Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

A delightfully funny, fantastically inventive collection of twenty unearthed short stories by Sir Terry Pratchett, the award-winning and bestselling author and creator of the phenomenally successful Discworld fantasy series. These rediscovered tales were written by Terry Pratchett under a pseudonym for British newspapers during the 1970s and 1980s. The stories have never been attributed to him until now, and might never have been found—were it not for the efforts of a few dedicated fans.

At six years old, Terry was told by his headteacher that he would never amount to anything. He spent the rest of his life proving that teacher wrong. At 66, Terry had lived a life full of achievements: becoming one of the UK's best-selling writers, winning the Carnegie Medal and being awarded a knighthood for services to literature. Following his untimely death from Alzheimer's disease, the mantle of completing Terry's memoir was passed to Rob Wilkins, his former assistant, friend and now head of the author's literary estate.

A nightmarish danger threatens from the other side of reality. . . . Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle—aka the Wee Free Men—a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men.

According to The Nice and Accurate Prophecies of Agnes Nutter, Witch (the world's only completely accurate book of prophecies, written in 1655, before she exploded), the world will end on a Saturday. Next Saturday, in fact. Just before dinner. So the armies of Good and Evil are amassing, Atlantis is rising, frogs are falling, tempers are flaring. Everything appears to be going according to Divine Plan.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place which might sound and smell very much like our own, but which looks completely different. Collected together for the first time are seven full-cast BBC Radio dramatisations of Terry Pratchett’s novels, with star-studded casts including Martin Jarvis, Sheila Hancock, Anton Lesser, Philip Jackson, Alex Jennings and Mark Heap.

To the thousands of tiny nomes who live under the floorboards of a large department store, there is no outside. Things like day and night, sun and rain are just daft old legends. Then a devastating piece of news shatters their existence: the Store, their whole world, is to be demolished.

After seven years of bitter war, the end has come at last for the conflict known infamously as the Horus Heresy. Terra now lies within the Warmaster’s sights, the Throneworld and the seat of his father’s rule. Horus’ desire is nothing less than the death of the Emperor of Mankind and the utter subjugation of the Imperium. He has become the ascendant vessel of Chaos and amassed a terrible army with which to enact his will and vengeance. But the way to the Throne will be hard as the primarch Rogal Dorn, the Praetorian and protector of Terra, marshals the defences.

This audiobook brings together 13 uproarious short stories and one novella, focused on Ciaphas Cain, Hero of the Imperium. His stories are celebrated as heroic propaganda pieces, but he’s simply trying to stay alive in a hostile galaxy.

People start dropping dead around Charlie, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death.

Night Watch is a world as elaborate and imaginative as Tolkien or the best Asimov. Living among us are the "Others", an ancient race of humans with supernatural powers who swear allegiance to either the Dark or the Light. A thousand-year treaty has maintained the balance of power, but an ancient prophecy decrees that one supreme "Other" will rise up and tip the balance. When a young boy with extraordinary powers emerges, will the forces of the Light be able to keep the Dark from corrupting the boy and destroying the world?

A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

For three days battle has raged in the snow around the great city of Tar Valon. In the city, a foretelling of the future is uttered. On the slopes of Dragonmount, the immense mountain that looms over the city, a child is born, an infant prophesied to change the world. That child must be found before he can be killed by the forces of the Shadow.

It began on New Year’s Eve. The sickness came on suddenly, and spread quickly. The fear spread even faster. Within weeks, everything people counted on began to fail them. The electrical grid sputtered; law and government collapsed - and more than half of the world’s population was decimated. Where there had been order, there was now chaos. And as the power of science and technology receded, magick rose up in its place.

The world of Faerie never disappeared: it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie’s survival—but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Half-human, half-fae, outsiders from birth, these second-class children of Faerie spend their lives fighting for the respect of their immortal relations.