it when an author reads his own work. However, Adam Ross reads with a whispery earnestness that grew on me. Nevertheless, a professional narrator would have brought more verve to the telling. And note, Ross is terrible with accents, like the Long Island accent of the “older woman” in the story.

I was sorry to finish the novel and leave these charming characters behind.

Good Company

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I'll be quick, a mercy I wish the author has granted the reader. The book is similar to Catcher in the Rye in that nothing really happens. It's a cycle of various relationships, wrestling, and acting that go nowhere. But where Catcher in the Rye does us the kindness of being short, this book goes on forever. Having said that, it's well written. Just don't expect any of the myriad storylines to go anywhere. What really bothered me was the narration. The cadence of his voice irritated me so much I almost almost stopped listening several times. He tends to draw out his vowels at commas and periods, making him sound like a clichéd beat poet. I imagined him snapping his fingers and saying "Yeah" throughout. Drove me nuts.

Is it over yet?

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This novel paints such a perfect picture of a life, a time and a place that I’d call it a modern classic. NYC is as much a lead character as Griffin is. It’s sad and funny and beautiful and the author gives it the voice it deserves. It’s a great novel.

Perfect in Every Way

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I thoroughly enjoyed Playworld by Adam Ross. I listened to the author read his novel on Audible and felt as though he were sitting in a chair telling me a story, a compelling one which made me both laugh aloud and furrow my brows with disbelief. This novel tells a story of a young "boy to man" coming of age in Manhattan in the early '80's. Throughout the novel we watch Griffin deal with ordinary 14 year old boy issues of the time such as making weight for his high school wrestling team and playing Dungeons and Dragons; as well as some not so ordinary issues as he makes out with a 36 year old friend of his parents in the back seat of her Mercedes and deals with a predatory wrestling coach. Ross is not only telling us the story of Griffin and people in his immediate circle, he is relating the scene socially and politically as well. We get a good picture of what life was like before cell phones and the tracking of children. One is spurred to contemplate life and how we live it for days after finishing the novel. I liken Playworld to some of my favorite novels, The Power of One by Bryce Courtney and This is Happiness by Neill Williams.

Most Enjoyable

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