In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: Eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950 - and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.

Thirty-eight year old Cassandra is lost, alone, and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident 10 years ago, feels like she has lost everything known and dear to her.

All children mythologize their birth... So begins the prologue of reclusive author Vida Winter's beloved collection of stories, long famous for the mystery of the missing thirteenth tale. The enigmatic Winter has always kept her violent and tragic past a secret. Now old and ailing, she summons a biographer to tell the truth about her extraordinary life: Margaret Lea, a young woman for whom the secret of her own birth remains an ever-present pain.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

Edie Burchill and her mother have never been close, but when a long lost letter arrives one Sunday afternoon with the return address of Milderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother’s emotional distance masks an old secret.

The year is 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. The year is 1852: Josephine is a 17-year-old house slave who tends to the mistress of a Virginia tobacco farm - an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: Art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine.

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".

Connie's mother asks her to sell an abandoned house once owned by her grandmother in Salem, Mass. Relunctantly, Connie moves to the small town and inhabits the crumbling, ancient house, trying to restore it to a semblance of order. Curious things start to happen when Connie finds the name "Deliverance Dane" on a yellowed scrap of paper and begins to have visions of a long ago woman condemned for practicing "physick," or herbal healing, on her neighbors in 1690s Salem.

NOW A MAJOR BBC DRAMA starring Romola Garai, Chris O'Dowd, Gillian Anderson, Richard E. Grant, Shirley Henderson and Mark Gatiss. 'Watch your step. Keep your wits about you; you will need them....' So begins this irresistible voyage into the dark side of Victorian London. Amongst an unforgettable cast of low-lifes, physicians, businessmen, and prostitutes, meet our heroine Sugar, a young woman trying to drag herself up from the gutter any way she can.

A vicar with a passion for nature, the Reverend Albert Canning leads a happy existence with his naive wife, Hester, in their sleepy Berkshire village in the year 1911. But as the English summer dawns, the Cannings' lives are forever changed by two new arrivals: Cat, their new maid, a disaffected, free-spirited young woman sent down from London after entanglements with the law; and Robin Durrant, a leading expert in the occult, enticed by tales of elemental beings in the water meadows nearby.

When the body of a suicide victim disappears at West Point Military Academy in 1831, only to be discovered hours later missing its heart, the Academy calls on retired detective Gus Landor to investigate. Landor is something of a legend among his peers, noted for an uncanny, Holmesian ability to read people. When Edgar Allan Poe, a new cadet, comes forth with his own cryptic conclusion—that the man Landor is looking for is a poet—Landor is intrigued and enlists Poe as his assistant.

From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.

Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism, and the heart-wrenching humor that have marked all of John Banville's extraordinary works. And it is the question that haunts Alexander Cleave as he plumbs the memories of his first - and perhaps only - love (he, just 15, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring, and finally devastating).

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.