Geared toward nostalgic adults, this LGBTQ+ series celebrates authentic intimacy, realistic relationships, and the beautiful chaos of growing up queer. Rewind to the nineties and join a group of teenagers as they try to figure out who they are, and who they want to love. Meet your new friends!

Adam, in his early 20s, has to balance the need to develop his career as a pro musician with the demands of home life - he runs a vineyard in France - and partner Sylvain. The arrival in his life of Josh - they meet on a concert tour - adds extra pressure. Though Sylvain, left at home to manage the vineyard, has his own ideas for self-advancement. This third and final volume in the Adam trilogy stands alone also: A self-contained story of life, partnership, and, inevitably, music.

At 22, Adam Wheeler learns that he has come into property, a mill house and vineyard in southern France. Leaving old friends behind, Adam moves across the Channel. His new life is a lonely one, until new neighbour Stéphane turns out to be offering more than just a helping hand with his vines. But when the love of Adam’s teen years, Sylvain, appears on the scene, Adam must decide exactly what, and who, he really wants.

The tragic-comic story of two young men, aged 21 and 18, who fall in love in the summer of 1962, but who have the misfortune to be working as teachers in a Catholic preparatory school at the time. Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O'Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition. To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that homosexuality, which is a crime at the time, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage, there is a third party: John has a lover, a working-class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry.

As his family falls apart day by day, Robin finds himself pulling away from the unquestioned, unexamined life that has been carefully laid out for him. Small acts of rebellion lead to larger questions of what it means to stand on his own. Falling into a fevered triangle with two other outcasts, Todd Spicer and Scott Schatz, Robin embarks on an explosive odyssey of sexual self-discovery that will take him beyond the spring-green lawns of suburbia, beyond the fraying fabric barely holding together his quickly unraveling family, and into a complex future, beyond the world of normal boys.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.

Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis's billion-dollar business is really nothing more than a game of smoke and mirrors.

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

'Between the Stops is a sort of a memoir, my sort. It's about a bus trip really, because it's my view from the Number 12 bus (mostly top deck, the seat at the front on the right), a double-decker that plies its way from Dulwich, in South East London, where I was living, to where I sometimes work - at the BBC, in the heart of the capital. It's not a sensible way to write a memoir at all, probably, but it's the way things pop into your head as you travel, so it's my way'.

When Pixie Sampson's husband tragically dies, she inherits the beautiful Château Quiltu in Brittany, Northern France. But unbeknown to her, she also inherits a mysterious lodger, Justine Martin and her four-year-old son, Ferdie. Heartbroken and with her adventurous mum, Gwen, in tow, they travel to France to put the château on the market but are soon drawn into a quest to seek the château's secrets. Who is Justine? Why is she living at the château? How did she know her husband?

The publication of a new book by William Trevor is a true literary event. One of our finest chroniclers of the human condition, Trevor's precise and unflinching insights into the lives of ordinary people are evidenced once again in this stunning collection of twelve stories. Subtle yet powerful, these exquisitely nuanced tales of regret, deception, adultery, aging, and forgiveness are a rare pleasure, and they confirm Trevor's reputation as a master of the form.