
Red Cat
A John March Novel
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Narrado por:
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Elliott Gould
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De:
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Peter Spiegelman
Acerca de esta escucha
With a troubled past and a job that attracts too much attention from the law, private investigator John March has always been the black sheep of his merchant banking family—which makes the identity of his latest client all the more surprising: his smug older brother.
David March has been having affairs with anonymous women he meets on the internet, and now one of these women is stalking him. David knows her only as Wren. She, however, knows everything about David—and she's threatening to tell his wife and colleagues, ruining his life.
But after Wren turns up dead, John finds he's no longer searching for a stalker—now he's looking for a murderer, and the clues keep leading him back to his older brother's doorstep.
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So... I can understand why the publishers felt that this novel was sufficiently important to snag a celebrity reader. Eliot Gould may be past his greatness. Or he may have phoned in at least some of his reading. But what's inescapably true is that the production people failed both Gould and Spiegelman by leaving a debris of seemingly random and maddening pauses behind. However, the story and Gould's adequate presentation of it overcome and this is a mystery which does not fall apart at its end. The characters will haunt you because they are complex and naggingly familiar.
Red Cat is worth the money, the time, and the feelings it provokes. Four and a half stars!!!
Brilliant story • 4.5 Stars • Major talent but...
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I agree with good book/bad reader
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good book bad narrator
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In spite of the other reviewers....
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Red Cat
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Good book, bad reader
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Worst Narration in the World
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Breathy reader.
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Narrator problems!
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The narration by Elliot Gould is clumsy and does little to service the strong, dark plot. As a fan of Gould's television and film work, I was sorely tried by his laborious pacing, oddly accented characterizations and stumbling pronunciations.
Worse, still is the poor production quality of the recording. The lackadaisical editing results in numerous overly long pauses in dialog or narration, distasteful breath and mouth sounds from the narrator and annoying stretches of crackling static. Unforgiveable.
Given Scott Brick's superb reading of Black Maps, produced by Books on Tape, it's difficult to understand the switch to Phoenix for Red Cat.
Although I would recommend Spiegelman's work to any fan of the modern noir thriller, and do so enthusiastically in the case of Brick's Black Maps reading, frankly, I would suggest they pass up this Red Cat production and read the book instead.
Poor Production Quality Diminishes a Strong Plot
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