A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

After America’s Second Civil War, the Pro-Choice and Pro-Life armies came to an agreement. According to their Bill of Life, human life may not be terminated from the moment of conception until the age of thirteen. But between the ages of thirteen and eighteen, the child may be gotten rid of by their parent through a process called “unwinding.”

Nick and Allie don’t survive the car accident - and their souls don’t exactly get where they’re supposed to go. Instead, they’re caught halfway between life and death, in a sort of limbo known as Everlost: A shadow of the living world, filled with all the things and places that no longer exist. It’s a magical, yet dangerous, place where bands of lost kids run wild and anyone who stands in the same place too long sinks to the center of the Earth.

The drought - or the Tap-Out, as everyone calls it - has been going on for a while now. Everyone’s lives have become an endless list of don’ts: don’t water the lawn, don’t fill up your pool, don’t take long showers. Until the taps run dry. Suddenly, Alyssa’s quiet suburban street spirals into a warzone of desperation; neighbors and families turned against each other on the hunt for water. And when her parents don’t return and her life - and the life of her brother - is threatened, Alyssa has to make impossible choices if she’s going to survive.

The freeway is coming. It will cut the neighborhood in two. Construction has already started, pushing toward this corridor of condemned houses and cracked concrete with the momentum of the inevitable. Yet there you are, in the fifth house on the left, fighting for your life. Ramey, I. The victim of the bet between two manufactured gods: the seductive and lethal Roxy (Oxycontin), who is at the top of her game, and the smart, high-achieving Addison (Adderall), who is tired of being the helpful one, and longs for a more dangerous, less wholesome image.

Fourteen-year-old Jason faces an identity crisis after discovering that he is the son of aliens who stayed on earth following a botched invasion mission.

The Shadow Club starts simply enough: the kids who are tired of being second-best get together and, for the first time, talk about how they feel. But soon the members decide to play practical jokes on the first-place winners they envy, and things begin to spin dangerously out of control.

After their home burns down, fourteen-year-old Nick, his younger brother, and their father move into a ramshackle Victorian house they've inherited. When Nick opens the door to his attic room, he's hit in the head by a toaster. That's just the beginning of his weird experiences with the old junk stored up there. After getting rid of the odd antiques in a garage sale, Nick befriends some local kids - Mitch, Caitlin, and Vincent - and they discover that all of the objects have extraordinary properties.

Caden Bosch is on a ship that's headed for the deepest point on Earth: Challenger Deep, the southern part of the Marianas Trench. Caden Bosch is a brilliant high school student whose friends are starting to notice his odd behavior.

Tennyson: Don’t get me started on the Bruiser. He was voted “Most Likely to Get the Death Penalty” by the entire school. He’s the kid no one knows, no one talks to, and everyone hears disturbing rumors about. So why is my sister, Brontë, dating him? One of these days she’s going to take in the wrong stray dog, and it’s not going to end well.BronteMy brother has no right to talk about Brewster that way — no right to threaten him. There’s a reason why Brewster can’t have friends — why he can’t care about too many people.

One evening, Tru Lockhart gets a bizarre visit from his father Argus, who has escaped from an institution for the criminally insane. Tru is certain that murder is on his father's mind. Instead, Argus performs a bizarre ceremony that will trigger a startling chain of events, plunging Tru into many oddball worlds, and into the hands of many outlandish villains.

Return to the Black Farm is a direct sequel that follows Nick as he is forced to confront the aftermath of his actions.

Prepare to meet the wicked progeny of the master of modern horror. In Lovecraft's Monsters, H. P. Lovecraft's most famous creations--Cthulhu, Shoggoths, Deep Ones, Elder Things, Yog-Sothoth, and more--appear in all their terrifying glory. Each story is a gripping new take on a classic Lovecraftian creature. Contributors include such literary luminaries as Neil Gaiman, Joe R. Lansdale, Caitlin R. Kiernan, Karl Edward Wagner, Elizabeth Bear, and Nick Mamatas.

Longtime contributor to the Hellboy mythos Christopher Golden brings together a crew of luminaries including Joe R. Lansdale and China Miéville, cross-genre sensation Barbara Hambly, celebrated mystery writer Ken Bruen, best-selling science-fiction and fantasy novelist Tad Williams, and a bevy of other skilled storytellers eager to spin a tale or two about the world's greatest paranormal detective. Some of the biggest names in horror, mystery, and fantasy come together to pay homage to Mike Mignola's Hellboy!

Mike Mignola's award-winning series Hellboy has earned fans all over the world, among them some of the most respected horror, fantasy, and mystery novelists in the field as well as some of Hollywood's most talented writers and directors. Now a who's who list of these writers are drawn together to tell their own tales of Hellboy, to play with the characters and worlds Mignola has created. As part of Dark Horse's celebration of Hellboy in 2004, Christopher Golden has brought together a stellar array of talents.

The Shadow Club starts simply enough: the kids who are tired of being second-best get together and, for the first time, talk about how they feel. But soon the members decide to play practical jokes on the first-place winners they envy, and things begin to spin dangerously out of control.

The freeway is coming. It will cut the neighborhood in two. Construction has already started, pushing toward this corridor of condemned houses and cracked concrete with the momentum of the inevitable. Yet there you are, in the fifth house on the left, fighting for your life. Ramey, I. The victim of the bet between two manufactured gods: the seductive and lethal Roxy (Oxycontin), who is at the top of her game, and the smart, high-achieving Addison (Adderall), who is tired of being the helpful one, and longs for a more dangerous, less wholesome image.

The drought - or the Tap-Out, as everyone calls it - has been going on for a while now. Everyone’s lives have become an endless list of don’ts: don’t water the lawn, don’t fill up your pool, don’t take long showers. Until the taps run dry. Suddenly, Alyssa’s quiet suburban street spirals into a warzone of desperation; neighbors and families turned against each other on the hunt for water. And when her parents don’t return and her life - and the life of her brother - is threatened, Alyssa has to make impossible choices if she’s going to survive.

Sixteen-year-old Blake has always been the responsible one in his dysfunctional family. Quinn is his brother's opposite - a thrill-seeker who's always chasing the next scary rush. Quinn and Blake are in for the surprise of their lives when they're thrust into the world of a bizarre phantom carnival - and their souls are the price of admission. In order to save his brother, and himself, Blake must survive seven different carnival rides before dawn. Seven rides sounds easy. But each ride is full of unexpected dangers, because each ride is a reflection of one of Blake's deepest fears.

Adriana knows that if she can manage to keep her head down for the next seven months, she might be able to get through her sentence in the Compass juvenile detention center. Thankfully, she’s allowed to keep her journal, where she writes down her most private thoughts when her feelings get too big. Until the day she opens her journal and discovers that her thoughts are no longer so private. Someone has read her writings—and has written back. A boy who lives on the other side of the gender-divided detention center. A boy who sparks a fire in her to write back.